Ray Barretto - Señor 007 flac album

Señor 007 ‎(LP, Album, Mono). United Artists Records. Senor 007 ‎(CD, Album). West Side Latino Records.

Album · 1965 · 10 Songs. If you happened to attend a hip house party in New York City in the mid-'60s, you might've heard Ray Barretto right in between the newest singles from Quincy Jones and Marvin Gaye. Because he later grew into an artist of immense cultural importance, it’s easy to forget there was a time when Barretto was best known for a specific brand of swinging-miniskirt dance tunes.

Listen to Señor 007 from Ray Barretto's The Latin Soul Man for free, and see the artwork, lyrics and similar artists. Ray Barretto (April 29, 1929 – February 17, 2006) was a Grammy Award-winning Latin/Latin jazz musician of Puerto Rican ancestry. Ray Barretto, a percussionist extraordinaire and legend in the Salsa & latin Jazz music community has left the music scene with his death in February 2006 at age 76. Born of Puerto Rican descendence in Brooklyn during the depression, he lived with his mother in East Harlem, The South Bronx and other "boricua" districts before he joined the army, where in the latter 1940's he heard Dizzy Gillespie's hard bebop.

Barretto's bold, widescreen arrangements and punishing rhythms ratchet the music's intensity to new levels while also expanding the potent sensuality implicit in Barry's compositions. Familiar melodies like "Goldfinger," "Thunderball," and the ubiquitous "James Bond Theme" seem fresh and new all over again - and the cover, complete with Barretto in a classic espionage tableau, is alone worth the price of admission.

BPM Profile Señor 007. Album starts at 141BPM, ends at 128BPM (-13), with tempos within the -BPM range. Try refreshing the page if dots are missing). Recent albums by Ray Barretto. Standards Rican-Ditioned. Time Was Time Is. 2005.

Ray Barretto (April 29, 1929 – February 17, 2006) was a Puerto Rican conga drummer and bandleader born in New York. Throughout his career as a percussionist, he played a wide variety of Latin music styles, as well as Latin jazz. His first hit, "El Watusi", was recorded by his Charanga Moderna in 1962, becoming the most successful pachanga song in the United States. In the late 1960s, Barretto became one of the leading exponents of boogaloo and what would later be known as salsa

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