The Who Greatest Hits The Who Best Songs. The Who - Won't Get Fooled Again. The music of The Who is filled with the vibrance of youth, the energy of youth and their lyrics speak to the listener from a youthful perspective (though at times also an "old soul" view of the world). Today's "young people music" will seem "old" to younger people 20, 30, 40, 50 years from now. But a young person with perspective will understand that this music comes from the mind and body of young people and that certain truths of the life experiences of young people will resonate in that music forever.
My Generation: The Very Best of The Who is one of The Who's many greatest hits collections, released by Polydor Records internationally and MCA Records in the United States in 1996. Its release coincided with the release of the remastered original albums (omitting My Generation for contractual reasons) and thus contained the newly remastered versions of the songs, and some also remixed. All songs written by Pete Townshend except where noted. I Can't Explain" – 2:04.
The Who are rock legends who are widely considered among the best rock bands of all time. This Who discography is ranked from best to worst, so the top Who albums can be found at the top of the list. To make it easy for you, we haven't included The Who singles, EPs, or compilations, so everything you see here should only be studio albums.
Not only the best from The Who, but a contender for best album ever. The story, the horns, the flow, it all works. Pete Townshend outdid himself with this one, and the band was clearly at their peak. Listen to "The Real Me" and find out why the John Entwistle/Keith Moon combination has no equal. You can't even call them a "rhythm section" as throughout the album either took the lead on many tunes. By far, best album by The Who. Absolutely undervalued. Top 3 best albums ever, possibly the best
From: 'Who Are You' (1978). The original band's final album together is spotty, but the super-heavy title track and lead single features one of their all-time greatest group performances. Who Are You' drives hard, and the band's falling back into place after the lengthy instrumental break comes off like one last shot of release. Townshend's first long-form concept piece, 'The Who Sell Out,' yields just a handful of songs that work out of context. I Can See for Miles' is the best of them, the Who's first Top 10 song and the first sign that they were aiming for something a little more substantial than "R&B-influenced British rock band" in the history books. 4. 'I Can't Explain'.
The Who have been with several labels over the years. In the United Kingdom and elsewhere outside North America, they were signed originally to Brunswick Records. In 1966, they moved to Polydor Records and took the rights to their Brunswick recordings with them. They created and moved to Track Records the following year with distribution by Polydor. They left Track in 1974 and returned to Polydor directly, remaining with the label ever since.
In third album ‘The Who Sell Out’, they delivered a perfectly on-point concept album structured like an illicit radio transmission, featuring fake commercial jingles between songs. For all the artsy japes, standouts like ‘I Can See for Miles’ emerged as instant classics. Over a decade before the Sex Pistols demonstrated that an anti-pop, anti-fashion, anti-everything aesthetic could be alarmingly marketable, The Who were teaching their own generation to flick off polite society’s expectations with their debut record
The Who were always a very different band in the live arena and Live At Leeds captures them at their best. Rather than the tightly-disciplined studio entity, they’re a loose-limbed, tirelessly extemporising rock machine. 7. The Who Sell Out (1967). The Who’s third album - recorded soon after their pivotal appearance at the Monterey Festival - was even more ambitious in scope than A Quick One, yet while lauded as a pop art masterpiece on its initial release it hasn’t aged well.
| A1 | Bucket "T"Written-By – Torrence*, Altfield*, Christian* |
| A2 | I'm A BoyWritten-By – Townshend* |
| A3 | Picture Of LilyWritten-By – Townshend* |
| A4 | Doctor! Doctor!Written-By – Entwhistle* |
| A5 | I Can See For MilesWritten-By – Townshend* |
| A6 | SubstituteWritten-By – Townshend* |
| B1 | Happy JackWritten-By – Townshend* |
| B2 | The Last TimeWritten-By – Jagger-Richard* |
| B3 | In The CityWritten-By – Entwhistle*, Moon* |
| B4 | Call Me LightningWritten-By – Townshend* |
| B5 | Mary Anne With The Shaky HandWritten-By – Townshend* |
| B6 | DogsWritten-By – Townshend* |
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| 612 006 | The Who | Direct Hits (LP, Comp, Mono) | Track Record | 612 006 | UK | 1968 |
| 236 722 | The Who | The Best Of The Who (LP, Comp) | Polydor | 236 722 | Netherlands | 1968 |
| 613 006 | The Who | Direct Hits (LP, Comp) | Track Record | 613 006 | UK | 1968 |
| 914 562 | The Who | Direct Hits (Cass, Comp) | Track Record | 914 562 | UK | 1968 |
| 613 006 | The Who | Direct Hits (LP, Comp) | Track Record | 613 006 | UK | 1968 |
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