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At The Drive In - in•ter a•li•a flac album

At The Drive In - in•ter a•li•a flac album
  • Performer At The Drive In
  • Title in•ter a•li•a
  • Date of release 2017
  • Country USA & Europe
  • Style Indie Rock, Post-Hardcore
  • Other formats WMA ASF ADX MIDI MOD VQF MP2
  • Genre Rock
  • Size MP3 1329 mb
  • Size FLAC 1664 mb
  • Rating: 4.5
  • Votes: 795

in,ter a,li,a is the fourth and final studio album by At the Drive-In, released on May 5, 2017. It is their first studio album in 17 years since Relationship of Command, and their first release since the 2005 compilation album This Station Is Non-Operational.

in·ter a·li·a is the fourth studio album from At The Drive In, and was released on May 5, 2017 through Rise Records. It is also their first studio album in 17 years, following the 2001’s Relationship of Command. All original members except Jim Ward would return for the album. Ward’s spot would be filled by former Sparta guitarist, Keeley Davis. In an interview, frontman, Cedric Bixler-Zavala described how the album was a reaction to the times regarding the 2016 .

The band released their fourth studio album, in,ter a,li,a, in 2017. At the Drive In headlined the Neon Desert Music Festival in 2018 in El Paso, Texas  . Second reunion and in,ter a,li,a (2015–2018). Hiatus (2018–present). At the drive-In was founded in 1994 by guitarist Jim Ward and vocalist Cedric Bixler-Zavala. The newly formed band played its first live show on October 15, 1994 at the Loretto High School Fair in El Paso, Texas. Not long after, At the Drive-In released its first studio recording entitled Hell Paso, a 7-inch EP issued in November 1994. Following Hell Paso’s release, the band members embarked on their first tour – a 2,000-mile trek across the state of Texas. After a drummer change, At the Drive-In released its second EP ¡Alfaro Vive, Carajo! in June 1995.

There are inspired moments throughout in,ter a,li,a. Ultimately it just doesn’t work as well as it should because it’s at times too safe, and effectively an impassioned look at what could have been, with the arduous passage of time standing between what was brilliance and is now good but too safe. Simply put, this album is between two worlds and unable to fully decide which one it wants to a part of. It’s something far older in style and far leaner than what they had once left behind with the mesmerizingly brilliant Relationship

makes u think), it is their most cohesive work to date. This comes at the expense of stand-out tracks - there’s nothing as bone-rattling as Arcarsenal, as thrilling as Napoleon Solo, no lyrics as direct and honest as so who’s in charge in here, ‘cos I’d really like to meet him - but finally we have something like a mission statement. And the last five tracks! Miraculous!

On their first album in 17 years, the post-hardcore band comes exploding back with dutiful performances and familiarly obtuse lyrics, but the overall impact of their style has waned. At the Drive In’s dispatches on shadow governments, mind-crime operations, and cloak-and-dagger espionage remains resonant like most prog of its kind, even when littered with obvious buzzwords like bourgeoisie and chemtrails. Trending Now. The One Song Holly Herndon Wishes She Wrote.

At The Drive In ‎– in,ter a,li,a. Label: Rise Records (3) ‎– RISE 369-1.

Tracklist

A1 No Wolf Like The Present
A2 Continuum
A3 Tilting At The Univendor
A4 Governed By Contagions
A5 Pendulum In A Peasant Dress
A6 Incurably Innocent
B1 Call Broken Arrow
B2 Holtzclaw
B3 Torrentially Cutshaw
B4 Ghost-Tape No. 9
B5 Hostage Stamps

Companies, etc.

  • Phonographic Copyright (p) – Rise Records Inc.
  • Copyright (c) – Rise Records Inc.
  • Recorded At – Sunset Sound Factory
  • Pressed By – GZ Media – 154356E

Credits

  • Bass – Paul Hinojos
  • Drums, Percussion – Tony Hajjar
  • Engineer – Martin Cooke , Nicolas Fournier
  • Guitar – Keeley Davis
  • Illustration – Damon Locks
  • Layout – Christopher Friedman
  • Mastered By – Gentry Studer
  • Mixed By, Producer – Rich Costey
  • Photography By – Jùnn
  • Producer, Guitar – Omar Rodriguez-Lopez
  • Vocals – Cedric Bixler-Zavala
  • Written By, Performer – At The Drive-In

Notes

2,250 units on Half Grimace Purple & Half Deep Purple with Grimace Purple Splatter vinyl

Barcode and Other Identifiers

  • Barcode (Scanned): 4050538274158
  • Barcode (Printed): 4 050538 274158
  • Barcode (On sticker placed on shrink wrap in same position as the printed barcode ): 4 050538 282610
  • Matrix / Runout (Runout side A, machine etched): IN DEFENSE OF THE HERO THE SERMON ON THE MOUNT WILL BE 154356E1/B
  • Matrix / Runout (Runout side B, machine etched): ADMINISTERED INTRAVENOUSLY BY A STATE APPOINTED THERAPIST 154356E2/B
  • Barcode (Scanned (sticker) Variant 2): 816715020505

Other versions

Category Artist Title (Format) Label Category Country Year
RISE 369-2 At The Drive In* in•ter a•li•a ‎(CD, Album, Dig) Rise Records RISE 369-2 USA & Europe 2017
RISE3692J, HSE-7000 At The Drive-In in•ter a•li•a ‎(CD, Album, Dig) Rise Records , BMG, Hostess Entertainment Unlimited RISE3692J, HSE-7000 Japan 2017
RISE 369-3 At The Drive In* in•ter a•li•a ‎(Cass, Album) Rise Records RISE 369-3 US 2017
RISE 369-1 At The Drive In* in•ter a•li•a ‎(LP, Album, Ltd) Rise Records RISE 369-1 USA & Europe 2017
RISE 369-1 At The Drive In* in•ter a•li•a ‎(LP, Album, Ltd, Sea) Rise Records RISE 369-1 USA & Europe 2017