- Performer North Mississippi Allstars
- Title 51 Phantom
- Date of release 2001
- Style Blues Rock
- Other formats MMF MOD MP1 AAC FLAC MP3 VOX
- Genre Rock / Blues
- Size MP3 1989 mb
- Size FLAC 1882 mb
- Rating: 4.5
- Votes: 664
Album Name 51 Phantom. Released date 09 October 2001. Labels Tone-Cool Records. Music StyleSouthern Rock. Members owning this album3. 2. Snakes in My Bushes.
51 phantom, a boolegged man Known from the hills to the bottomland. Late in the evening, 'bout this time of night 51 phantom gets to feelin' right. Memphis to New Orleans the 51 I ride White lightnin' flash across the Mississippi sky. It's the code of the hills like they've never been told Don't look for me out where the monkey grass grows. On down the levy, 'round the bend 51 phantom striking again. Just for the rooster crow for day Had me a howl down the moonshine highway. 51 phantom, the seventh son Memphis to New Orleans on the 51. Til I rest my head on the coolin board 51 phantom on up and down the road. From Memphis to New Orleans on the 51 I'm as old as the hills, the hills we run. 51 phantom creepin through your town Might find your woman squeak round.
51 Phantom (CD, Album). 51 Phantom (CD, Album, RE). Music Avenue.
Exclusive discount for Prime members. Sample this album Artist (Sample). Combining the frenetic energy of Jon Spencer with influences like . Burnside, the emphasis was more on energy than plain old technique. 51 Phantom consists of ten original songs, and one cover (Junior Kimbrough's 'Lord Have Mercy'), and the original tunes hold up very well. The production is also better, thanks to Jim Dickinson, father.
In Memphis, Tennessee, all of US 51 south of South Parkway East was renamed from Bellevue Boulevard to Elvis Presley Boulevard. Graceland sits on this highway, in the subdivision of Whitehaven.
CD - Music Avenue, Blues Boulevard. Yes, 51 Phantom does lose in the comparison game to its excellent predecessor: the Dickinson brothers can't quite hold up an LP with their own songs, and a few of the guitar licks end up as recycled Led Zeppelin clichés. Added bonus: closing out with a raging, nearly demonic "Mud" (a quasi-cover of the Tin Pan Alley standard "Mississippi Mud"), a track verging on grindcore or rap-rock.
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