Susumu Yokota - Mother flac album

One of a series of ten landmark albums, reissued on vinyl to celebrate The Leaf Label’s 20th year. Includes album on CD, packaged with Leaf catalogue inner sleeves and spot varnished Leaf 20 logo on front cover.

Susumu Yokota ‎– Mother. Label: Lo Recordings ‎– LCD73. Country: UK. Released: 09 Mar 2009. Photography By – Susumu Yokota. On release sticker: "Features vocals from Elfterklang, Nancy Elisabeth, Our Broken Garden, The Chap, Caroline Ross and Kaori". Under Exclusive License to from Skintone. P) Lo Recordings 2009.

Sakura is a full-length album from electronic artist Susumu Yokota, released in 1999 in Japan on Skintone (STR03) and on 11 September 2000 in the United Kingdom on The Leaf Label (BAY13). It was named as the top electronic release of the year 2000 by The Wire. Some tracks sample elements of Harold Budd's album "The Pavilion of Dreams".

Mother (Susumu Yokota album). Album covers and liner notes are used, and sometimes additional information is provided, such as analysis of the recording, historically, the term album was applied to a collection of various items housed in a book format. In musical usage the word was used for collections of pieces of printed music from the early nineteenth century. Later, collections of related 78rpm records were bundled in book-like albums, the LP record, or 33 1⁄3 rpm microgroove vinyl record, is a gramophone record format introduced by Columbia Records in 1948

Susumu Yokota album bestography. Higher ranked (64,611th) This album (64,611th) Lower ranked (79,320th) Mother Mother Love Or Die. Listen to Mother on YouTube. 2 of 4 Asami Yokota, mother evacuee from Fukushima, speaks to Parliament, London, 2019. Susumu Yokota - Meltwater (Ft. Caroline Ross & Kaori). No tracks have been rated on this album yet.

File:Susumu Yokota Mother. Non-free media information and use rationale – non-free album cover true for Mother (Susumu Yokota album). This is the cover art for Mother by the artist Susumu Yokota. Mother (Susumu Yokota album).

The 2000s were a staggeringly productive period for Susumu Yokota. Starting off the decade by releasing one of his most gorgeous and enduring works, the majestically serene Sakura, he continued issuing albums at a rate of more than one per year, the majority of them forming a loose series of kindred but conceptually distinct explorations of similarly organic, generally hushed musical territory. As the decade drew to a close, the ever-industrious producer came up with yet another way to traverse that same terrain with Mother, his fifth release on Lo.