Don Patterson - Boppin' & Burnin' flac album

Organ – Don Patterson. Producer, Design – Don Schlitten. Recorded By – Richard Alderson. Trumpet – Howard McGhee. Blue label with silver print, circled trident logo at top. Cat front cover: PR 7563 Cat on labels: PRST 7563. Boppin' & Burnin' ‎(LP, Album). Boppin' & Burnin' ‎(CD, Album, RE).

Four Dimensions is an album by organist Don Patterson recorded in 1967 and released on the Prestige label. The CD is titled Just Friends combined with a Don Patterson, Booker Ervin session without a guitarist. All compositions by Don Patterson except as noted. Red Top" (Gene Ammons, Lionel Hampton, Ben Kynard) - 10:13. Freddie Tooks J. - 5:43.

Don Patterson often gets compared to Jimmy Smith, probably because they are arguably the two best-known jazz (electric) organists. But the fact is, this comparison is hardly fair, as their styles are drastically different. Jimmy Smith plays soulful bluesy grooves, while Mr. Patterson opts for straight-up bebop. Still, to those familiar with Jimmy Smith's work (since Smith is probably the better-known of the two), the sound of "Boppin' and Burnin'" could be be compared to Smith's early masterpiece album, "The Sermon.

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Boppin' & Burnin' is an album by organist Don Patterson recorded in 1968 and released on the Prestige label. Reception Track listing. All compositions by Howard McGhee except as indicated. Pisces Soul" - 13:58. Donna Lee" (Miles Davis) - 6:15. Island Fantasy" - 6:39. Epistrophy" (Kenny Clarke, Thelonious Monk) - 5:09. All compositions by Howard McGhee except where noted. Pisces Soul" – 13:58. Donna Lee" (Charlie Parker) – 6:15. Island Fantasy" – 6:39. Epistrophy" (Kenny Clarke, Thelonious Monk) – 5:09. Now's the Time" (Charlie Parker) – 7:37.

Don Patterson was an experienced pianist before he took up the organ. Inspired to learn to play the Hammond B-3 after hearing Jimmy Smith, he transferred his piano conception to the electric instrument. The result was a style in which he supported single-note lines with rhythmic comping in the left hand and pedal bass lines of great urgency. His taste, lyricism, and attention to dynamics in no way impeded his ability to swing. For this date, his colleagues were trumpet legend Howard McGhee, the young alto sax star Charles McPherson, drummer Billy James, and Pat Martino, a guitarist already on the way to cult status when Boppin’ & Burnin’ was recorded in 1968. Patterson and friends perform two McGhee originals, two classics of the bop era, and a piece by Thelonious Monk. with Howard McGhee, Charles McPherson, Pat Martino, Billy James.