The Four Clefs - V-Day Stomp / Why Be So Blue flac album

The Four Clefs V Day Stomp. play) (pause) (download) (fb) (vk) (tw). The Four Clefs I Like Pie I Like Cake. The Four Clefs I Like Pie, I Like Cake. The Four Clefs When I'm Low, I Get High. The Four Clefs Why Should I Care.

V-Day Stomp, Why Be So Blue ‎(Shellac, 10").

The Four Clefs I Like Pie, I Like Cake. The Four Clefs (160 bpm) I Like Pie, I Like Cake.

Performer: The Four Clefs; Johnny GreenWriter: John GreenVocal refrain. Digitized at 78 revolutions per minute. Four stylii were used to transfer this record. Matrix number: 20-156A Catalog number: 20-1656-A. The recording on the other side of this disc: Why Be So Blue. Technical Notes: Some swishing.

Слушать four clefs онлайн. Хиты FM. Русский рок в XX веке. V Day Stomp Four Clefs.

In modern music, only four clefs are used regularly: treble clef, bass clef, alto clef, and tenor clef. Of these, the treble and bass clefs are by far the most common. The tenor clef is used for the upper register of several instruments that usually use bass clef (including cello, bassoon, and trombone), while the alto is only used by the viola and a few other instruments. It occasionally turns up in keyboard music to the present day (for example, in Brahms's Organ Chorales and John Cage's Dream for piano). Diatonic scale on C, tenor clef.

Listen to the biggest hits from Four Clefs, including Please Don´t Leave Me, The Four Clefs Woogie, Why Should I Care, and more on Slacker Radio. The Four Clefs were a group based in Chicago consisting of William Marshall, pianist James Marshall, guitarist Johnny "Happy" Green, and bassist Melvin "Chappie" Chapman. All four of them sang, though William Marshall was the lead singer and some of their records feature Marshall as solo vocalist; still others are purely instrumental. The Four Clefs recorded for the Chicago division of RCA Victor's subsidiary Bluebird between 1939 and 1945 and their best-selling record was "Hiding All My Cares/"Blue Lude in C Sharp Major"; a slightly later, jive-styled instrumental, "Dig These Blues," is their best-known recording as far as posterity is concerned.