Track 1 is a Sufi dervish rite recorded in Istanbul, May 1994. Track 2 is a Tibetan overtone chant recorded at the Shartse Dratsang Garden Monastery, Mundgod, Karnataka, South India, February 1987. Track 3 is an Indian dhrupad recorded at Triveni Auditorium, New Dehli, April 1994. Other: ISBN 1-55961-268-1. Other Versions (3 of 3) View All. Cat.
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1. –Sadreddin Özçimi, Necati Çelik, Arif Erdebil, Kemal Karaöz. Track 1 is a Sufi dervish rite recorded in Istanbul, May 1994.
In intensive exploration of the methods and meanings of the trance state, this superb CD/book package begins with an extraordinary 27-minute Sufi dervish invocation, Sadreddin Ozcimi's vertiginous ney (flute) solo over a deliberate, repetitive accompaniment of frame drums and oud that modulates into ever higher realms - until, inexplicably, it simply fades out. So much for the trance! Not to worry. Next comes 25 minutes of Tibetan Buddhist chanting from the Shartse Dratsang Garden Monestary in India.
The Five Tibetan Rites is a system of exercises reported to be more than 2,500 years old which were first publicized by Peter Kelder in a 1939 publication titled The Eye of Revelation. The Rites are said to be a form of Tibetan yoga similar to the yoga series that originated in India.
He has made extensive recordings of Tibetan Buddhist rituals, most notably of the chordal chanting of Gyuto Tantric University (one of the great colleges of the Gelugpa, the Established Church of Tibetan Buddhism), and the Drukpa Kagyu rituals of Khampagar Gompa, as well as music from many other countries, including Bolivia, Brazil, Colombia, Ecuador, Peru, Guatemala and Mexico, India, Jammu and Kashmir, Ladakh. Ladakh – Songs & Dances From The Highlands of Western Tibet (LP) Nonesuch, 1977. Tibetan Buddhism – Shartse College of Ganden Monastery (CD) Bridge, 1989. Kecak: A Balinese Music Drama – Kecak Ganda Sari (CD) Bridge, 1990. Japan: Traditional Vocal & Instrumental Music – Shakuhachi, Biwa, Koto, Shamisen (LP) Nonesuch 1976. Japan: Kabuki & Other Traditional Music (LP) Nonesuch, 1980.
He has made extensive recordings of Tibetan Buddhist rituals, most notably of the chordal chanting of Gyuto Tantric University (one of the great colleges of the Gelugpa, the Established Church of Tibetan Buddhism), and the Drukpa Kagyu rituals of Khampagar Gompa, as well as music from many other countries, including Bolivia, Brazil, Colombia, Ecuador, Peru, Guatemala and Mexico, India, Jammu an. China: Music Of The Pipa (CD, Album, RE) Nonesuch, 1991. Trance 1: Sufi Dervish Rite, Tibetan Overtone Chant, Indian Dhrupad (CD) Jigje Kyi Dagjug Chenm. Trance 2: Naqshbandi Sufis, Healing And Trance In Morocco, Balinese Temple Festival (CD) Ellipsis Arts, 1995.
Zia Mohiuddin Dagar - Dhrupad - Raga Yaman. Orpheus Odyssey - Legends on Strings Album.
| 1 | –Sadreddin Özçimi* / Necati Çelik / Arif Erdebil / Kemal Karaöz | Perde KaldirmaNey [Solo], Directed By – Sadreddin Özçimi*Oud – Necati ÇelikPercussion [Bendir], Percussion – Kemal KaraözTambura – Arif Erdebil |
27:23 |
| 2 | –Lamas And Monks Of Shartse Dratsang Garden Monastery | Jigje Kyi Dagjug Chenmo (The Grand Self Empowerment Of Yamantaka) (Excerpt)Overtone Voice – Jampa Yeshe Rinpoche, Lamas And Monks Of Shartse Dratsang Garden Monastery, Lobsang DenzinRecorded By – David LewistonRecorded By [Assistant] – Michael Diffenderffer |
25:38 |
| 3 | –Ustad N. Zahiruddin Dagar* & F. Wasifuddin Dagar* | Raga Mian Ki TodiRecorded By – David LewistonTambura – Mussarra Dagar*, Qamar DagarVocals [Dhrupad] – Faiyaz Wasifuddin Dagar, Ustad Nasir Zahiruddin Dagar* |
24:06 |
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| CD 4000 | Various | Trance 1: Sufi Dervish Rite / Tibetan Overtone Chant / Indian Dhrupad (CD, Comp) | Ellipsis Arts | CD 4000 | US | 1995 |
| CD4310 | Various | Trance 1 (CD, Comp) | Ellipsis Arts | CD4310 | US | 1999 |
| CD 4000 | Various | Trance 1 (Sufi Dervish Rite / Tibetan Overtone Chant / Indian Dhrupad) (CD, Comp, RP) | Ellipsis Arts | CD 4000 | US | Unknown |
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