James Brown - The Payback flac album

The Payback is the 37th studio album by American musician James Brown. The album was released in December 1973, by Polydor Records. It was originally scheduled to become the soundtrack for the blaxploitation film Hell Up in Harlem, but was rejected by the film's producers, who dismissed it as "the same old James Brown stuff. A widely repeated story-including by Brown himself-that director Larry Cohen rejected the music as "not funky enough" is denied by Cohen.

Produced by James Brown.

Payback!!! Revenge I’m mad Get down with my girlfriend, That ain’t right Hollarin' cussin', you wanna fight. Told me that they, they had it all arranged You handed me down, and thats a fact Now you’re pumped, You gotta get ready For the big payback! (the big payback!!) That’s where I laugh, the big payback (the big payback!!) I can do wheelin', I can do dealin' (yes you can!!) But I don’t do no damn squealin' I can dig rappin', I’m ready! I can dig scrappin' But I can’t dig that backstabbin' (Oh No!!) The brother get ready! Thats a fact Get ready you Mother, for the big payback (The big Payback!!) Let me hit 'em hit’em! Hey Hey!

Complete your James Brown collection. The Payback ‎(2xLP, Album). Yegrin Record Co. STR-19. Vendi questa versione. PD 2-3007, PD-2-3007, 2672 015. James Brown.

For the 1973 James Brown album, see The Payback. Payback is American rapper/producer Danny!'s seventh studio album, originally scheduled for a January 17 domestic release.

Album · 1973 · 8 Songs. The pleasure here lies in listening to James Brown and his band go long. Even on slow jams like "Doing the Best I Can," they groove to their limits, the Godfather baring his soul while instruments enter and exit. And where the jazzy funk explorations of Stone to the Bone push you to unexpected lands, Forever Suffering offers soulful comfort. The Payback James Brown.

Stretching eight cuts out over the space of nearly 73 minutes, The Payback is long on extended rhythmic jamming, and by this time Brown and his band had become such a potent and nearly telepathic combination that the musicians were able pull out lengthy solos while still maintaining some of the most hypnotic funk to be found anywhere, and on the album's.

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