1, 3, 6, 7). Label: Archiv Produktion – 25 33 169. Format: Vinyl, LP, Album, Gatefold Sleeve.
colin tilney haendel : suite pour clavecin n°1-3-6-7 - ( stéréo near mint condition ). archiv produktion - 2533 169 Stéréo - Germany - 1974. georg friedrich händel - colin tilney suiten für cembalo (1720 nos. 2 4 5 8) (gatefold). Archiv Produktion - Germany - 2533 168 - 1974. colin tilney, cembalo william byrd : hapsichord music. emi electrola his masters voice - 1 C 063-30 120 - Deutschland - 1974 - original used.
Georg Friedrich Händels Werke. Band 2 Leipzig: Deutsche Händelgesellschaft, 1858. Hallische Händel-Ausgabe, Serie IV: Instrumentalmusik, Band 1: Klavierwerke I. Die acht grossen Suiten Kassel: Deutsche Händelgesellschaft, 1955. Complete Score - . 7MB, 4 pp. - . /10 2 4 6 8 10 (-) - !N/!N/!N - 376 ⇩ - Rdtennent. According to Grove Music, all of Handel's keyboard works were probably written for harpsichord, and the Suites de Pièces pour le Clavecin published in London in 1720 consisted of partly new, partly earlier material.
The French Baroque composer Jean-Philippe Rameau wrote three books of Pièces de clavecin for the harpsichord. The first, Premier Livre de Pièces de Clavecin, was published in 1706; the second, Pièces de Clavessin, in 1724; and the third, Nouvelles Suites de Pièces de Clavecin, in 1726 or 1727. They were followed in 1741 by Pièces de clavecin en concerts, in which the harpsichord can either be accompanied by violin (or flute) and viola da gamba or played alone.
These suites, the 8 'Great Suites,' Haendel's major testament to Baroque keyboard music, are played with verve, character, courage, and nuance. Ludger Remy's subtlety is little short of brilliant, although I must say that occasionally he sacrifices grace for excitement, but then again, that harpsichord is a unique animal and occasionally one cannot blame the performer, really.
Hallische Händel-Ausgabe; Ser. IV: Instrumentalmusik, Bd. Georg Friedrich Händel. This was the set of eight suites published "for the Author" by John Cluer in 1720.
If the rich diversity of Händel’s entire oeuvre has long since overshadowed his reputation as composer of keyboard works, in his lifetime Händel’s popularity as player-composer was second to none. ECM New Series debut for Lisa Smirnova, playing Georg Friedrich Händel’s Eight Great Suites (1720), also known as The Eight London Suites or Suites de Pièces pour le Clavecin, major pieces in the keyboard literature, too rarely brought together on disc.