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John Watermann - Dummyhead flac album

John Watermann - Dummyhead flac album
  • Performer John Watermann
  • Title Dummyhead
  • Date of release 1990
  • Country Australia
  • Style Industrial, Experimental
  • Other formats XM MIDI AC3 APE MP1 AA ASF
  • Genre Electronic
  • Size MP3 1477 mb
  • Size FLAC 1803 mb
  • Rating: 4.8
  • Votes: 174

This album has an average beat per minute of BPM (slowest/fastest tempos:, BPM). See its BPM profile at the bottom of the page. BPM Profile Dummyhead. Album starts at BPM, ends at BPM (+0), with tempos within the -BPM range. Try refreshing the page if dots are missing). Recent albums by John Watermann.

John Watermann - Dummyhead-(AF014)-WEB-FLAC-2007. com/release/1125324 Tracklist: 01.

Listen free to John Watermann – Dummyhead (Listening to My Records, Crazy and more). org/af014/ All compositions written in 1989/90. Produced and recorded by John Watermann. 1990 Nightshift Records NR011. Cover design: John Watermann. 2007 Alias Frequencies AF014 Discover more music, concerts, videos, and pictures with the largest catalogue online at Last.

Слушайте John Watermann и скачивайте бесплатно в формате mp3 прямо сейчас, без кодов, смс и регистрации. A Bewildering Number Of Brides - John Watermann. Without Title - John Watermann. Still warm - John Watermann. No Title - Merzbow, John Watermann. Still warm (1989) - John Watermann. John Watermann, Merzbow - No Title - Merzbow, John Watermann. Except For This - John Watermann.

Playing tracks by. John Watermann, Watermann, John, John Watermann Tagged. Вторая часть передачи о Джоне Ватерманне, слушаем альбомы "Illusions Of Infinite Bliss" (1992), "Babel" (1993), "Rose is a rose is a rose is a rose" (1998), "To Be Taken Seriously" (2006), "Neurotic Jesus Cash Boy" (1999) и "Denial Of Cricket" (2007), "RAM Slot" (2007) и "Move Machine With Glass" (2002).

Complete your John Watermann collection. This recording and Ambiguity were my first exposure to Mr. Watermann's work. At the record shop, upon a quick scan through the beginnings of the tracks I knew these recordings would require further attention.

John Watermann ‎– Dummyhead. Label: Nightshift Records ‎– NR011. The effect was a sort of epiphany in which Watermann's soudscapes blended seemlessly with the paintings and it was as if the sound were being emitted by the lean-to formation subject matter in the artwork its' self. I later wrote Mr. Watermann and described the experience, thanking him for his contrbutions to the world of experimental audio and we enjoyed many more correspondences up until his passing. Reply Notify me Helpful.

Tracklist

Listening To My Records 4:40
Crazy 4:30
Hopelessly Tangled 12:12
Taste Of Speed 2:27
Hammond X 2:26
Hole In The Groin 5:22
Dummyhead 5:40
The Moderation Of Your Agility 4:38
Deus Ex Machina 7:58

Versions

Category Artist Title (Format) Label Category Country Year
NR011 John Watermann Dummyhead ‎(CD) Nightshift Records NR011 Australia 1990
AF014 John Watermann Dummyhead ‎(9xFile, FLAC) Alias Frequencies AF014 Australia 2007
AF014 John Watermann Dummyhead ‎(9xFile, MP3, 320) Alias Frequencies AF014 Australia 2007

Talk about John Watermann - Dummyhead


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This recording and Ambiguity were my first exposure to Mr. Watermann's work. At the record shop, upon a quick scan through the beginnings of the tracks I knew these recordings would require further attention. I purchased both albums and brought them with me to the experimental music radio show of which I was the host. Finding myself quite busy with the technical details of the broadcast I was unable to listen attentively while playing these CDs on air, but I made a cassette recording of my shows for later personal critique. The next day I visited an art gallery which featured what struck me as a rather post-apocolyptic exhibit by Susan Flemming; scraps of wood and debris piled into organic looking hats and odd structures, but with electric glows radiating from deep within. As I passed through the exhibit I listened to the recording of my previous night's radio broadcast and the Watermann set began. The effect was a sort of epiphany in which Watermann's psycho-technological soudscapes blended seemlessly with the paintings and it was as if the sound were being emitted by the lean-to formation subject matter in the artwork its' self. I later wrote Mr. Watermann and described the experience, thanking him for his contrbutions to the world of experimental audio and we enjoyed many more correspondences up until his passing.