Koncert kod Hajdučke česme (styled koncert kod hajduccke ccesme on the cover, trans. The Concert at Hajdučka česma) is the first live album by Yugoslav rock band Bijelo Dugme, released in 1977. The album's title refers to the band's famous concert played on August 28, 1977 near Hajdučka česma grounds at Košutnjak Park in Belgrade, however, the material on the record is only partially recorded at the said event.
Koncert kod Hajdučke česme (styled koncert kod hajduccke ccesme on the cover, trans. The album's title refers to the band's famous concert played on August 28, 1977 near Hajdučka česma grounds at Košutnjak Park in Belgrade, however, the material on the record is only partially recorded at the said event
Bijelo Dugme : Koncert Kod Hajdučke Česme. Progressive Rock, Bosnia and Herzegovina (1977 - Unknown label) Learn more. Progressive Rock - Bosnia and Herzegovina Learn more.
Kad Bi Bio Bijelo Dugme, 08:35. Eto, Baš Hoću, 05:04.
Bijelo Dugme is the seventh studio album by Former Yugoslav and Bosnian rock band Bijelo Dugme. Due to Bijelo Dugme's usage of Uroš Predić's famous painting Kosovo Maiden for the album cover, the album is unofficially known as Kosovka djevojka (trans. Bijelo Dugme is the band's only album recorded with vocalist Mladen Vojičić "Tifa", who came to the band as the replacement for Željko Bebek
Koncert kod Hajdučke česme (styled koncert kod hajduccke ccesme on the cover, trans. During the promotional tour for the band's third studio album, 1976's Eto! Baš hoću!, Bijelo Dugme experienced numerous difficulties, from clashes within the band to technical problems and dwindling attendance. After spending three years at the top of the Yugoslav rock scene, the band suddenly faced a clear drop in popularity. Combined with certain hiatus due to its 25-year-old leader Goran Bregović being called up for his mandatory army service, Bijelo.
Koncert kod Hajducke cesme is a music live recording by BIJELO DUGME (Prog Related/Progressive Rock) released in 1977 on cd, lp, vinyl and/or cassette. This album reflects the first serious crisis in BIJELO DUGME. Drummer Ivandić and keyboardist Ristovski were in constant fight with Bregović during this period and the following year they both left the group pursuing a short solo career as a duet. They even recorded an interesting attempt at symphonic prog rock with the album "Stizemo" in 1978. It is obvious that Bregović wanted to rush the release of this live album before his leaving for compulsory JNA service.