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Dwight Ashley - Discrete Carbon flac album

Dwight Ashley - Discrete Carbon flac album
  • Performer Dwight Ashley
  • Title Discrete Carbon
  • Date of release 2004
  • Style Abstract, Ambient, Minimal
  • Other formats VOC MP3 MOD AHX DTS TTA AUD
  • Genre Electronic
  • Size MP3 1418 mb
  • Size FLAC 1286 mb
  • Rating: 4.4
  • Votes: 358

Album · 2004 · 15 Songs. More By Dwight Ashley.

Listen free to Dwight Ashley – Discrete Carbon (Eightfold Way, It Happened In November and more). Horror and ecstasy cohabit Discrete Carbon’s vast electronic landscapes, a tension-filled pairing that yields an unexpected, transcendent beauty.

Artists Dwight Ashley Discrete Carbon. Unknown Submit Tempo. We don't know the tempo for this song, sorry :( But wait, you do!

Dwight Ashley - Discrete Carbon. Artist: Dwight Ashley. Album: Discrete Carbon, 2004. Provided to YouTube by The Orchard Enterprises. it happened in november · Dwight Ashley. 2004, Dwight Ashley, Released on: 2004-06-08. Auto-generated by YouTube.

On this page you can not listen to mp3 music free or download album or mp3 track to your PC, phone or tablet. All materials are provided for educational purposes. Released at: This album was released on the label Nepenthe Music (catalog number AMC04001). This album was released in 2004 year. US. Format of the release is. CD, Album. The album included the following session artists: Design.

Tracklist Hide Credits

1 Eightfold Way 2:46
2 It Happened In November 7:41
3 Katalepsis
Voice [Voices] – Izzie Herzberg, JFL23SSB
6:02
4 I Thought It Was There 5:00
5 Three Insects 3:35
6 Denial 6:42
7 A Colossus Succumbs
Oboe – Kimberly Bryden
4:21
8 Eat Me, Drink Me 6:36
9 Examined By Tweezers 9:20
10 Carbon 4:38
11 (no audio) 0:06
12 (no audio) 0:06
13 (no audio) 0:06
14 (no audio) 0:06
15 Untitled 1:36

Companies, etc.

  • Record Company – Ashley Media Corp.
  • Phonographic Copyright (p) – Jealous Entropy Publishing
  • Copyright (c) – Dwight Ashley
  • Recorded At – The Rectangle
  • Recorded At – Zeta Recording
  • Manufactured By – Disc Makers – 04031399

Credits

  • Composed By, Performer [Performed By], Producer [Produced By], Effects [All Treatments], Synth [Synths], Guitar, Piano, Sounds [Field Recordings], Keyboards [Cheezio M-10], Liner Notes – Dwight Ashley
  • Design – Paula Ashley
  • Photography By [Photos] – Bruce Works

Notes

Recorded at The Rectangle and Zeta Recording, Toledo, Ohio.

℗ Jealous Entropy Publishing (BMI). © 2004 Dwight Ashley.

Tracks 11 - 15 are not listed on packaging.

Packaged in a six-panel clear-tray Digipak.

Barcode and Other Identifiers

  • Barcode (Text): 8 29757 79142 5
  • Barcode (Scanned): 829757791425
  • Matrix / Runout: 04031399 [Disc Makers logo] AMC04001
  • Rights Society: BMI

Talk about Dwight Ashley - Discrete Carbon


Ttyr
A journey into the dark infinity of inner space, Dwight Ashley’s premiere solo recording is an aural world rich in paradox and contradiction.Horror and ecstasy cohabit Discrete Carbon’s vast electronic landscapes, a tension-filled pairing that yields an unexpected, transcendent beauty. Simultaneously disquieting and cathartic, expansive and intimate, Ashley’s arresting compositions move through a dream-sequence of sonic dark alleys and auditory halls of mirrors, to arrive at an eponymous conclusion that offers no salvation.Ashley’s rendering of the ambient art form on Discrete Carbon resists clichés at every level. Rejecting the meandering “space jams” sometimes associated with the genre, Ashley produces compositions that are focused, structured, and coherent. Ashley’s “experimentalist” nature is evident in his instrumentation: source instruments are frequently indistinguishable as such (to wit, the oboe-cum-cello sequence on Katalepsis), rhythmic textures stand in as melody on a number of tracks, and the album is punctuated throughout by textural detail that is at once subtle and sublime.With Discrete Carbon, Dwight Ashley demonstrates himself to be a significant ambient artist in his own right, a persistent visionary whose goal it is to take us into uncharted interior worlds. We may go quietly and serenely — or kicking and screaming — but he’s determined we make the trip.