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MVDV Presents: Noise Architect - No Escape / Exorcise It flac album

MVDV Industrial Experimental Noise 2013
MVDV Presents: Noise Architect - No Escape / Exorcise It flac album
  • Performer MVDV
  • Title No Escape / Exorcise It
  • Date of release 2013
  • Style Industrial, Experimental, Noise
  • Other formats AHX WMA FLAC MP2 AC3 AAC TTA
  • Genre Electronic
  • Size MP3 1811 mb
  • Size FLAC 1321 mb
  • Rating: 4.3
  • Votes: 841
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Tech stuff; both tracks where recorded in one take on a Tascam Porta One tape deck. I used the Ibanez DD700 digital delay for the vocals in combination with the hold pedal. To stay as close as possible to the original material, only small adjustments in volume and slight equalizing where applied during mastering.

Watch the video for our first single I Could Hear the Water at the Edge of All Things below.

Exorcise" redirects here. It is not to be confused with Exercise. Painting of Saint Francis Borgia performing an exorcism, as depicted by Goya. Exorcism (from Greek εξορκισμός, exorkismós "binding by oath") is the religious or spiritual practice of evicting demons or other spiritual entities from a person, or an area, that are believed to be possessed. Depending on the spiritual beliefs of the exorcist, this may be done by causing the entity to swear an oath, performing an elaborate ritual, or simply by. commanding it to depart in the name of a higher power.

1406 mb. Singer: MVDV. Album Title: No Escape, Exorcise It. Category: Electronic.

The Exorcise Tape Instrumentals by TOBACCO, released 02 June 2015 1. Despise the Lie (Instrumental) 2. Rude Boy (Instrumental) 3. El Camino 2 (Instrumental) 4. Bad Route (Instrumental) 5. Demon Practice (Instrumental) 6. Puni Nani (Instrumental) 7. The 5th Beat (Instrumental) 8. Vodka (Instrumental) 9. Swoll Tongue (Instrumental) 10. Lamborghini Meltdown (Instrumental) 11. Love Hour Zero (Instrumental) instrumentals from the Demon Queen album "Exorcise Tape (Esorcizzare Nastro)".

Streaming + Download. Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more. Purchasable with gift card. Noise Architect Toronto, Ontario.

Many of these furniture-jokes were displayed at Superarchitettura, a 1966 exhibition put on by both Archizoom and Superstudio.

Tracklist

A No Escape 5:58
B Exorcise It 5:58

Companies, etc.

  • Recorded At – The Attic
  • Mastered At – Flux Studio
  • Phonographic Copyright (p) – Maarten van der Vleuten
  • Copyright (c) – Maarten van der Vleuten
  • Made By – Peter King Lathe Cut Records

Credits

  • Artwork – MVDV*
  • Lathe Cut By – Peter King
  • Liner Notes – MVDV*
  • Music By, Recorded By, Vocals, Lyrics By, Sequenced By [Sq-10], Sounds [Ms-10, Ms-20], Performer, Effects [Dd700] – MVDV*
  • Sounds [Sound Source Tapeloop] – DMDN

Notes

Comes in photocopied fold-out sleeve with the "Signum Recordings" name and logo stamped in red ink on the backside. The label artwork is handpainted on each side of the record together with the track title. There's no mentioning of A or B side.

[liner-notes taken from the inside of the sleeve]
"In february 1987 visitors of the "Mail Art Manifestation" at V2 Organisation Den Bosch (NL), were given a booklet containing a small piece of tape. People were asked to loop this tape, use it in a 2 minute recording and then return the result (on cassette) by mail. Regular mail that is, we're talking 1987.

In july that year Midas Tapes released the recordings as the "Mail-Art Muzic Project" (taped#023).
The two tracks featuring on this single where my contribution to the project but they never made it to the Midas Tapes release because they exceeded the maximum length.

I had completely forgotten about them until late 2010 when i rediscovered these odd gemms while digitizing my archive of early work from the 80's.

Tech stuff; both tracks where recorded in one take on a Tascam Porta One tape deck. You hear the tapeloop (noise) by DMDN running in the background on a reel-to-reel tape recorder while in the meantime i play the Korg MS10 and MS20 synths triggered by the SQ10 sequencer. I used the Ibanez DD700 digital delay for the vocals in combination with the hold pedal. To stay as close as possible to the original material, only small adjustments in volume and slight equalizing where applied during mastering.

Think of this recording as a document from the gloomy eighties.
Nothing more, nothing less.
*mvdv 2013*"

The release by Midas Tapes, as mentioned in the liner notes, can be found here; "Various ‎– Mail-Art Muzic Project"
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