Grand Duo Concertant. Composed By – Auguste Franchomme, Frédéric Chopin. A2. Polonaise Brillante, Op. 3. 9:42. Sonate G-moll fü Violoncello und Klavier, Op. 65. (25:42). Piano – Gérard van Blerk. Violoncello von G. Pressenda, 1835. Flügel von Fa. Erard, Paris, 1840 (aus der Sammlung Dr. Dr. . Rück im Germanischen Nationalmuseum Nürnberg. Im Hause des einstigen Besitzers, des Pariser Musikverlegers M. Schlesinger, hat Chopin selbst auf diesem Flügel gespielt. Other Versions (3 of 3) View All.
anner bylsma gerard vav b chopin grand duo concerta. anner bylsma franchomme/chopin: grand duo concertant and other works (1993, sony, & lambert orkis, l'archibudelli. anner bylsma gerard van blerk (3). anner bylsma stanley hoogland (2). collegium aureum anner bylsma (2).
1831 (Grand polonaise brillante), 1834 (Andante spianato). The Andante spianato was first written for piano solo, but later orchestrated and added to the Grande polonaise brillante (which had been written in 1830-31) as an introduction. The "new" Grande polonaise brillante was published in 1836. Piano Music by Frédéric Chopin.
The Grand Duo Concertant, Opus 48, J204, is a three-movement work for clarinet and piano composed by Carl Maria von Weber from 1815 to 1816. It is a virtuosic piece for both instruments.
Dolci Ricordi - eigen compositie/own composition .10 months ago. Long, long ago
Grand Duo Concertant in E major on Themes from "Robert le Diable", B. 70. 12'46. 7. Nocturne in C-sharp minor, B. 49 (arr. Gregor Piatigorsky). Album starts at BPM, ends at BPM (+0), with tempos within the -BPM range. Try refreshing the page if dots are missing). Recent albums by Fryderyk Chopin. Ballades; Berceuse; Mazurkas. Mon Ami: Works for Cello and Piano.
Cello Sonata, Polonaise Brillante, Grand Duo. Frederic Chopin. Polonaise brillante in C Major, Op 3. Play. 6. Grand Duo Concertant in E Major on Themes from 'Robert le Diable'.
The Grand Duo concertant in E major, B. 70 is a composition for piano and cello, written jointly by Frédéric Chopin and Auguste Franchomme Chopin had initially been contracted by his publishers to write a work for piano based on Giacomo Meyerbeer's opera Robert le diable. He had attended a performance and liked the work, but was disinclined to write a "fantasia" (as he put it in a letter to his family) on another composer's music