Alessandro Kirschner - UNICO CORPO - i giorni di Budapest (oratorio per soli, voce recitante, coro e orchestra) flac album

An oratorio (Italian pronunciation: ) is a large musical composition for orchestra, choir, and soloists. Like most operas, an oratorio includes the use of a choir, soloists, an instrumental ensemble, various distinguishable characters, and arias. However, opera is musical theatre, while oratorio is strictly a concert piece – though oratorios are sometimes staged as operas, and operas are sometimes presented in concert form

Old-fashioned even in its day, the work is a musicalized instructional debate about the mysteries of the Holy Trinity between the allegorical personae of Faith, Theology, Faithlessness, Time, and Divine Love.

Nuovo orario DI apertura : Giovedi - venerdi - sabato : dalle h. 19,30 alle h. 23,30.

Album · 2016 · 21 Songs. Trittico Francescano, Quadro primo, Le nozze: Introduzione del I quadro. By Licinio Refice & Emidio Mucci - Orchestra Sinfonica di Vratza & Leonardo Quadrini. 2. Trittico Francescano, Quadro primo, Le nozze: Gli amici. By Licinio Refice & Emidio Mucci - Orchestra Sinfonica di Vratza, Leonardo Quadrini, Mauro Gizzi & Coro Josquin des Près di Ceccano.

Oratorio a: 3: Voci con Stromenti. La Colpa, Il Pentimento, La Grazia Del SigR Caure Alessandro Scarlatti Per la Passione di Nostro Signore. La Colpa, Il Pentimento, la Grazia. WorldCat; VIAF: 174610203; LCCN: n94063310; GND: 30031583X; BNE: XX3394011. Scarlatti, Alessandro. I-Catalogue NumberI-Cat.

Alessandro Scarlatti. Oratorio per la Santissima Annunziata. Misteria Paschalia (1 CD 2010). Alessandro Scarlatti. Oratorio Per La Santissima Trinità ovvero Fede, Teologia, Amor divino, Infedeltà e Tempo (1715). Virgin 7254 5 45666 2 2 (1 CD, June 2004. Fabio Biondi, Europa Galante.

Genre: Oratorio Pr. Instrument: Soprano. Oratorio per la Passione di Nostro Signore Gesu Cristo, for 2 sopranos, alto, choir and orchestra Work. Michael Schneider Conductor. Stagione Orchestra, La Orchestra.

Marianna Bottini and Alessandro Rolla belong to that group of forgotten protagonists of the early nineteenth century who successfully operated in various compositional fields. Rolla's music captures the peculiarities of the historical moment: the heroic, patriotic sentiment of a newborn homeland, the Mitteleuropean harmonic elegance, and the Italian belcanto. On the other side the surprising talent of Marianna Bottini is revealed by her intense compositional activity in the years between 1815 (when she was just 13 years old) and 1823, the year of her wedding.