Kevin Drumm - Quiet Nights flac album

The Invisible Curse by Kevin Drumm and Jason Lescalleet. supported by 10 fans who also own Quiet Nights. Songs About Jason by Aaron Dilloway. supported by 9 fans who also own Quiet Nights. Muzzy, warped and unpredictable, 'Songs About Jason' presumably is Dilloway's tribute to his 'Grapes & Snakes' cohort Jason Lescalleet – whose -disc 'Songs About Nothing' vied with Dilloway's 2-disc 'Modern Jester' for Best of 2012. RADIANCE by Stephan Mathieu. supported by 7 fans who also own Quiet Nights.

Not On Label (Kevin Drumm Self-released) ‎– none. Format: 2 File, MP3, 320 kbps. 1. Quiet Nights 1. 30:04. 2. Quiet Nights 2. 22:44. Other Versions (1 of 1) View All.

Kevin Drumm has been on a bit of a splurge lately. After a 20-plus-year career of systematically fucking shit up with his tabletop guitar and collection of deedats and doohickeys spitting out albums of noisey glory on a host of labels around the world, he has recently turned to Bandcamp and flooded it with even more glorious ruckus at an alarming rate over the past two years.

Listen to music from Kevin Drumm like Turning Point, Cloudy & more. Find the latest tracks, albums, and images from Kevin Drumm. Kevin Drumm is an experimental musician based in Chicago, Illinois, United States. Emerging from the city's improvised music scene, in the 1990s he became one the world's pre-eminent prepared guitar players. Years active from 1991.

One Quiet Night is a solo acoustic guitar album by Pat Metheny that won the Grammy Award for Best New Age Album in 2004. He recorded the album at his home studio on a baritone guitar built for him by Linda Manzer. In the liner notes, Metheny called One Quiet Night a homemade album that was recorded with one guitar, one microphone, and mistakes. Most of the album was recorded in one day, November 24, 2001, with additional recording in January 2003

As night fell on the 20th century, Chicago improviser Kevin Drumm began to gather up all its darkest strands in one corroded braid. His starting point was an electric guitar, laid clinically on a slab, and dissected in neat, quiet strokes. Over the next 15 years and counting, he grew louder, bolder, and more ambitious, drawing in aspects of black metal, harsh noise, drone, concrete music, and free electronics.