Pirates of the Caribbean: The Curse of the Black Pearl is the official soundtrack album from the eponymous film. The album was released on July 22, 2003, by Walt Disney Records, and contains selections of music from the film score. Composer Alan Silvestri was originally hired to write the score for The Curse of the Black Pearl.
The score is mostly famous for its quick and mysterious production, as well as its considerable departure from the genre's traditional musical style. However due to creative differences between him an. iscover more music, concerts, videos, and pictures with the largest catalogue online at Last.
The medallion Calls (OST - The Pirates of the Carribian 'The Course of the Black Pearl') - Klaus Badelt. 01. Fog Bound - Pirates Of The Caribbean. The Curse Of The Black Pearl. Klaus Badelt - Fog Bound - Пираты Карибского Моря: Проклятие "Чёрной Жемчужины". He's A Pirate (OST Pirates Of The Caribbean: The Black Pearl Curse) - Hans Zimmer. The Black Pearl - Klaus Badelt- Pirates of the Carribbean OST.
Klaus Badelt (OST Pirates of the Caribbean: The curse of the Black Pearl) - Blood Ritual 03:32. Klaus Badelt (OST Pirates of the Caribbean: The curse of the Black Pearl) - Moonlight Serenade 02:08. Klaus Badelt (OST Pirates of the Caribbean: The curse of the Black Pearl) - Will And Elizabeth 02:06. Klaus Badelt (Pirates of the Caribbean - The Curse of the Black Pearl OST) - Will and Elizabeth 02:08. Klaus Badelt (OST Pirates of the Caribbean: The curse of the Black Pearl) - The Black Pearl 02:16
Notable tracks: 1: Fog Bound - Starts with a smooth yet lilting tune which appears again within Track 6. I couldn't get this one out of my head, even tried whistling or humming it-playful but "pirate-y. This is followed by a dark melody of peril and dread, lightening near the end to transition into
4. Will And Elizabeth. 7. Barbossa Is Hungry. Klaus "Bowsprit" Badelt uses Aardvark, Emagic, Fujitsu, InFocus, and M-Audio equipment. For Patricia & Juliette.
The soundtrack for Pirates of the Caribbean was originally composed by Alan Silvestri, who left the project prior to the film's release. Badelt and his mysterious co-conspirators have created a schizophrenic pastiche of Hollywood excess - much like the film itself - disguised as a traditional score
Crew [The 20th Century Fox Newman Scoring Stage Crew]
–
Bill Talbott,
Damon Tedesco,
David Marquette,
Jay Selvester,
John Rodd,
Kirsten Smith,
Marc Gebauer,
Seth Dockstader,
Stacey Robinson,
Tim Lauber,
Tom Steel
Design [Album Design]
–
"Scurvy" Steve Sterling*
Engineer [Assistant Engineers, London]
–
Chris "The Cutlass" Barrett*,
Jake "Landlubber" Jackson*
Engineer [Assistant Engineers]
–
Gregg "Cannonball" Silk*,
Jeff "Bucko" Biggers*
Executive-Producer [Executive Soundtrack Producers]
–
Bob Badami,
Jerry Bruckheimer
Flute [Featured Musicians]
–
Fred Selden
Guitar [Featured Musicians]
–
Heitor "Pieces Of Eight" Pereira*
Mastered By [Soundtrack Mastered By]
–
"Barnackle" Bruce Maddocks*
Mixed By [Score Mixed By]
–
Alan "Mizzenmast" Meyerson*,
Slamm "Scallywag" Andrews*
Music By [Additional Music By]
–
Blake "Blackstone" Neely*,
Geoff "Broadside" Zanelli*,
James "Boot Tuck" Dooley*,
James "Marooned" McKee Smith*,
Nick "The Admiral" Glennie-Smith*,
Ramin "Salty Dog" Djawadi*,
Steve "Bad Boy" Jablonsky*
Music By [Ambient Music Design]
–
Mel "Black Spot" Wesson*
Orchestra
–
Hollywood Studio Symphony*
Orchestrated By [Orchestrations By]
–
Bill "Hempen Halter" Liston*,
Brad "Chainshot" Warnaar*,
Conrad "Peg Leg" Pope*,
Elizabeth "Darling Poppet" Finch*,
Ladd "Hoist 'Em High" McIntosh*,
Robert "The Dauntless" Elhai*,
Suzette "AYE!" Moriarty*,
Walt "Argh" Fowler*
Orchestrated By [Supervising Orchestrator]
–
Bruce "Crossbones" Fowler*
Other [Assistants To Hans "long John" Zimmer]
–
Bettina "Jolly Boat" Lynch,
Mo "Ho Ho And A Bottle Of Drum" Nakamoto
Other [Choir Librarian]
–
Vic "Run A Rig" Fraser
Other [Executive In Charge Of Music For The Buena Vista Motion Pictures Group]
–
Mitchell "Swabby" Leib
Other [Executive In Charge Of Music Production For The Buena Vista Motion Picture Group]
–
Monica "Blackheart" Zierhut
Other [Music Creative / Marketing For The Buena Vista Motion Pictures Group]
–
Glen Lajeski
Other [Score Reader Assistant]
–
Alastair "All Hands On Deck" King
Percussion [Featured Musicians]
–
Emil Richards
Producer [Music Productions Services]
–
Captain Jay "Lead Foot" Rifkin*,
Mark "Buccaneer" Berger*,
Tom "Six Pounders" Broderick*
Producer [Score Overproduced By]
–
Hans "Long John" Zimmer*
Programmed By [Synth Programming]
–
Bart "The Original Black Heart" Hendrickson*,
Hans "Long John" Zimmer*,
Rob "Crows Nest" Williams*
Recorded By [Additional Recording]
–
Mark "Walk The Plank" Wherry*,
Slamm "Scallywag" Andrews*,
Tom "Blow The Man Down" Vedvik*
Recorded By [Choir]
–
Geoff "No Prey, No Pay" Foster*,
Nick "Gibbet Cage" Wollage*
Recorded By [Orchestra]
–
Alan "Mizzenmast" Meyerson*,
Malcolm "Cat O' Nine Tails" Luker*
Recorded By [Score Recorded By]
–
Alan "Mizzenmast" Meyerson*,
Malcolm "Cat O' Nine Tails" Luker*
Score Editor [Assistant Music Editors]
–
Dan "Freebooter" Pinder*,
Melissa "Tortuga Wench" Muik*
Score Editor [Music Editors]
–
Jeanette "Wo-Man O' War" Surga*,
Ken Karmen*
Score Editor [Supervising Music Editor]
–
Christopher "Keel Haul" Brooks*
Supervised By [Music Supervisor]
–
Bob "Cut 'Em Up" Badami*
Technician [Technical Score Assistant]
–
Ian "Sea Legs" Honeyman*
Orchestra recorded at 20th Century Fox Newman Scoring Stage, Los Angeles CA; Todd Scoring Stage, Studio City, CA.
Score mixed at Media Ventures, Santa Monica CA.
Choir recorded at Air Lyndhurst Studios, London.
Hans "Long John" Zimmer uses Cubase by Steinberg.
Klaus "Bowsprit" Badelt uses Aardvark, Emagic, Fujitsu, InFocus, and M-Audio equipment.