- Performer Charlie McCoy
- Title The Nashville Hit Man
- Date of release 1974
- Other formats VOC XM FLAC DTS AUD TTA AC3
- Genre World & Folk & Country
- Size MP3 1133 mb
- Size FLAC 1267 mb
- Rating: 4.6
- Votes: 185
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Charlie McCoy playing with Bob Dylan in Nashville’s Columbia Records Studio in the late 1960s (Sony Entertainment Music Archives). The cross-fertilisation of the Dylan sessions opened up Nashville to a wave of rock and pop artists including the Byrds, Simon & Garfunkel, Paul McCartney and Eric Clapton, who came to the city to record, with many invited to perform with Johnny Cash on his popular television series
Any musician in Nashville has heard of Charlie McCoy. A mainstay in Music City since the '60s, Charlie has played on dozens of hit records, including work with such legends as Elvis Presley, Johnny Cash, Dolly Parton, Simon and Garfunkel, George Jones, Bob Dylan, Roy Orbison and many more. The solo work of this Country Music Hall Of Fame member is contained on more than three dozen albums that Charlie has released over the past four decades. Charlie has performed all over America, Japan twenty times and in over two hundred cities and towns in Europe.
Artist: Charlie McCoy, Nashville Sounds. Album: Harpin' The Blues. Charlie McCoy, Nashville Sounds: best 2 tracks. Charlie McCoy - Cherry Berry Wine Vintage Record Labels: Cadence Records, Vol. 1, 2013 02:42. Charlie McCoy - Alten Moor Celtic Dreams, 2015 03:47. Artist: Charlie McCoy Nashville Sounds.
Birth: 03-28-1941 Birthplace: Oak Hill, West Virginia. With his harmonica and other instruments Nashville studio legend Charlie McCoy has graced the recordings of a broad range of artists from Elvis Presley and Bob Dylan to Waylon Jennings and Loretta Lynn. As harmonica authority Kim Field has written, McCoy’s trademark harmonica style, distinguished by its speed, precision, clarity, and unerring phrasing, was radically different from the down-home approach of his predecessors and re-established the mouth organ as a voice in country music. It got Roy another hit and me a career, he reflected, and for a twenty-year-old to make forty-nine dollars for three hours’ work back then, it was a dream. In the ensuing decades McCoy worked thousands of sessions, often as many as four hundred in a single year.
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