Shannon And The Clams - Dreams In The Rat House flac album

Shannon and the Clams' debut album, I Wanna Go Home, was released in 2009. In 2011, the group followed up with their sophomore effort, Sleep Talk Their album, Gone by the Dawn, is described by Still in Rock as "the most beautiful manifestation in recent years of what I would call the 'Elvis Presley culture'". Released in 2018, Onion was Shannon and the Clams' first release on Dan Auerbach's Easy Eye Sound label

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Album · 2013 · 15 Songs. Though they draw inspiration from garage rock, girl-group pop, and other signs of the baby boom’s teenage revolution, Shannon and the Clams boast a vitality that keeps their music from getting stuck in 1964. On the Oakland trio’s third album, singer/bassist Shannon Shaw and singer/guitarist Cody Blanchard further refine their efforts at musical time-traveling with results that range from the punchy Bed Rock to Ozma, a candy-colored ballad that would be perfect for sock hops should they ever get the revival they deserve. Dreams in the Rat House Shannon & The Clams.

Shannon and the Clams' third album, 2013's Dreams in the Rathouse, signals a tiny step forward for the trio. Recorded over the course of a year in cool places like a cabin in the woods and Nobunny's practice space, the album sounds tougher and stronger than previous efforts, Shannon Shaw's vocals have a more powerful presence, and the songs are better overall. Dreams just seems to put it all together in a way those albums didn't quite accomplish. From the opening "Hey Willy," which gets things started in a happy, bouncy fashion with some excellent guitar and vocal work from Cody Blanchard, to the blown-out girl group in a wind tunnel "I Know," which ends the album with one of Shaw's best vocals, the record is all high points with precious few dips in quality.

Shannon Shaw's effortless, strong voice breathes life into retro vibes. Rather than dipping a toe into retro stylistics, the San Fransiscans dive into the deep end on Dreams in the Rat House. Sure, the easy jangle of the guitar, the tambourine shimmy, and the light percussion all fit the tropes to a tee, but Shaw’s rich and gritty delivery strides across the top, carrying the song. Immediately following that bit of sunshine is Bed Rock

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