Album · 1989 · 11 Songs. Music from the Motion Picture). Every Man Should Know.
When Harry Met Sally. starring Billy Crystal and Meg Ryan. The songs are performed by pianist Harry Connick J. who won the Grammy Award for Best Jazz Male Vocal Performance. Bobby Colomby, the drummer for Blood, Sweat & Tears and a friend of director Rob Reiner, recommended Harry Connick Jr. for the soundtrack. When Reiner listened to the tape Colomby gave him, he was struck by how Connick sounded like a young Frank Sinatra.
Harry Connick, J. s vocals perfectly fit the moods throughout the 1989 Billy Crystal film When Harry Met Sally. This soundtrack album (which stands apart from the movie) was a big hit and a major step forward for the young pianist-vocalist, although it appears to have been the high point of his career.
Complete your Harry Connick, Jr. collection.
Where Or When Lyrics. This is the soundtrack album for Rob Reiner’s 1989 romantic comedy about two platonic friends (Billy Crystal and Meg Ryan) whose relationship turns to romance. Music From the Motion Picture) Q&A. More Harry Connick, Jr. albums. That Would Be Me. Show all albums by Harry Connick, Jr.
The Partysquad & When Harry Met Sally feat. Caprice – For Your Love (Olav Basoski Remix). Harry Connick, Jr. – Stompin At The Savoy (OST When Harry Me. :50. – Autumn In New York (OST When Harry Me. :41. – It Had To Be You (With Big Band & Vocals).
The soundtrack for When Harry Met Sally. is an album by the American singer and pianist Harry Connick J. released in 1989 on Sony/Columbia (US). Also appearing on the album are tenor saxophonist Frank Wess and guitarist Joy Berliner. The soundtrack went to in the USA on the Billboard Traditional Jazz Chart and was within the top 50 on the Billboard 200. Connick also toured North America in support of this album Track listing. Performed by Harry Connick Jr. and his trio.
Rather than take the easy route of licensing classic performances of the Great American Songbook, director Reiner enlisted a young, then-obscure Harry Connick Jr. to offer his own readings of these 1930s and 1940s staples. Though Connick plays it fairly straight, he injects his interpretations with stylistic flair and formidable technical facility ("Stompin' At The Savoy")