Danielle Dax (born 23 September 1958) is an English experimental musician and producer most active from the late-1970s to the mid-1990s. She was born in Southend-on-Sea, Essex, England. Born Danielle Gardner, Dax's first performance on stage in London was when she was a pre-teen. She sang in Benjamin Britten's opera, Noye's Fludde (Noah's Flood), at the Royal Albert Hall. Preceding this, the first time Dax appeared on stage was at the age of three as an Orange Jelly Baby on the Southend Bandstand.
Band Name Danielle Dax. Album Name Pop-Eyes. Data de aparición 1982. Labels Awesome Records.
This album has an average beat per minute of BPM (slowest/fastest tempos:, BPM). See its BPM profile at the bottom of the page. BPM Profile Pop-Eyes. Album starts at BPM, ends at BPM (+0), with tempos within the -BPM range. Try refreshing the page if dots are missing). Recent albums by Danielle Dax. Blast the Human Flower.
Danielle Dax. Pop-Eyes. Today's not the same as before/Starting with a clean slate/Promises of new rewards. This seems an appropriate beginning to Danielle Dax's first solo record, which comes on the heels of a two-album stint with experimental pop group the Lemon Kittens. Certainly, Dax makes the most of this particular tabula rasa. Self-written, produced, and performed, the idiosyncratic Pop-Eyes truly lives up to its promise
In one hundred years time, Danielle Dax will remain cutting edge. She is a truly original recording artist, and this disc must count among her top recordings. These tracks are magnificent, vital and timeless. A voice, in the vein of Diamanda Galas, which could cut glass, Danielle Dax is still pure crystal. A anceremix of this record would be better than an ice cream on a cold day. Has it been done?
Certainly, Dax makes the most of this particular tabula rasa. Self-written, produced, and performed, the idiosyncratic Pop-Eyes truly lives up to its promise. Perhaps most impressive here is the way that Dax puts odd musical bedfellows - from Middle Eastern percussion to doo wop vocals - next to each other in combinations that should clash, but instead complement each other nicely.
| A1 | Bed Caves | 3:10 |
| A2 | Everyone Squeaks Gently | 3:32 |
| A3 | The Wheeled Wagon | 5:50 |
| A4 | The Stone Guest | 1:57 |
| A5 | Here Come The Harvest Buns | 2:58 |
| B1 | The Shamemen | 3:43 |
| B2 | Kernow | 4:16 |
| B3 | Numb Companions | 3:58 |
| B4 | Tower Of Lies | 2:49 |
| B5 | Cutting The Last Sheaf | 3:09 |
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| IRC 009 | Danielle Dax | Pop-Eyes (LP, Album) | The Initial Recording Company | IRC 009 | UK | 1983 |
| AOR 2 | Danielle Dax | Pop-Eyes (LP, Album, RE, TP) | Awesome Records | AOR 2 | UK | 1985 |
| BOT 131 - 01 CD | Danielle Dax | Pop-Eyes (CD, Album, RE) | Biter Of Thorpe | BOT 131 - 01 CD | UK | Unknown |
| HYCA-2057 | Danielle Dax | Pop-Eyes (CD, Album, RE, Pap) | Hayabusa Landings | HYCA-2057 | Japan | 2012 |
| BOT 131 - 01 CD | Danielle Dax | Pop-Eyes (CD, Album, RE) | Biter Of Thorpe | BOT 131 - 01 CD | UK | Unknown |
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