The Clash is the debut studio album by English punk rock band the Clash. It was released on 8 April 1977 through CBS Records. Written and recorded over three weeks in February of 1977 for a paltry £4,000, it would go one to reach on the UK charts, and has been included on many retrospective rankings as one of the greatest punk albums of all time
The Clash is the debut studio album by English punk rock band the Clash. It is widely celebrated as one of the greatest punk albums of all time. Most of the album was conceived on the 18th floor of a council high rise on London's Harrow Road, in a flat that was rented by Mick Jones's grandmother, who frequently went to see their live concerts. The album was recorded over three-weekend sessions at CBS Studio 3 in February 1977.
Album, 1979, Sony Music. 1. Clash City Rockers. 2. I'm So Bored with the . 6. (White Man) in Hammersmith Palais. Train in Vain (Stand by Me). 3. White Man in Hammersmith Palais. Klashing with the Clash.
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The artist just dropped his latest collection The Clash – and we have it here for you to check out! The Clash's new collection includes 14 tracks on 1 disc(s) with total runtime of 35:15.
Though the cliché about punk rock was that the bands couldn't play, the key to the Clash is that although they gave that illusion, they really could play - hard. The charging, relentless rhythms, primitive three-chord rockers, and the poor sound quality give the album a nervy, vital energy. Joe Strummer's slurred wails perfectly compliment the edgy rock, while Mick Jones' clearer singing and charged guitar breaks make his numbers righteously anthemic
The debut album by British punk rock band The Clash was released on April 8th, 1977. Upon it’s release, it was met with great praise and shot up to the spot on the United Kingdom Album Charts. By the time it made its way over to the United States in 1979, it was praised even more. The album even had the pleasure of having Robert Christgau of the Village Voice saying it’s the greatest rock and roll album ever manufactured in the anywhere. Decades after its release, it’s still held as one of the greatest punk albums ever made
| 1 | Janie Jones | 2:05 |
| 2 | Remote Control | 3:00 |
| 3 | I'm So Bored With The U.S.A. | 2:24 |
| 4 | White Riot | 1:55 |
| 5 | Hate & War | 2:05 |
| 6 | What's My Name | 1:40 |
| 7 | Deny | 3:03 |
| 8 | London's Burning | 2:10 |
| 9 | Career Opportunities | 1:51 |
| 10 | Cheat | 2:06 |
| 11 | Protex Blue | 1:45 |
| 12 | Police & ThievesWritten-By – Jnr. Murvin*, Lee Perry |
6:00 |
| 13 | 48 Hours | 1:34 |
| 14 | Garageland | 3:13 |
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| CBS 82000, S CBS 82000 | The Clash | The Clash (LP, Album) | CBS, CBS | CBS 82000, S CBS 82000 | UK | 1977 |
| JE 36060 | The Clash | The Clash (LP, Album, Vin) | Epic | JE 36060 | Canada | Unknown |
| SBP 234994 | The Clash | The Clash (LP, Album) | CBS | SBP 234994 | Australia | 1977 |
| JE 36060, 36060 | The Clash | The Clash (LP, Album + 7", Promo) | Epic, Epic | JE 36060, 36060 | Canada | 1979 |
| 40-32232 | The Clash | The Clash (Cass, Album, RE) | CBS | 40-32232 | Europe | Unknown |
| A1 | Career Opportunities |
| A2 | White Riot |
| A3 | Janie Jones |
| A4 | London's Burning |
| A5 | 1977 |
| A6 | Listen |
| B1 | One, Two I Got A Crush On YouSaxophone [Uncredited] – Gary Barnacle |
| B2 | Pressure Drop |
| B3 | The Prisoner |
| B4 | Capitol Radio |
| B5 | Interview |
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| none | The Clash | The Clash (LP, Comp, Unofficial) | Not On Label (The Clash) | none | US | 1984 |
| Clash-01 | The Clash | Red China (LP, Comp, Unofficial) | A Fashion Mall Production | Clash-01 | 1983 | |
| none | The Clash | The Clash (LP, Comp, Unofficial, Blu) | A Fashion Mall Production | none | Unknown |
| A1 | Clash City Rockers | 3:55 |
| A2 | I'm So Bored With The U.S.A. | 2:24 |
| A3 | Remote Control | 3:00 |
| A4 | Complete Control | 3:12 |
| A5 | White Riot | 1:58 |
| A6 | White Man In Hammersmith Palais | 3:58 |
| A7 | London's Burning | 2:10 |
| A8 | I Fought The Law | 2:40 |
| B1 | Janie Jones | 1:58 |
| B2 | Career Opportunities | 1:40 |
| B3 | What's My Name | 2:05 |
| B4 | Hate & War | 2:05 |
| B5 | Police & Thieves | 5:58 |
| B6 | Jail Guitar Doors | 3:05 |
| B7 | Garageland | 3:09 |
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| CBS 82000, S CBS 82000 | The Clash | The Clash (LP, Album) | CBS, CBS | CBS 82000, S CBS 82000 | UK | 1977 |
| JE 36060 | The Clash | The Clash (LP, Album, Vin) | Epic | JE 36060 | Canada | Unknown |
| SBP 234994 | The Clash | The Clash (LP, Album) | CBS | SBP 234994 | Australia | 1977 |
| JE 36060, 36060 | The Clash | The Clash (LP, Album + 7", Promo) | Epic, Epic | JE 36060, 36060 | Canada | 1979 |
| 40-32232 | The Clash | The Clash (Cass, Album, RE) | CBS | 40-32232 | Europe | Unknown |
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