- Performer Rufus Harley
- Title Re-Creation Of The Gods
- Style Soul-Jazz, Funk
- Other formats MOD MP4 AA MMF MIDI AUD MP1
- Genre Jazz / Soul & Funk
- Size MP3 1159 mb
- Size FLAC 1263 mb
- Rating: 4.8
- Votes: 218
Rufus Harley resides in Philadelphia, Pennsylvania. Pennsylvania home of the Liberty Bell. Harley, musical ambassador of the City of Brotherly love, has been received and embraced by tribal leaders, heads of state and many notables from around the world His career included performances with many major figures including John Coltrane, Dizzy Gillespie and Dexter Gordon. 1972 Re-Creation of the Gods (Ankh). 1998 Brotherly Love (Tartan Pride). 2000 The Pied Piper of Jazz (compilation of Atlantic tracks, 1965–70). 2005 Sustain (Discograph). 2007 Rufus Harley with Georges Arvanitas Trio – From Philadelphia to Paris (Blue Cat Music). 2009 Re-Creation of the Gods (Transparency). 2009 Bagpipes of the World (Transparency).
Composed By – Rufus Harley (tracks: A1, B1 to B3). Design – Martha Shaw (2), Rufus Harley. Engineer, Mixed By – Robin Gulcher. Liner Notes – Donald McMeans, Elaine Josey, Rufus Harley. Percussion – Larry Langston. Reply Notify me Helpful.
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Complete your Rufus Harley collection. Re-Creation Of The Gods (LP, Album). referencing Re-Creation Of The Gods, LP, Album, RE, Reply Notify me Helpful.
Re-Creation of the Gods - Rufus Harley.
View all Re-Creation of the Gods pictures. Description: First time on CD for this legendary funk/jazz/old school t-band album from 1972. 2006 is the year of resurrection for Rufus: besides several reissue projects for Transparency (including his guest appearance o First time on CD for this legendary funk/jazz/old school t-band album from 1972.
Rufus Harley 1972 Re-Creation of the Gods. 01. Re-Creation Of The Gods 02. Nobody Knows The Trouble We've Seen 03. This Little Light Of Mine 05. Hypothesis 06. Malika 07. Etymology. Bagpipes – Rufus Harley Bass – Larry Randolph Organ – Bill Mason Percussion – Larry Langston Saxophone – Rufus Harley. The mere mention of jazz played on bagpipes is guaranteed to get a look of disbelief from most people, but not from listeners who have heard Rufus Harley, especially Re-Creation of the Gods, a 1972 disc that many consider his best
Re-Creation of the Gods is reminiscent of Rahsaan Roland Kirk's later work-eg. Blacknuss, with its mixture of spirituality and soul-and Rufus Harley's bagpipe sounds somewhat similar to the manzella and stritch played by Kirk. Bill Mason's organ is an excellent complement to Rufus Harley's bagpipe and sax. The combination hints at the organ/tenor combos of the late '60s and early '70s. The few other Rufus Harley tracks that I have heard (from his Atlantic years) seem like prototypes for this record. The ideas are there, but they are not as accomplished or fully realized as the ones on this recording-thus, while they're interesting, they're not as rewarding to listen to as this disc. Bagpipes and jazz make an unusual combination, but this is a very creative, enjoyable and refreshing soul-jazz record that, while not necessarily groundbreaking, is very rewarding to listen to many times over.
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