The Black Saint and the Sinner Lady is a studio album by American jazz musician Charles Mingus, released on Impulse! Records in 1963. The album consists of a single continuous y written as a ballet-divided into four tracks and six movements. The album was recorded on January 20, 1963 by an eleven-piece band. Mingus has called the album's orchestral style "ethnic folk-dance music". Mingus's perfectionism led to extensive use of studio overdubbing techniques.
The Black Saint and the Sinner Lady is one of the greatest achievements in orchestration by any composer in jazz history. Charles Mingus consciously designed the six-part ballet as his magnum opus, and - implied in his famous inclusion of liner notes by his psychologist - it's as much an examination of his own tortured psyche as it is a conceptual piece about love and struggle. It veers between so many emotions that it defies easy encapsulation; for that matter, it can be difficult just to assimilate in the first place
A great Mingus album is a totally involving experience. This is especially true of one of the only jazz albums to have liner notes written by a clinical psychologist: The Black Saint and the Sinner Lady. Mingus chimes in with a peroration of his own, too, including, "I feel no need to explain any further the music herewith other than to say throw all other records of mine away except maybe one other
Charles Mingus would be a man who many would consider to be a true artist. As 20th century musicians go, Mingus is widely considered to be among the greatest composers of his time. In addition to this, his triumphs as an orchestrator and musical technician catapult him into the upper echelons of, dare I say, legendary status" Yes, I do dare to say just that: Charles Mingus is a legend. There is no greater example of this than The Black Saint and the Sinner Lady
| A1 | Solo Dancer (Stop! Look! And Listen, Sinner Jim Whitney!) | 6:20 |
| A2 | Duet Solo Dancers (Heart's Beat And Shades In Physical Embraces) | 6:25 |
| A3 | Group Dancers (Soul Fusion) Freewoman And Oh, This Freedom's Slave Cries) | 7:00 |
| B1 | Trio And Group Dancers (Stop! Look! And Sing Songs Of Revolutions!) | |
| B2 | Single Solos And Group Dance (Saint And Sinner Join In Merriment On Battle Front) | |
| B3 | Group And Solo Dance (Of Love, Pain, And Passioned Revolt, Then Farewell, My Beloved, 'Til It's Freedom Day) | 17:52 |
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| A-35 | Mingus* | The Black Saint And The Sinner Lady (LP, Album, Mono) | Impulse! | A-35 | US | 1963 |
| A-35 | Mingus* | The Black Saint And The Sinner Lady (LP, Album, Mono) | ABC Impulse! mediterraneo | A-35 | Spain | 1976 |
| none | Mingus* | The Black Saint And The Sinner Lady (CD, Album, Unofficial) | ООО "Аудио-Лэнд" | none | Russia | Unknown |
| MCD05649, MCAD5649 | Charlie Mingus* | The Black Saint And The Sinner Lady (CD, Album, RE, RM, RP) | MCA Records, Impulse! | MCD05649, MCAD5649 | Europe | Unknown |
| MCAC-5649 | Charlie Mingus* | The Black Saint And The Sinner Lady (Cass, Album, RE, Dol) | MCA Records, Impulse! | MCAC-5649 | US | 1986 |
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