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Steely Dan - Gaucho flac album

Steely Dan - Gaucho flac album
  • Performer Steely Dan
  • Title Gaucho
  • Date of release 1980
  • Country US
  • Style Pop Rock, Classic Rock, Jazz-Rock
  • Other formats AC3 MP2 VOC VQF WAV TTA AAC
  • Genre Jazz / Rock
  • Size MP3 1878 mb
  • Size FLAC 1440 mb
  • Rating: 4.8
  • Votes: 904

Gaucho is the seventh studio album by the American rock band Steely Dan, released on November 21, 1980, by MCA Records. The sessions for Gaucho represent the band's typical penchant for studio perfectionism and obsessive recording technique. To record the album, the band used at least 42 different musicians, spent over a year in the studio, and far exceeded the original monetary advance given by the record label.

Its follow-up, Gaucho, while sonically similar, is its polar opposite: a precise and studied record, where all of the seams show. Gaucho essentially replicates the smooth jazz-pop of Aja, but with none of that record's dark, seductive romance or elegant aura. Instead, it's meticulous and exacting; each performance has been rehearsed so many times that it no longer has any emotional resonance

by Steely Dan. Label MCA Records.

Steely Dan : Gaucho,альбом, рецезия, трек-лист, mp3, тексты песен. 3. Glamour Profession. Steely Dan. Узнать больше. Other productions from Steely Dan. Everything Must Go. Two Against Nature.

My thoughts-the whole Gaucho Album is about Life in Los Angeles/Hollywood and the Entertainment Business. I see Dan as exploring themes in albums-each song playing on the overall theme/idea-the way a novel does with chapters. So to figure this song, I see it as it is, but also in the context of the overall album. To me, this has always been fairly obvious song. I came here because I've been on a kick to listen to Steely Dan lately, and I've always liked Gaucho cause of the music, but also the lyrics and Donald Fagan's voice modulation is so cool. I couldn't remember what the song was about, so I cruised this blog. I remember back when the album came out it was rumored Fagan was pretty pissed at Walter's addiction problems, so you are correct on the assessment.

Tracklist

Babylon Sisters 5:51
Hey Nineteen 5:04
Glamour Profession 7:28
Gaucho 5:32
Time Out Of Mind 4:10
My Rival 4:30
Third World Man 5:14

Versions

Category Artist Title (Format) Label Category Country Year
MCA-6102 Steely Dan Gaucho ‎(LP, Album) MCA Records MCA-6102 US 1980
MCAT-6102 Steely Dan Gaucho ‎(8-Trk, Album) MCA Records MCAT-6102 US 1980
VCM-1551 Steely Dan Gaucho ‎(Cass) MCA Records VCM-1551 Japan 1980
MCA-6102 Steely Dan Gaucho ‎(Cass, Album) MCA Records MCA-6102 US 1980
MCAC 6102 Steely Dan Gaucho ‎(Cass, Album) MCA Records MCAC 6102 Scandinavia 1980
25-0422-4 Steely Dan Gaucho ‎(Cass, Album) MCA Records 25-0422-4 Germany 1980
MCAC-6102 Steely Dan Gaucho ‎(Cass, Album) MCA Records MCAC-6102 Canada 1980
MCAC-37220 Steely Dan Gaucho ‎(Cass, Album) MCA Records MCAC-37220 US 1980
4MCA 6102 Steely Dan Gaucho ‎(Cass, Album) MCA Records 4MCA 6102 Australia 1980
MCAC-1693, MCAC 1693 Steely Dan Gaucho ‎(Cass, Album) MCA Records, MCA Records MCAC-1693, MCAC 1693 US 1980
MCFC 3090 Steely Dan Gaucho ‎(Cass, Album) MCA Records MCFC 3090 UK 1980
MCAC-1693, MCAC 1693 Steely Dan Gaucho ‎(Cass, Album) MCA Records, MCA Records MCAC-1693, MCAC 1693 US 1980
MCAC-6102, MCAC 6102 Steely Dan Gaucho ‎(Cass, Album) MCA Records, MCA Records MCAC-6102, MCAC 6102 US 1980
MCAC-6102 Steely Dan Gaucho ‎(Cass, Album, Club) MCA Records MCAC-6102 US 1980
MCAC-6102 Steely Dan Gaucho ‎(Cass, Album, Club) MCA Records MCAC-6102 US 1980
MCA-5494-9, MCA-6102 Steely Dan Gaucho ‎(LP, Album) MCA Records, MCA Records MCA-5494-9, MCA-6102 Philippines 1980
203 192 Steely Dan Gaucho ‎(LP, Album) MCA Records 203 192 Brazil 1980
203192, 203.192 Steely Dan Gaucho ‎(LP, Album) MCA Records, MCA Records 203192, 203.192 Netherlands 1980
MCA 4114 Steely Dan Gaucho ‎(LP, Album) MCA Records MCA 4114 Italy 1980
MCA-6102 Steely Dan Gaucho ‎(LP, Album) MCA Records MCA-6102 Singapore 1980
MCF 3090 Steely Dan Gaucho ‎(LP, Album) MCA Records MCF 3090 UK 1980
14C 062-64256, (MCA 2470) Steely Dan Gaucho ‎(LP, Album) MCA Records, MCA Records 14C 062-64256, (MCA 2470) Greece 1980
203 192-320 Steely Dan Gaucho ‎(LP, Album) MCA Records 203 192-320 France 1980
BAN 250422-1 Steely Dan Gaucho ‎(LP, Album) MCA Records BAN 250422-1 Israel 1980
VIM-6243 Steely Dan Gaucho ‎(LP, Album) MCA Records VIM-6243 Japan 1980
MCA-6102 Steely Dan Gaucho ‎(LP, Album) MCA Records MCA-6102 India 1980
MCF-3090 Steely Dan Gaucho ‎(LP, Album) MCA Records MCF-3090 Ireland 1980
203 192, 203 192-320 Steely Dan Gaucho ‎(LP, Album) MCA Records, MCA Records 203 192, 203 192-320 Germany 1980
MCA-6102 Steely Dan Gaucho ‎(LP, Album) MCA Records MCA-6102 US 1980
MCA 6102, MCA-6102 Steely Dan Gaucho ‎(LP, Album) MCA Records, Astor MCA 6102, MCA-6102 Australia 1980
MCA-6102 Steely Dan Gaucho ‎(LP, Album) MCA Records MCA-6102 Europe 1980
MCF 3090 Steely Dan Gaucho ‎(LP, Album) MCA Records MCF 3090 UK 1980
MCA-6102, MCA 6102 Steely Dan Gaucho ‎(LP, Album) MCA Records, MCA Records MCA-6102, MCA 6102 Scandinavia 1980
MCF 3090 Steely Dan Gaucho ‎(LP, Album) MCA Records MCF 3090 UK 1980
203 192-320, 203.192 Steely Dan Gaucho ‎(LP, Album) MCA Records, MCA Records 203 192-320, 203.192 Netherlands 1980
MCA-6102 Steely Dan Gaucho ‎(LP, Album) MCA Records MCA-6102 Scandinavia 1980
203 192-320, 203.192 Steely Dan Gaucho ‎(LP, Album) MCA Records, MCA Records 203 192-320, 203.192 Netherlands 1980
MCA-6102 Steely Dan Gaucho ‎(LP, Album) MCA Records MCA-6102 Israel 1980
MCA-6102 Steely Dan Gaucho ‎(LP, Album) MCA Records MCA-6102 Canada 1980
ML 4468, MCA 6102 Steely Dan Gaucho ‎(LP, Album) MCA Records, MCA Records ML 4468, MCA 6102 South Africa 1980
I-203.192 Steely Dan Gaucho ‎(LP, Album) MCA Records I-203.192 Spain 1980
MCA-6102 Steely Dan Gaucho ‎(LP, Album) MCA Records MCA-6102 Canada 1980
MCA-6102 Steely Dan Gaucho ‎(LP, Album) MCA Records MCA-6102 New Zealand 1980
203 192-320, 203 192 Steely Dan Gaucho ‎(LP, Album) MCA Records, MCA Records 203 192-320, 203 192 France 1980
MCA-5494-9, MCA-6102 Steely Dan Gaucho ‎(LP, Album) MCA Records, MCA Records MCA-5494-9, MCA-6102 Philippines 1980
203 192-320 Steely Dan Gaucho ‎(LP, Album) MCA Records 203 192-320 Germany 1980
MCA-6102 Steely Dan Gaucho ‎(LP, Album) MCA Records MCA-6102 Canada 1980
MCA-6102 Steely Dan Gaucho ‎(LP, Album, Club) MCA Records MCA-6102 US 1980
MCA-6102 Steely Dan Gaucho ‎(LP, Album, Club, CRC) MCA Records MCA-6102 US 1980
MCA-6102, MCA - 6102 Steely Dan Gaucho ‎(LP, Album, Exp) MCA Records, MCA Records MCA-6102, MCA - 6102 US 1980
VIM 6243 Steely Dan Gaucho ‎(LP, Album, Promo) MCA Records VIM 6243 Japan 1980
MCL 1814 Steely Dan Gaucho ‎(LP, Album, RE) MCA Records MCL 1814 UK 1980
MCA-6102 Steely Dan Gaucho ‎(LP, Album, RE, Hal) MCA Records MCA-6102 Canada 1980
CML 80.135, CML-80.135 Steely Dan "Gaucho" ‎(Cass, Album, RE) MCA Records, MCA Records CML 80.135, CML-80.135 Argentina 1981
14C 062 64256 Steely Dan Gaucho ‎(Cass, Album) Sout El Hob - EMI 14C 062 64256 Egypt 1981
BDS-2035, MCAC-6102 Steely Dan Gaucho ‎(Cass, Album) Jugodisk, MCA Records BDS-2035, MCAC-6102 Yugoslavia 1981
LAE-341 Steely Dan Gaucho ‎(LP, Album) MCA Records LAE-341 Mexico 1981
SUP 80.135 Steely Dan Gaucho ‎(LP, Album) MCA Records SUP 80.135 Argentina 1981
LPS-1030 Steely Dan Gaucho ‎(LP, Album) Jugodisk, MCA Records LPS-1030 Yugoslavia 1981
MCA-16009 Steely Dan Gaucho ‎(LP, Album, RE, RM) MCA Records MCA-16009 US 1981
VDP-26 Steely Dan Gaucho ‎(CD, Album, RE) MCA Records VDP-26 Japan 1984
MCAD-37220, DIDX 56 Steely Dan Gaucho ‎(CD, Album, RE) MCA Records, MCA Records MCAD-37220, DIDX 56 US 1984
MCAD-37220 Steely Dan Gaucho ‎(CD, Album, RE) MCA Records MCAD-37220 US 1984
MCAD-37220 Steely Dan Gaucho ‎(CD, Album, RE) MCA Records MCAD-37220 US 1984
MCAD-37220 Steely Dan Gaucho ‎(CD, Album, RE) MCA Records MCAD-37220 US 1984
MCAD-37220 Steely Dan Gaucho ‎(CD, Album, RE) MCA Records MCAD-37220 US 1984
250422-1 Steely Dan Gaucho ‎(LP, Album, RE) MCA Records 250422-1 Spain 1984
P-11529 Steely Dan Gaucho ‎(LP, Album, RE) MCA Records P-11529 Japan 1984
250 422-1 Steely Dan Gaucho ‎(LP, Album, RE) MCA Records 250 422-1 Europe 1984
P-11529 Steely Dan Gaucho ‎(LP, Album, RE, Pro) MCA Records P-11529 Japan 1984
32XD-394 Steely Dan Gaucho ‎(CD, Album, RE) MCA Records 32XD-394 Japan 1986
MCA-1693 Steely Dan Gaucho ‎(LP, Album, RE) MCA Records MCA-1693 US 1987
MCA-1693 Steely Dan Gaucho ‎(LP, Album, RE) MCA Records MCA-1693 US 1987
20P2-2056 Steely Dan Gaucho ‎(CD, Album, RE) MCA Records 20P2-2056 Japan 1988
MCAD-37220, DIDX-56 Steely Dan Gaucho ‎(CD, Album, RE, RP) MCA Records, MCA Records MCAD-37220, DIDX-56 Canada 1988
250 422-2, MCAD-37220 Steely Dan Gaucho ‎(CD, Album, RE) MCA Records, MCA Records 250 422-2, MCAD-37220 Europe 1990
250 422-2 (MCAD-37220) Steely Dan Gaucho ‎(CD, Album, RE) MCA Records 250 422-2 (MCAD-37220) Germany 1990
MCAD-37220 DIDX 56 Steely Dan Gaucho ‎(CD, Album, RE) MCA Records MCAD-37220 DIDX 56 US 1990
MCAD-37220 DIDX 56 Steely Dan Gaucho ‎(CD, Album, RE) MCA Records MCAD-37220 DIDX 56 US 1990
MVCM-21021 Steely Dan Gaucho ‎(CD, Album, RE) MCA Records MVCM-21021 Japan 1991
DMCL 1814 Steely Dan Gaucho ‎(CD, Album, RE) MCA Records DMCL 1814 UK 1991
UDCD 545 Steely Dan Gaucho ‎(CD, Album, RE, RM, 24K) Mobile Fidelity Sound Lab UDCD 545 Japan 1991
UDCD 545 Steely Dan Gaucho ‎(CD, Album, RE, RM, 24K) Mobile Fidelity Sound Lab UDCD 545 US 1991
MCD 01814, DMCL 1814 Steely Dan Gaucho ‎(CD, Album, RE) MCA Records, MCA Records MCD 01814, DMCL 1814 UK & Europe 1994
MVCM-18521 Steely Dan Gaucho ‎(CD, Album, RE) MCA Records MVCM-18521 Japan 1997
71021-51014-2-2 Steely Dan Gaucho ‎(CD, Album, RE, Multichannel, Sup) DTS Entertainment, MCA Records 71021-51014-2-2 US 1998
DTS CD 1014, 7102151014-2-2 Steely Dan Gaucho ‎(CD, Album, RE, RM, Multichannel) DTS Entertainment, MCA Records DTS CD 1014, 7102151014-2-2 US 1998
088 112 055-2 Steely Dan Gaucho ‎(CD, Album, Club, RE, RM) MCA Records 088 112 055-2 US 2000
MCLD 19146 Steely Dan Gaucho ‎(CD, Album, RE) Geffen Records MCLD 19146 UK 2000
088 112 055-2 Steely Dan Gaucho ‎(CD, Album, RE) MCA Records 088 112 055-2 US 2000
088 112 055-2 Steely Dan Gaucho ‎(CD, Album, RE, RM) MCA Records 088 112 055-2 US 2000
088 112 055-2 Steely Dan Gaucho ‎(CD, Album, RE, RM) MCA Records 088 112 055-2 Canada 2000
088 112 055-2 Steely Dan Gaucho ‎(LP, Album, Club, RE) MCA Records, Columbia Record Club 088 112 055-2 US 2000
UICY-3094 Steely Dan Gaucho ‎(CD, Album, RE, RM, Pap) MCA Universal UICY-3094 Japan 2001
B0000868-36 Steely Dan Gaucho ‎(SACD, Hybrid, Multichannel, Album, RE) Chronicles, MCA Records B0000868-36 US 2003
0602498605103 Steely Dan Gaucho ‎(SACD, Hybrid, Multichannel, Album, RE, RM) MCA Records 0602498605103 Europe 2003
0602498605103 Steely Dan Gaucho ‎(SACD, Hybrid, Multichannel, Album, RE, RM) MCA Records 0602498605103 Europe 2003
B0001767-19 IN02, B0001767-19 Steely Dan Gaucho ‎(DVD-A, Album, RE, RM, Multichannel, NTSC) MCA Records, Chronicles, MCA Records B0001767-19 IN02, B0001767-19 US 2004
UICY-93129 Steely Dan Gaucho ‎(CD, Album, Ltd, RE, RM, Pap) Geffen Records UICY-93129 Japan 2006
UICY-6438 Steely Dan Gaucho ‎(CD, Album, RE) Geffen Records UICY-6438 Japan 2006
UIJY-9038 Steely Dan Gaucho ‎(LP, Album, RE, 200) MCA Records, Universal Music UIJY-9038 Japan 2007
UICY-93521 Steely Dan Gaucho ‎(CD, Album, Ltd, RE, RM, SHM) Geffen Records UICY-93521 Japan 2008
MCA-1693 Steely Dan Gaucho ‎(LP, Album, RE, 180) MCA Records MCA-1693 US 2008
UIGY-9039 Steely Dan Gaucho ‎(SACD, Album, RE, RM) Geffen Records UIGY-9039 Japan 2010
UICY-25041 Steely Dan Gaucho ‎(CD, Album, RE, RM, SHM) Geffen Records UICY-25041 Japan 2011
UICY-40018 Steely Dan Gaucho ‎(CD, Album, RE, RM, Pla) Geffen Records UICY-40018 Japan 2013
UICY-75893 Steely Dan Gaucho ‎(CD, Album, RE, SHM) Geffen Records UICY-75893 Japan 2013
none Steely Dan Gaucho ‎(7xFile, FLAC, Album, RE, RM, 24b) Geffen Records none 2014
UIGY-9592 Steely Dan Gaucho ‎(SACD, Album, RE, RM) Geffen Records UIGY-9592 Japan 2014
none Steely Dan Gaucho ‎(7xFile, FLAC, Album, RE) Geffen Records none Europe Unknown
MCAD-37220 Steely Dan Gaucho ‎(CD, Album, Club, RE) MCA Records MCAD-37220 US Unknown
MCD 01814, DMCL 1814 Steely Dan Gaucho ‎(CD, Album, M/Print, RE) MCA Records, MCA Records MCD 01814, DMCL 1814 Europe Unknown
250 422-2, MCAD-37220 Steely Dan Gaucho ‎(CD, Album, RE) MCA Records, MCA Records 250 422-2, MCAD-37220 Germany Unknown
MCLD 19146 Steely Dan Gaucho ‎(CD, Album, RE) MCA Records MCLD 19146 UK Unknown
811 814-2, MCD 01814, DMCL 1814 Steely Dan Gaucho ‎(CD, Album, RE) MCA Records, MCA Records, MCA Records 811 814-2, MCD 01814, DMCL 1814 Europe Unknown
MCAD-37220 DIDX 56 Steely Dan Gaucho ‎(CD, Album, RE) MCA Records MCAD-37220 DIDX 56 US Unknown
MCAD-37220 Steely Dan Gaucho ‎(CD, Album, RE) MCA Records MCAD-37220 US Unknown
MCAD-37220 Steely Dan Gaucho ‎(CD, Album, RE) MCA Records MCAD-37220 US Unknown
112 055-2 Steely Dan Gaucho ‎(CD, Album, RE, RM) MCA Records 112 055-2 UK & Europe Unknown
088 112 055-2 Steely Dan Gaucho ‎(CD, Album, RE, RM) MCA Records 088 112 055-2 US Unknown
112 055-2 Steely Dan Gaucho ‎(CD, Album, RE, RM) MCA Records 112 055-2 UK & Europe Unknown
088 112 055-2 Steely Dan Gaucho ‎(CD, Album, RE, RM) MCA Records 088 112 055-2 US Unknown
088 112 055-2 Steely Dan Gaucho ‎(CD, Album, RE, RM) MCA Records 088 112 055-2 US Unknown
112 055-2 Steely Dan Gaucho ‎(CD, Album, RE, RM) MCA Records 112 055-2 Europe Unknown
MCABD-37220, DIDX-56 Steely Dan Gaucho ‎(CD, Album, RE, RP) MCA Records, MCA Records MCABD-37220, DIDX-56 Canada Unknown
MCD 01814, DMCL 1814 Steely Dan Gaucho ‎(CD, Album, RE, RP) MCA Records, MCA Records MCD 01814, DMCL 1814 Europe Unknown
MCLC 19146, UK-MCLC1814, MCC 1814 Steely Dan Gaucho ‎(Cass, Album, RE) MCA Records, MCA Records, MCA Records MCLC 19146, UK-MCLC1814, MCC 1814 UK Unknown
MCA-37220, MCA-1693 Steely Dan Gaucho ‎(LP, Album, RE) MCA Records, MCA Records MCA-37220, MCA-1693 US Unknown
MCA 37220 Steely Dan Gaucho ‎(LP, Album, RE) MCA Records MCA 37220 Canada Unknown
203192 Steely Dan Gaucho ‎(LP, Album, W/Lbl) MCA Records 203192 Europe Unknown

Tracklist Hide Credits

A1 Babylon Sisters
Arranged By [Horns] – Rob MounseyBacking Vocals [Backup] – Diva Grey*, Gordon Grody, Lani Groves, Leslie Miller, Patti Austin, Toni WineBass – Chuck RaineyBass Clarinet – George Marge, Walter Kane*Drums – Bernard PurdieElectric Piano, Clavinet – Don GrolnickGuitar – Steve KhanPercussion – Crusher Bennett*Tenor Saxophone, Alto Saxophone, Clarinet – Tom ScottTrumpet, Flugelhorn – Randy Brecker
5:51
A2 Hey Nineteen
Backing Vocals [Backup] – Frank Floyd, Zack Sanders*Bass – Walter BeckerDrums – Rick MarottaElectric Piano, Synthesizer – Donald FagenGuitar – Hugh McCracken, Walter BeckerPercussion – Steve Gadd, Victor Feldman
5:04
A3 Glamour Profession
Arranged By [Horns] – Tom ScottBacking Vocals [Backup] – Frank Floyd, Leslie Miller, Valerie Simpson, Zack Sanders*Bass – Anthony JacksonDrums – Steve GaddElectric Piano, Synthesizer – Donald FagenGuitar – Steve KhanPercussion – Ralph McDonald*Piano – Rob MounseyTenor Saxophone – Michael BreckerTenor Saxophone, Lyricon – Tom Scott
7:28
B1 Gaucho
Arranged By [Horns] – Tom ScottBacking Vocals [Backup] – Leslie Miller, Patti Austin, Valerie SimpsonBass – Walter BeckerDrums – Jeff PorcaroElectric Piano, Synthesizer – Donald FagenGuitar – Steve KhanLead Guitar – Walter BeckerPercussion – Crusher Bennett*Piano – Rob MounseyTenor Saxophone – Tom ScottTrumpet – Randy Brecker
5:32
B2 Time Out Of Mind
Alto Saxophone – David SanbornArranged By [Horns] – Rob MounseyBacking Vocals [Backup] – Leslie Miller, Michael McDonald, Patti Austin, Valerie SimpsonBaritone Saxophone – Ronny Cuber*Bass – Walter BeckerDrums – Rick MarottaElectric Piano, Synthesizer – Donald FagenGuitar – Hugh McCracken, Walter BeckerLead Guitar – Mark KnopflerPiano – Rob MounseyTenor Saxophone – Dave Tofani, Michael BreckerTrumpet – Randy Brecker
4:10
B3 My Rival
Arranged By [Horns] – Tom ScottBacking Vocals [Backup] – Frank Floyd, Valerie Simpson, Zack Sanders*Bass – Anthony JacksonDrums – Steve GaddElectric Piano – Patrick Rebillot*Flugelhorn – Randy BreckerGuitar – Hiram Bullock, Rick DerringerLead Guitar – Steve KhanOrgan, Synthesizer – Donald FagenPercussion – Ralph McDonald*Tenor Saxophone – Michael BreckerTenor Saxophone, Lyricon – Tom ScottTimbales – Nicholas Marrero*Trombone – Wayne Andre
4:30
B4 Third World Man
Bass – Chuck RaineyDrums – Steve GaddElectric Guitar, Acoustic Guitar – Steve KhanElectric Piano – Joe SampleLead Guitar – Larry CarltonSynthesizer – Rob Mounsey
5:14

Companies, etc.

  • Phonographic Copyright (p) – MCA Records, Inc.
  • Copyright (c) – MCA Records, Inc.
  • Manufactured By – MCA Records, Inc.
  • Lacquer Cut At – Masterdisk
  • Pressed By – Europadisk
  • Published By – Zeon Music
  • Published By – Freejunket Music

Credits

  • Arranged By [Rhythm] – Don Grolnick, Paul Griffin, Rob Mounsey, Steely Dan
  • Design [Assistant] – John Tom Cohoe
  • Design, Art Direction – Susanne Walsh
  • Engineer [Assistant] – Barbara Issak, Carla Bandini, Craig Goetsch, Georgie Offrell, Gerry Gabinelli, John Dougherty, John Potoker, Linda Randazzo, Marti Robertson*, Rosa Howell, Tom Greto
  • Engineer [Executive] – Roger Nichols
  • Lacquer Cut By – RL*
  • Lead Vocals – Donald Fagen
  • Management [Cash] – Leonard Freedman
  • Management [Clout] – Front Line Management
  • Mastered By – Bob Ludwig
  • Mixed By – Elliot Scheiner
  • Music By, Lyrics By – Donald Fagen, Walter Becker
  • Photography By – René Burri
  • Producer – Gary Katz
  • Sequenced By [Wendal], Effects [Wendal] – Roger Nichols
  • Technician [Piano Technician] – Don Farrar
  • Tracking By – Bill Schnee, Elliot Scheiner
  • Tracking By [Overdub] – Jerry Garszza*, Roger Nichols
  • Translated By [Italian Translation] – Victor Di Suvero

Notes

Label variation of Gaucho.
Variations include, and are not limited to: different fonts and text dimension and placement, side indicators, label matrices in parentheses.

Printed inner sleeve, cardboard quality.
Special thanks to: Scott Luther and Fred Hull c/o Compal Computers
Fabulous vintage electric guitars courtesy of Richard, Steven and Lawrence Friedman.
Photography René Burri / Magnum.

Barcode and Other Identifiers

  • Rights Society: ASCAP
  • Matrix / Runout (Side A, variant 1): MCA-2469-MD-2 MASTERDISK RL (EDP) SF 1 SM15 06
  • Matrix / Runout (Side B, variant 1): MCA-2470-MD-2 MASTERDISK RL (EDP) SF 1 SM14 06
  • Matrix / Runout (Side A, variant 2): MCA-2469-MD-1 MASTERDISK RL (EDP) 05
  • Matrix / Runout (Side B, variant 2): MCA-2470-MD-1 MASTERDISK RL (EDP) SM14 05
  • Matrix / Runout (Side A, variant 3): MCA-2469-MD-2 MASTERDISK RL (EDP) SF1 SM6 06
  • Matrix / Runout (Side B, variant 3): MCA-2470-MD-2 MASTERDISK RL (EDP) SF1 SM10 06
  • Matrix / Runout (Side A, variant 4): MCA 2469 MD 2 MASTERDISK RL EDP 06
  • Matrix / Runout (Side B, variant 4): MCA 2470 MD 2 MASTERDISK RL EDP 06
  • Matrix / Runout (Side A, variant 5): MCA-2469-MD-2 MASTERDISK RL (EDP) SF 1 SM8 06
  • Matrix / Runout (Side B, variant 5): MCA-2470-MD-2 MASTERDISK RL (EDP) SF 1 SM15 06

Other versions

Category Artist Title (Format) Label Category Country Year
MCA-6102 Steely Dan Gaucho ‎(LP, Album) MCA Records MCA-6102 US 1980
VDP-26 Steely Dan Gaucho ‎(CD, Album, RE) MCA Records VDP-26 Japan 1984
MCA-16009 Steely Dan Gaucho ‎(LP, Album, RE, RM) MCA Records MCA-16009 US 1981
112 055-2 Steely Dan Gaucho ‎(CD, Album, RE, RM) MCA Records 112 055-2 UK & Europe Unknown
UICY-3094 Steely Dan Gaucho ‎(CD, Album, RE, RM, Pap) MCA Universal UICY-3094 Japan 2001


Talk about Steely Dan - Gaucho


Malalanim
Bought it used, cleaned on Audiodesk.clean and quiet, no noise. Enjoy the sound of this pressing. While i dont know other versions of this album, it sounds awesome and dynamic.
Arilak
No album was a product of the 70's crashing down on the band that made it more than Goucho. SD imploded during production and suffered irreputable damage. The question remains: How did this thing turn out so good??...coupled with: Wow this thing is bad...(not excluding the worst song they ever wrote: "Hey 19", blazing up the charts) Goucho polarized their fans more than any SD album...but with Babylon Sisters & Third World Man??...It's my 3rd fave SD LP. Knowing that the devastating lost track: "The 2nd Arrangement" was to be the 1st track adds to the legend of a Steely Dan masterpiece of Katy Lied proportions. Hey19 was the deathnell and a precursor to thing to come 12 years later w/ their solo CD's & more: - the dreaded blues. N
Skillet
foobar2000 1.3.17 / Dynamic Range Meter 1.1.1log date: 2019-03-03 15:07:56--------------------------------------------------------------------------------Analyzed: Steely Dan / Gaucho [UK CD]--------------------------------------------------------------------------------DR Peak RMS Duration Track--------------------------------------------------------------------------------DR14 -2.38 dB -19.66 dB 5:54 01-Babylon SistersDR14 -2.99 dB -19.99 dB 5:07 02-Hey NineteenDR14 -2.01 dB -18.65 dB 7:31 03-Glamour ProfessionDR13 -2.07 dB -18.10 dB 5:33 04-GauchoDR15 -2.17 dB -20.42 dB 4:12 05-Time Out Of MindDR15 -1.61 dB -19.85 dB 4:34 06-My RivalDR15 -1.60 dB -19.96 dB 5:14 07-Third World Man--------------------------------------------------------------------------------Number of tracks: 7Official DR value: DR14Samplerate: 44100 HzChannels: 2Bits per sample: 16Bitrate: 693 kbpsCodec: ALAC================================================================================
Olma
One of my favorite Dan albums. Although they borrowed a few motifs from Jarrett for the title song, it's my favorite one on the album, and some of Porcaro's most tasteful drumming on record.
Phalaken
This is my go to SACD when demonstrating 5.1 playback.
6snake6
Objectively ... I found this pressing to be delightful and full bodied ...
Helo
Great sounding CD version, rich, bright and warm just where it needs to be. Played on a McIntosh CD Player through McIntosh Amp and B&W Diamond Speakers.
Moogura
Forever the eminent hipsters and major dudes, Steely Dan have always created music for those like themselves ... the self absorbed dissociative paranoid name droppers, aficionados of the absurd, those who delight in sentence structure that is laced with syllables that are tastable, and those who perpetually leave unanswered unresolvable questions hanging in the air just as the front door is closing behind them.With a length of only 37 minutes, Gaucho took nearly two years to record, and was the most expensive record ever made when it found its way onto my turntable in 1980, and like The Beatles, after Gaucho, Steely Dan retired to the studio, their apartments, and their own heads, where they lived full time, often among the characters and substances referenced in their songs, with lives that played out as if they been drawn from the stories of their own verse.It was Roger Nichols who during the recording of Gaucho was solely responsible for Donald Fagen’s wishes for ultra human perfection, even going so far as to hand build a percussion sequencer [Named Wendel, and saying, “Wendel can play exactly what any drummer can play.”], along with other delicate and dedicated hardware that met the demands of this enigmatic duo, though there were few walking the planet who were privileged enough to own an audiophile stereo system worthy of appreciating this perfection. The band would take their famous perfectionism to new levels during the Gaucho recording sessions, as they’d grown accustomed to the dedicated mercenary approach of the session musicians they worked with in Los Angeles on Aja. On returning to their home of New York City, they found the musicians they worked with to be less professional, which was a major headache for both Becker and Fagen. They would often force their hired guns to do forty or more takes of the same song in search of the perfect snippet to use in the final recording. The result was a sort of building block approach that caused an inordinate amount of time to go into the recording process. For example, Mark Knopfler of Dire Straits was hired to play lead guitar on the song “Time Out Of Mind,” as Fagen and Becker had enjoyed his work on “Sultans of Swing” tremendously. He was brought into the studio for hours and hours of recording, and his final contribution to the record clocks in at a mere few seconds. All and all, everyone was amazed the the record ever got finished at all.Gaucho was miles beyond what Steely Dan had delivered on the long awaited Aja album, and even further from their first release in 1972 of Can’t Buy A Thrill, where the band became so much more than they ever imagined, and in so doing, saw their fan base dwindle down to the hardcore, loved by critics, DJ’s and those who rarely saw the light of day, along with new ears who now heard an emancipation in what The Dan were laying down. That being said, the truth is the boys had taken two turns on a highway that demanded hit singles, and Gaucho majorly delivered only one, “Hey Nineteen,” with most of the world rating the album rather lowly, and dismissed it nearly as offhandedly as they had done with Aja, wanting more of the unpolished more raw and quirky atmosphere that had been laid down in their earlier outings, though time would prove that Steely Dan were on a path laden with unique ideas, emotion that had to be searched for, and a jazz presentation that would prove over time not to be as boring as so many suggested it was.In effect, there are those who claim, and go on to insist that the perfection found on Gaucho lead to the band’s demise, as they’d nowhere else to go, that they’d painted themselves into a corner by painting their masterpiece. Those same people will say that the album is so clean that it lacks any emotion, though if one takes this release in context of the times and the lives of Becker and Fagen, yes, it’s not bubbling with warmth, though it is filled with delicious emotions that are not handed to listeners on a spoon, they must be teased out and appreciated. And if that weren’t enough, those same critics cite that the band sounds tired and under pressure, and while the pressure part may be true and was self inflicted, Steely Dan hardly sound tired, they’re just older, reflecting new visions and aspirations.And of course, as always, and to my delight, Becker and Fagen proved their critics and complainers wrong, with the album overcoming all of it’s challenges and went platinum, delivering two top 10 singles.*** The Fun Facts: While recording the album, the group’s record company was involved in a merger, which caused some legal static and prevented Becker and Fagen from changing labels. Also during this time, Becker was hit by a car and broke his leg, resulting in extensive hospitalization. Becker was battling substance abuse and his girlfriend tragically died of a drug overdose in early 1980. Gaucho was finally released in November 1980, over three years after Aja.Over 40 musicians were required for this bit of intensity, and still Fagen and Becker were not satisfied, and would go on to spend an additional $100,000 on the drum beats alone.Only discovered at a later date, and adding salt to the wounds, three quarters of the song “The Second Arrangement” was accidentally erased in 1979. Of course they tried to re-record the number, but eventually gave up and had to replace the track by another song late into the process.And then of course, Keith Jarrett threatened the band with legal action revolving around song writing credits for the title track, claiming that the boys paid him a million dollars to keep his name off said credits.The cover art is based upon a wall plaque entitled "Guardia Vieja – Tango" (Old Guard – Tango), located in a southside Buenos Aires promenade known as Caminito, by Argentine artist Israel Hoffmann.As to the historical meaning of the song "Time Out Of Mind", Time Out of Mind references TIME IMMEMORIAL. Strictly speaking, 'time immemorial' is any time before 1199, this being the date set in 1275 as the time before which no one could remember, and therefore no legal cases could deal with events before that date. 'Time out of mind,' recorded from the fifteenth century, is just the plain English version of the same thing. Since the eighteenth century at least, 'time immemorial' has been used in much the same way as the 'Mists of Time' and both expressions are now often used vaguely to mean little more than 'in the past.’Review by Jenell Kesler
Jaberini
Well produced and interesting Jazz Fusion album. This album in particular did incorporate small elements of synthpop by incorporating a drum machine. I can't attest to how the 5.1 mix is, but the 2 channel mix is very clean. My only complaint is that the 2 channel mix is a little bit too compressed. You can even here a few small imperfections with the master tape deteriorating, which is quite interesting. It would be near perfect if it was just a little less compressed.
Skrimpak
What's the best press and best souding LP from this list?Thanks
fire dancer
kmcguane Found a sealed original US that still had the Target price tag on it. Mine sounds fab. That doesnt help much but thanks.
Iesha
Found a sealed original US that still had the Target price tag on it. Mine sounds fab.
Frostdefender
Would like to know as well, probably an original, Japanese or newer Japanese DSD reissue https://www.discogs.com/Steely-Dan-Gaucho/release/2525691
from earth
This amazing SD -Gaucho 200 gram japan vinyl from 2007 is just one of the best sounding records I have in my whole 8 thousand vinyl records collection. So I think I agree with Eric!
elegant stranger
This one sounds not as good as the original 1980s (MCA-6102)Low bass and not so clear as the MCA-6102.So when you want to buy one, buy a 1980s one.
Heraly
Steely Dan rocked the 80's with this album, particularly **Babylon Sister
crazy mashine
Was the Columbia Record Club still issuing vinyl in 2000?
Delalbine
Mine saysEXPORT ONLY - FOR SALEOUTSIDE CONTINENTALUNITED STATES ONLYIn the bottom right corner of the back of the sleeve.Identical otherwise.
Fohuginn
This is a Japanese pressing which I purchased in a momentary lapse of reason as it cost me more than I care to admit. I re-discovered this album listening to this version of the LP. I had purchased the CD/SACD version released a few years ago and was somehow disappointed by the "clinical" sound, which did not match my memory of the record when it first came out. This version of the LP does justice - and more - to the original LP, in that it sounds very clear and with huge dynamics, the sound really fills the room and it never sounds harsh or digital (I do not know if it was made from an analog source because a lot of the stuff and liner notes is in Japanese, but it sounds very good to me in any event).One of my best sounding records, and the music really is worth it, even after 30+ years this LP sounds like new.
Fog
I believe this might be the best sounding multi-channel SACD out there.
Samut
Yes ,this Avalon and Sea Change are amazing !
Blackseeker
I will comment soon. listing for the very first time (any format) ever now.
Gio
This was the first Steely Dan album I heard. And for the longest time, I thought aja was their best, but these days I don't know. I played that hundreds of times, so maybe I just wore it out. Gaucho might be better, but it's tough to say. All I know is, Glamour Profession is probably among my top five favourite songs. The rhythm, the mood, the melody, the lyrics -- they're all just perfect. A musical portrait of the drug trade in Los Angeles circa 1980. There's simply no other band that could create such an amazing atmosphere.It's not hard to see why some critics would be unsatisfied with this album. It is an absolute, clinical, clean production. There isn't a single note out-of-place. Becker and Fagen distilled their sound to one that is too flawless for some. I don't care. They used the studio as another instrument and created a work that sounds totally fresh more than three decades later.
Vonalij
totally agree with this guy!
Burilar
"Gaucho" was already challenged by the fact that it was the follow up to "Aja," as perfect a studio album as Steely Dan could ever expect to have. However it's two-year gestation period was further fraught with problems; a track erased accidentally by a second engineer, a lawsuit from Keith Jarrett and Steely Dan's label changing hands -- resulting in further confusion/litigation -- all served to strain this project. But you can't hear that in the final edit; it's all of a piece, with the first side representing perhaps the pinnacle of their achievement, though as a whole it still falls slightly short of "Aja." While there are many sad and poignant moments in "Gaucho," the saddest thing about the album is that the group was not able to survive the process of making it.
Malak
Yes. Steely Dan. Babylon Sisters is perhaps their crowning achievement. Followed closely by Hey Nineteen. Yeah, this music is "cheesey" but seriously, you cannot get any better for over-produced jazz rock fusion that has pop hooks a plenty AND Steve Gadd on drums. In addition, aside from their "clean sound", these guys have some pretty dirty ideas of what is fun. This album rocks out.