The Graham Bond Organization - The Sound Of 65 flac album

The Graham Bond Organization flashed upon the scene a full two years before Cream had ever been thought of, delivering a unique and encompassing take on a sound that would soon sweep the British Isles, and immediately after that.

Although the Organization's first album was recorded a mere year or two before Cream's debut, it bears little resemblance to Cream's pioneering hard blues-rock. Instead, it's taut British R&B with a considerable jazz influence. That influence comes not so much from the rhythm section as saxophonist Dick Heckstall-Smith and lead singer/organist Bond himself. This LP is not as exciting or rock-oriented as those of contemporaries like the Rolling Stones or John Mayall, but is respectably gritty, mostly original material, with an occasionally nasty edge.

The Graham Bond Organization Hoochie Coochie Man. 03:11. The Graham Bond Organisation 17 - The Night Time Is The Right Time (The Sound Of 65 1965). The Graham Bond Organisation 15 - Who s Afraid Of Virginia Woolf (The Sound Of 65 1965). Graham Bond Organisation Half A Man.

BPM Profile The Sound of 65. Album starts at 114BPM, ends at BPM (-114), with tempos within the -BPM range. Try refreshing the page if dots are missing). Recent albums by The Graham Bond Organisation. There's a Bond Between Us. 1965. Get the Tempo of more than 6 Million songs.

The Graham Bond Organisation chronology. The Sound of '65 (1965). There's a Bond Between Us (1965)There's a Bond Between Us1965. This album and the group's second and last, There's a Bond Between Us are now considered "essential listening for anyone who is seriously interested in either British blues, The Rolling Stones' early sound, or the history of popular music, in England or America, during the late '50s and early '60s" and is also known among fans of Cream

The Graham Bond Organization is famous more for spawning two-thirds of Cream, than for their own accomplishments, at least in the US where it has been virtually impossible to get their recordings until recently. This disc shows them to be great musicians with absoultely no talent for playing it safe or going commercial. Although the vocal on "Tammy" is truly so surreally bad that it does defy description. Not all of the material is great but what comes through consistently is the sheer energy of this group and the virtuosity of the players. Bond, himself, is a true whiz on the organ - it's some of the most powerful and nimble keyboard playing you will ever hear on a pop music recording. And Baker's presence is very much in evidence throughout