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Violent Femmes - Violent Femmes flac album

Violent Femmes - Violent Femmes flac album
  • Performer Violent Femmes
  • Title Violent Femmes
  • Date of release 1983
  • Country Canada
  • Style Alternative Rock, Indie Rock
  • Other formats AAC VQF AC3 ADX RA DMF MP1
  • Genre Rock
  • Size MP3 1607 mb
  • Size FLAC 1733 mb
  • Rating: 4.7
  • Votes: 476

Violent Femmes is the debut album by Violent Femmes. Mostly recorded in July 1982, the album was released by Slash Records on vinyl and on cassette in April 13, 1983, and on CD in 1987 with two extra tracks "Ugly" and "Gimme the Car".

One of the most distinctive records of the early alternative movement and an enduring cult classic, Violent Femmes weds the geeky, child-man persona of Jonathan Richman and the tense, jittery, hyperactive feel of new wave in an unlikely context: raw, amateurish acoustic folk-rock

Tracklist

A1 Blister In The Sun 2:23
A2 Kiss Off 2:53
A3 Please Do Not Go 4:15
A4 Add It Up 4:44
A5 Confessions 5:27
B1 Prove My Love 2:37
B2 Promise 2:48
B3 To The Kill 3:59
B4 Gone Daddy Gone 3:03
B5 Good Feeling 3:49

Companies, etc.

  • Copyright (c) – Slash Records
  • Phonographic Copyright (p) – Slash Records
  • Recorded At – Castle Recording Company
  • Mastered At – Greg Lee Processing – L-13107
  • Published By – Gorno Music Publishing

Credits

  • Bass, Xylophone, Vocals – Brian Ritchie
  • Design – Geoff "Stinky" Worman*, Laurie Lindblom
  • Design [Design-package] – Jeff Price
  • Drums, Vocals – Victor De Lorenzo*
  • Engineer – Glen L. Lorbiecki*, John Tanner
  • Guitar, Violin, Vocals – Gordon Gano
  • Photography By – Ron Hugo
  • Piano – Mark Van Hecke (tracks: B5)
  • Producer – Mark Van Hecke

Notes

Recorded at Castle Recording Company, Lake Geneva, Wisconsin, July 1982.

© & ℗ 1982 Slash Records
Lyrics © 1983 Gorno Music Publishing ASCAP

With inner sleeve.
This first pressing was with different label artwork than the second pressing. First pressing is shown here with the "two-tone" style label, later pressings had the stock Slash labels.

Barcode and Other Identifiers

  • Barcode: 0 7599-23845-1
  • Matrix / Runout (Side A runout, etched): 1-23845-A RE L-13107
  • Matrix / Runout (Side B runout, etched): 1-23845-B L-13107-X
  • Rights Society: ASCAP

Other versions

Category Artist Title (Format) Label Category Country Year
P2 28035 Violent Femmes Violent Femmes ‎(CD, Album, Club) Slash, London Records P2 28035 Canada 1987
422-828035-2 Violent Femmes Violent Femmes ‎(CD, Album, RE) Slash, London Records 422-828035-2 US 1990
92 38451 Violent Femmes Violent Femmes ‎(LP, Album) Slash, Warner Bros. Records 92 38451 Canada 1983
8122782422 Violent Femmes Violent Femmes ‎(2xCD, Album, RE) Slash, Rhino Records 8122782422 Australia 2002
CR00108 Violent Femmes Violent Femmes ‎(LP, Album, RE, RM, 180) Craft Recordings CR00108 US 2018


Talk about Violent Femmes - Violent Femmes


Jugami
Is it just me or does Bud Powell need some song writing credit?
Dellevar
Dig that crazy sound man...in a word, I'll choose spectacular. That is to say, spectacular in every way, from the moment the band started writing the songs, and all the way through the recording and mastering. I love the way it was produced, from the arrangements of the songs, to the timbre of the instruments and the separation in tone with equalization. The limited use of reverb and such gives me the feeling that the band is here in my living room playing for me. When I do hear obvious reverb, I get the impression it's from the source, not in the mix. It has a wide dynamic range, particularly in the snare drum, and vocals where it's most valuable for me, as well as in the overall mix. I am using a filter in the low mid at -3db for my preferred listening / audio system. There is some interesting panning involved, and again...I love the tones. I particularly like the bass tones, although everything is mixed and blended much to my liking. To be clear, I'm referring to the 1983 first press on two tone label. I haven't heard other pressings recently, but I don't recall the sonic quality being so freggin awesome when I listened to this in my youth...and I didn't have this particular release then. I can however recall that the content and contributions from the band were epic, and all these years later, it's just an amazing to me.
Doukasa
I am going to review this album as it is not about the many forms that it has being released in. What other albums hold up to the greatest that it was when it came out in the eighties, I think only maybe The Cars first album or Van Halens (Though it was really late seventies it was released at) made a big impact. That raw sound that The Replacements, DB's or even R.E.M. took from to interject that kind of emotion into their songs that the main stay of arena rock wasn't getting at made it a really big boost to american music. It was the link that put back the garage rock of the bands from sixties from The Hombres, The Shadows of The Knights, and all of the D.Y.I. bands from that era in to the for-front and made it that this band could be your life.