Jack Pettis & His Band - It All Depends On You / Muddy Water (A Mississippi Moan) flac album

Muddy Waters grew up on Stovall Plantation near Clarksdale, Mississippi, and by age 17 was playing the guitar and the harmonica, emulating the local blues artists Son House and Robert Johnson. He was recorded in Mississippi by Alan Lomax for the Library of Congress in 1941. In 1943, he moved to Chicago to become a full-time professional. In the early 1950s, Muddy Waters and his band-Little Walter Jacobs on harmonica, Jimmy Rogers on guitar, Elga Edmonds (also known as Elgin Evans) on drums and Otis Spann on piano-recorded several blues classics, some with the bassist and songwriter Willie Dixon. These songs included "Hoochie Coochie Man", "I Just Want to Make Love to You" and "I'm Ready".

Muddy water (a mississippi moan) by Bessie Smith. Dixie moonlight, Swanee shore. Headed homebound just once more. To my Mississippi delta home. Southland has that grand garden spot. Although you believe or not. I hear those breeze a-whispering. €œCome on back to me”. Muddy water 'round my feet. Muddy water in the street. Just God don't shelter. Muddy water in my shoes. Reeling and rocking to them lowdown blues. They live in ease and comfort down there. Been away a year today. I don't care, it's muddy there.

Bb Gm F F7 Dixie moonlight, Swanee shore Bb Gm F F7 Headed homebound just once more Bb Eb F7 Bb To my Mississippi delta home Bb Gm F F7 Southland has that grand garden spot Bb Gm Eb F Although you believe or not.

Bb7 Gm F F7 Dixie moonlight, Swanee shore Bb7 Gm F F7 Headed homebound just once more Bb7 Eb7 F7 Bb To my Mississippi delta home Bb7 Eb7 F F7 Southland has that grand garden spot Bb7 Gm F F Although you believe or no. .Gm F F7 I hear those breeze a-whispering: C7 F7 "Come on back to me" Bb7 Eb7 Muddy water 'round my feet Bb7 F F7 Muddy water in the street Bb7 Eb7 Just God don't shelter C7 F7 Down on the delta Cm7 G7 Muddy water. in my shoes Cm7 G7 Reeling and rocking to them lowdown blues Gm7 F F7 They live in ease and comfort down there I do declare.

Muddy Waters 100 is the centennial celebration of his birthday (April 4, 1915) and also a commemoration of this immense legacy. When a local guitarist and Blues singer in Clarksdale, Mississippi named McKinley Morganfield made his first field recording at the Stovall plantation, on August 31, 1941, he had no idea where this music would take him. By the time he plugged his guitar into an amplifier on Chicago's Southside in 1943, he had become Muddy Waters, a man whose unique voice and sound would influence American popular music in the second half on the 20th century. The album With an all-star lineup of Blues specialists and veterans under the direction of vocalist/guitarist, longtime Waters alumnus, and close friend John Primer, the mood is set with the trademark "Got My Mojo Working," featuring vocalist Shemekia Copeland trading verses with Primer.

Eddie Condon and his Band (1952). Doris Day (1955) in the film Love Me or Leave Me and Day's Love Me or Leave Me album). Jack Hylton and his orchestra (1927). Al Jolson (Stage production, 1925). Stanley Green Encyclopedia of the Musical Theatre Page 99 078674684X - 2009 "The first son song was "It All Depends on You" for Big Boy, and their first score was for George White's Scandals of 1925. This pop standards-related article is a stub.

Paul Rodgers' tribute to Muddy Waters is not a return to Waters' electric Chicago blues, but a continuation of the blues-rock of Rodgers' old bands, Free and Bad Company. Taken on those terms, Muddy Water Blues: A Tribute to Muddy Waters works only when Rodgers is matched with a good blues-rock guitarist. Jeff Beck, Buddy Guy, and Gary Moore all play well, while Richie Sambora, Neal Schon, and Trevor Rabin all sound a bit lost; the rest, including David Gilmour and Brian May, fall somewhere in between.

Muddy Waters is, in many ways, the archetypal bluesman. He went to Chicago in 1943, and the band he assembled established the electric blues sound. Over the next three and a half-decades, his band became a springboard for many of his sidemen, launching a prominent school of blues performers. Muddy usually cited Rolling Fork as his home. The area, near the Mississippi River, was wet, and his grandmother nicknamed him because of the mud puddles in which he played. Muddy’s mother died when he was very young, and her mother raised him. She moved north to the Stovall Plantation outside of Clarksdale before Muddy was three years old. He stayed there, for the most part, until he was thirty years old.