LCD Soundsystem is the self-titled debut studio album by American rock band LCD Soundsystem. It was released on 24 January 2005 through DFA. The album encompasses genres that range from dance-punk to electronica. The album was critically acclaimed upon release and was nominated for the 2006 Grammy Award for Best Electronic/Dance Album
LCD Soundsystem, American Dream ★★★☆☆ Download: Other Voices; Change Your Mind; Call The Police; American Dream. It’s been seven years since the last LCD Soundsystem album, This Is Happening; but it doesn’t sound as though the band’s creative mainspring James Murphy has bothered expanding his musical outlook too much during that hiatus. American Dream, which began life as a solo album before Nancy Whang and Pat Mahoney rejoined to give Murphy sounding-boards off which to bounce ideas, is effectively a straight continuation of its predecessor’s amalgam of electropop, new wave and krautrock, in varying proportions, with varying success. It always seems to be dusk or dawn in Mogwai’s world.
I love this album and the whole vibe it brings. There’s a long tradition, think Edison, of soundsystem making way before Jamaican soundsystems, raves and your car’s trunk rattlin’ Swipe to see images of World War II Japanese Tuba’s and UK’s sound mirrors still existing on the southern coast. Into soundsystems? Electronic music?
This album is LCD Soundsystem through and through, with more classic songs (Call the Police, an interesting meeting of David Bowie and U2), and fewer purely dancefloor numbers (Other Voices will get you up and dancing all the same) Talking Heads, then, as ever: but also Berlin-era Bowie (Change Yr Mind and Black Screen), as James.
LCD Soundsystem recently announced their new album American Dream-the long-awaited follow-up to 2010’s This Is Happening. It’s out September 1 via Columbia/DFA, and it features both of their singles Call the Police and American Dream. After sharing the full tracklist, they’ve now revealed the album’s cover. The band performed the tracks on Saturday Night Live.
The final album by Gregg Allman, who died in May, is a moving farewell statement à la twilight masterworks by Leonard Cohen and David Bowie. Yet while Southern Blood is rich with intimations of mortality, it’s easygoing, too, with a laid-back generosity that recalls Allman’s kindest Seventies work – see his warm take on Lowell George’s Southern-rock salvo Willin’, or versions of tender folk reckonings by his friends Tim Buckley and Jackson Browne. Is it the end of America? she intones in When the World Was at War We Kept Dancing. No, it’s only the beginning. As true, and as terrifying, a thought as any song this year produced.
| A1 | California |
| A2 | Same In The World Red |
| A3 | No Time 4 Tremor |
| A4 | Finally Human Hair |
| B1 | War Dudes |
| B2 | Dingo |
| B3 | Expert Man (The Refined Man) |
| B4 | Enemies Against Power |
| B5 | Bass |
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