Francisco António de Almeida - La Giudita flac album

Musicology: La Giuditta, oratorio. Year: 1726 Genre: Oratorio Pr. Instrument: Voice. Prima parte: Introduzione. Label music requires a subscription to be played in full length. Album: 1. Sort By: Price Release Date. By Himself Rene Jacobs.

Almeida: La Giuditta. .

Francisco António de Almeida. Alternative ns: Almeyda; Francesco Antonio d'Almeida. Compositions by: Almeida, Francisco António de. The following 2 pages are in this category, out of 2 total. Q. A quell’ leggiadro volto (Almeida, Francisco António de).

Francisco António de Almeida (?–ca. 1755) Italian influence penetrated Portuguese musical life in the early eighteenth century, thanks to reforms King João V of Portugal introduced in his Chapel Royal. Using the unprecedented wealth generated by Brazilian gold mines and maritime trade, João V was able to employ singers and musicians of the highest level-including the famous Domenico Scarlatti as royal chapel master. In the 1720s, he worked in Rome, where his oratorios Il pentimento di Davidde and La Giuditta were performed. When he returned to Portugal, he became organist of the Patriarchal Church, the cathedral of Lisbon. His opera La pazienza di Socrate, with a libretto by Alexandre de Gusmão, is the earliest-known work in the genre by a Portuguese composer to have been performed in Lisbon, during the Carnival season of 1735.

Parte Prima: Allegro. Francisco Antonio de Almeida. Marcos Magalhães, Os Músicos do Tejo. 2. Parte Prima: Andante. 3. Parte Prima: Allegro staccato.

Francisco António de Almeida (c. 1702–1755) was a Portuguese composer and organist. From 1722 to 1726 he was a royal scholar in Rome. In 1724, Pier Leone Ghezzi drew his caricature, describing him as "a young but excellent composer of concertos and church music who sang with extreme taste" Il trionfo della virtù (componimento poetico), 1728. Il trionfo d'amore (scherzo pastorale), 1729.