2. Monody Before Gregorian Chant: Chants de l'Eglise de Milanaise: Psaume: 'Tecum principium in die virtutis tue'' - MEDIEVAL JOURNEY. 8. 2. Monody Before Gregorian Chant: Chants de l'Eglise de Milanaise: Responsorium: 'Congratulamini mihi omnes qui diligitis Dominum'' - MEDIEVAL JOURNEY. 9. Monody Before Gregorian Chant: Le Chant Beneventain: Communio: 'Qui manducaverit' - MEDIEVAL JOURNEY. 10. Monody Before Gregorian Chant: Les Chants de l'Eglise de Rome (VII-VIII siecles): Introit 'Resurrexi' - MEDIEVAL JOURNEY. It is an eclectic mix of French Renaissance and various other early music influences - imaginatively constructed and performed. 2 people found this helpful.
Les Très Riches Heures Du Moyen Age A L Aube De La Renaissance. VA Ècole de Notre Dame - Messe du Jour de Noël (XIIe . - extraits ~ Ite Missa est - Deo Gratias. Les très riches heures du Moyen Age. A l'aube de la Renaissance Polyphonie mariale ~ Motet ''Veni mater gracie - Dou way, Robin''.
74 Michael Camille The Tres Riches Heures. The Tres Riches Heures is a cinematic document, a visual presen-tation that reveals the life of an age. But no film could ever match the scrupulousness, the splendour, the moving beauty of its reconstruction" (I, pp. 7, 8. 0 Eco the semiotician here fails to see that the Tris Riches Heures has, in his discourse, become a sign of the medieval. The real is not only what can be reproduced, but that which is always already reproduced. '0 In 1974 the Beligian artist Marcel Broodthaers made Les Tris Riches Heures du Duc de Berry, which was exhibited in 1975 in various museums in Germany and England (fig. 9). It is a diptych, one part being a stencilled, painted alphabet, the other a set of twelve mounted postcards of the calendar of the Chantilly manuscript.
Les Très Riches Heures du duc de Berry, Le Chevalier et la Mort. les tres riches heures de jean duc de berry. Verlicht Manuscript Renaissance Walt Disney Foto's Antieke Kunst Bos Herfst Italiaanse Renaissance Kunstgeschiedenis Kunstwerken. November - Les Tres Riches Heures du duc de Berry, c. 1415. Pretty medieval manuscript of the day is the Tres riches heures of Jean duc du Berry. You all know the score by now. This is my favourite book ever. Various Historical Eras Answer The Age-Old Question What Is Art? Every one of these kills me. Kate Frances. Un calendrier agricole du Moyen – Age en vidéo. Verlicht Manuscript Landbouwrevolutie Geschiedenis Van De Landbouw Hoge Middeleeuwen Kleurrijke Kleding Middeleeuwen Kaarten Musea Figuurlijk. Calendrier agricole au Moyen-âge.
playlists featuring tres riches heures, medieval, and middle ages music. Les Très Riches Heures - Ianuarius.
The Limbourg brothers, the miniaturists of Très Riches Heures du Duc de Berry?" Masters and miniatures. En Berry, du Moyen-Âge à la Renaissance. Pages d'histoire et d'histoire de l'art.
In this book of hours calendar image for April from the Très Riches Heures of Jean Duc du Berry (Musé Condee MS 65 F4v) one of the typical seasonal pastimes (or labors) is depicted; gathering flowers. But the primary emphasis of the scene is on the couple in the foreground exchanging rings in a betrothal ceremony, with what might be the young woman’s parents looking on (various attempts have been made to associate the portraits with real people). To the right two women are picking flowers.
The Belles Heures is a Book of Hours- a very popular book to possess during the late medieval period. A Book of Hours is essentially a prayer book (with prayers and readings for set times throughout a day), and it they typically featured the Hours of the Virgin (a set of psalms with lessons and prayers), a calendar, a standard series of readings from the Gospels, the Office for the Dead, the Penitential Psalms, and hymns (or some. Detail of Folio 223v, The Duke on a Journey, Herman, Paul and Jean de Limbourg, The Belles Heures of Jean de France, duc de Berry, 1405-8/1409, tempera, gold and ink on vellum, single leaf: 2. x 17 cm (The Cloisters Collection, The Metropolitan Museum of Art). The Limbourg brothers finished work on the Belles Heures around 1409-this was to be their only complete work.
| CD 1 - Les Premières Heures De L’Ère Chrétienne | |||
| 1. En Guise De Préambule : Le Chant Byzantin | |||
| 1-1 | –Sœur Marie Keyrouz | Alleluia / Tropaire de La Venue De L’Époux | 2:47 |
| 1-2 | –Sœur Marie Keyrouz | Exapostilation De L'Office De Mardi Saint | 1:06 |
| 1-3 | –Sœur Marie Keyrouz | Version Grecque | 1:15 |
| 1-4 | –Sœur Marie Keyrouz | Version Arabe | 1:15 |
| 1-5 | –Sœur Marie Keyrouz | Hymne À La Vierge (Liturgie Grecque De Saint Jean Chrysostome) | 4:33 |
| 1-6 | –Sœur Marie Keyrouz | Office De La Nativité De La Mère De Dieu (Grand Canon De Saint-Jean Damascène) | 2:51 |
| 2. La Monodie Avant Le Chant Grégorien | |||
| 1-7 | –Ensemble Organum | Psaume : "Tecum Principium In Die Virtutis Tue" | 10:19 |
| 1-8 | –Ensemble Organum | Responsorium : "Congratulamini Mihi Omnes Qui Diligitis Dominum" | 8:00 |
| 1-9 | –Ensemble Organum | Communio : "Qui Manducaverit" | 10:24 |
| 1-10 | –Ensemble Organum | Introït : "Resurrexi" | 7:22 |
| 1-11 | –Ensemble Organum | Office De L'Adoration De La Croix / Impropères "Agios O Theos, Sanctus Deus" | 19:02 |
| 1-12 | –Ensemble Organum | Sacrificium "Vox Clamantis" | 4:46 |
| CD 2 - Le Règne Du Chant Grégorien | |||
| 1. Le Répertoire Gallican | |||
| 2-1 | –Deller Consort | Versus De L’Évêque Théodulfe D’Orléans : "Gloria Laus" | 4:22 |
| 2-2 | –Deller Consort | Semaine Sainte, Répons du 7e Mode : "Tenebrae Factae Sunt" | 3:43 |
| 2. Un Immense Corpus | |||
| 2-3 | –Deller Consort | Introït : "Requiem Aeternam" | 1:58 |
| 2-4 | –Deller Consort | Kyrie Eleison | 1:33 |
| 2-5 | –Deller Consort | Graduel : "Requiem Aeternam" | 3:05 |
| 2-6 | –Deller Consort | Trait : "Absolve, Domine" | 2:22 |
| 2-7 | –Deller Consort | Séquence : "Dies Irae" | 6:27 |
| 2-8 | –Deller Consort | Offertoire : "Domine Jesu Christe" | 3:54 |
| 2-9 | –Deller Consort | Sanctus | 0:44 |
| 2-10 | –Deller Consort | Agnus Dei | 0:50 |
| 2-11 | –Deller Consort | Communion : "Lux Aeterna" | 0:59 |
| 2-12 | –Deller Consort | Répons : "Libera Me" | 4:27 |
| 2-13 | –Deller Consort | Antienne : "In Paradisum" | 1:10 |
| 2-14 | –Deller Consort | Planctus Hugonis Abbatis : "Hug Dolce Nomen" | 3:28 |
| 3. La Tradition Aquitaine, Ou Le Problème De L'Écriture... | |||
| 2-15 | –Schola Hungarica | Antiphona Ad Processionem : "O Beata Infantia" | 1:32 |
| 2-16 | –Schola Hungarica | Introitus Cum Tropis : "Quam Queritis In Praesepe / Puer Natus Est" | 3:23 |
| 2-17 | –Schola Hungarica | Alleluja "Dies Sanctificatus" | 3:07 |
| 2-18 | –Schola Hungarica | Communio Cum Tropis : "Desinat Esse Dolor / Viderunt Omnes" | 2:14 |
| 2-19 | –Schola Hungarica | Alleluia Cum Tropis In Octava : "Alleluja / Natus Est Nobis" | 3:03 |
| 2-20 | –Schola Hungarica | Cantio Ad Laudem Cantoris : "Annus Novus In Gaudio" | 3:24 |
| 4. L'Exception Cistercienne | |||
| 2-21 | –Ensemble Organum | Virtute Multa | 3:04 |
| 2-22 | –Ensemble Organum | In Timore Dei | 5:58 |
| 2-23 | –Ensemble Organum | "Testamentum Eternum" | 5:31 |
| 2-24 | –Ensemble Organum | "Dedit Dominus Confessionem Sancto Suo" | 5:25 |
| CD 3 - Le Temps De L'Amour Courtois | |||
| 1. L'Art Des "Troubadors" | |||
| 3-1 | –Clemencic Consort | A L'Entrada Del Temps ClarComposed By – Anonymous |
2:46 |
| 3-2 | –Clemencic Consort | VidaComposed By – Bernart de Ventadorn |
2:38 |
| 3-3 | –Clemencic Consort | Quand Vei La Laudeta MoverComposed By – Bernart de Ventadorn |
10:22 |
| 3-4 | –Clemencic Consort | VidaComposed By – Folquet De Marseilha* |
4:00 |
| 3-5 | –Clemencic Consort | Sitot Me SoiComposed By – Folquet De Marseilha* |
11:11 |
| 2. Cantigas De Santa Maria | |||
| 3-6 | –Clemencic Consort | Candiga 77 (Flute À Bec Et Percussion)Composed By – Alphonse Le Sage* |
1:02 |
| 3-7 | –Clemencic Consort | Prologue : "Porque Trobar"Composed By – Alphonse Le Sage* |
7:17 |
| 3-8 | –Clemencic Consort | Cantiga 37 (Flûte De Berger Et Sarb)Composed By – Alphonse Le Sage* |
2:15 |
| 3-9 | –Clemencic Consort | Cantiga 7 : "Santa Maria Leva"Composed By – Alphonse Le Sage* |
1:49 |
| 3-10 | –Clemencic Consort | Cantiga 100 : "Santa Maria, Strela Do Dia"Composed By – Alphonse Le Sage* |
3:48 |
| 3. Carmina Burana (XIIème Siècle) | |||
| 3-11 | –Clemencic Consort | "Bacche, Bene Venies" (CB 200) | 3:01 |
| 3-12 | –Clemencic Consort | "In Tabema Quando Sumus" (CB 196) | 2:42 |
| 3-13 | –Clemencic Consort | "Axe Phebus Aureo" (CB 71) | 2:54 |
| 3-14 | –Clemencic Consort | "Deduc Syon, Uberrimas" (CB 34) | 2:54 |
| 3-15 | –Clemencic Consort | "Flete Flenda" (CB 5) | 1:16 |
| 4. Les Minnesänger | |||
| 3-16 | –The Newberry Consort | "Sinc An, Guldin Huon !"Composed By – Neidhart* |
6:09 |
| 3-17 | –The Newberry Consort | "Ich Lobe Ein Wip" (Instrumental)Composed By – Tannhäuser |
3:30 |
| 3-18 | –The Newberry Consort | "Owê Dirre Nôt"Composed By – Neidhart* |
3:58 |
| 3-19 | –The Newberry Consort | Wol Auff, Gesell (Instrumental)Composed By – Oswald von Wolkenstein |
2:53 |
| CD 4 - Les Premières Polyphonies (XIIème-XIIIème Siècles) | |||
| 1. Polyphonie Aquitaine À Saint-Martial De Limoges (XIIème Siècle) | |||
| 4-1 | –Ensemble Organum | "Domine Labia Mea Aperies" / "Deus In Adjutorium Meum" (Chœur) | 1:20 |
| 4-2 | –Ensemble Organum | Versus : "O Primus Homo Coruit" (À Deux Voix) | 5:36 |
| 4-3 | –Ensemble Organum | Versus : "Veri Solis Radius" (À Deux Voix) | 5:40 |
| 2. L'École De Notre-Dame | |||
| 4-4 | –Ensemble Organum | Messe Du Jour De Noël (XIIème Siècle) - Introït Tropé : "Puer Natur Est" | 5:59 |
| 4-5 | –Ensemble Organum | Messe Du Jour De Noël (XIIème Siècle) - Kyrie | 2:11 |
| 4-6 | –Ensemble Organum | Messe Du Jour De Noël (XIIème Siècle) - Graduel : "Viderunt Omnes" | 7:44 |
| 4-7 | –Ensemble Organum | Messe Du Jour De Noël (XIIème Siècle) - Sanctus (Organum) | 4:11 |
| 4-8 | –Ensemble Organum | Messe Du Jour De Noël (XIIème Siècle) - Agnus Dei | 0:52 |
| 4-9 | –Ensemble Organum | Messe Du Jour De Noël (XIIème Siècle) - Ite Missa Est / Deo Gratias | 4:00 |
| 3. Graduel D'Aliénor De Bretagne, Une Pratique Particulière De La Polyphonie | |||
| 4-10 | –Ensemble Organum | Kyrie : "Orbis Factor" | 5:37 |
| 4-11 | –Ensemble Organum | Credo In Unum Deum | 5:31 |
| 4-12 | –Ensemble Organum | Séquence : "Res Est Admirabilis" | 2:56 |
| 4. Les Motets Du Manuscrit De Montpellier (Ars Antiqua, XIIIème Siècle) | |||
| 4-13 | –Anonymous 4 | Plus Bele Que Flor / Quant Revient / L'Autrier Joer / Flos Filius | 2:34 |
| 4-14 | –Anonymous 4 | Puisque Bele Dame M'Eime / Flos Filius | 2:03 |
| 4-15 | –Anonymous 4 | Celui En Qui / La Bele Estoile / La Bele, En Qui / Iohanne | 2:49 |
| 4-16 | –Anonymous 4 | Amor Potest / Ad Amorem Sequitur | 1:19 |
| 4-17 | –Anonymous 4 | S'On Me Regarde / Prennes I Garde / Hé, Mi Enfant | 1:52 |
| 4-18 | –Anonymous 4 | Qui D'Amour Se Plaint / Lux Magna | 1:45 |
| 4-19 | –Anonymous 4 | On Doit Fin(e) Amor / La Biauté / In Seculum | 1:32 |
| 5. Angleterre, XIIIème Siècle : Messe Mariale À La Cathédrale De Salisbury | |||
| 4-20 | –Anonymous 4 | Kyrie : "Kyria Christifera" | 3:58 |
| 4-21 | –Anonymous 4 | Gloria | 3:00 |
| 4-22 | –Anonymous 4 | Sanctus - Benedictus | 1:40 |
| 4-23 | –Anonymous 4 | Agnus Dei : "Virtute Numinis" | 2:45 |
| CD 5 - Le Siècle De L'Ars Nova (XIVème Siècle) | |||
| 1. Le Roman De Fauvel (1310-1316) | |||
| 5-1 | –Clemencic Consort | In Mari MiserieComposed By, Written-By – Philippe de Vitry, Raoul Chaillou du Pesstain |
0:53 |
| 5-2 | –Clemencic Consort | Vers 149 À 168Composed By, Written-By – Philippe de Vitry, Raoul Chaillou du Pesstain |
1:24 |
| 5-3 | –Clemencic Consort | Ad Solitum VomitumComposed By, Written-By – Philippe de Vitry, Raoul Chaillou du Pesstain |
0:59 |
| 5-4 | –Clemencic Consort | Porchier Miex Estre. Vers 250 À 280Composed By, Written-By – Philippe de Vitry, Raoul Chaillou du Pesstain |
2:05 |
| 5-5 | –Clemencic Consort | J'Ai Fait NouveletementComposed By, Written-By – Philippe de Vitry, Raoul Chaillou du Pesstain |
1:13 |
| 5-6 | –Clemencic Consort | Quotia Secta LatronumComposed By, Written-By – Philippe de Vitry, Raoul Chaillou du Pesstain |
2:36 |
| 5-7 | –Clemencic Consort | Vers 5905 À 5926 : Mario, Virgo VirginumComposed By, Written-By – Philippe de Vitry, Raoul Chaillou du Pesstain |
2:48 |
| 5-8 | –Clemencic Consort | Vers 6023 à 6050Composed By, Written-By – Philippe de Vitry, Raoul Chaillou du Pesstain |
1:29 |
| 5-9 | –Clemencic Consort | Quare FremueruntComposed By, Written-By – Philippe de Vitry, Raoul Chaillou du Pesstain |
1:22 |
| 2. La Messe De Tournai (c. 1330-40) - Extraits | |||
| 5-10 | –Ensemble Organum | Kyrie | 2:26 |
| 5-11 | –Ensemble Organum | Gloria In Excelsis Deo | 7:32 |
| 5-12 | –Ensemble Organum | Sanctus | 2:45 |
| 5-13 | –Ensemble Organum | Agnus Dei | 1:35 |
| 3. Les Chansons De L'Ars Nova Française Et De L'Ars Nova Italienne | |||
| 5-14 | –Ensemble Organum | "De Toutes Flours"Composed By, Written-By – Guillaume de Machaut |
5:02 |
| 5-15 | –Ensemble Organum | "Honte, Paour, Doubtance"Composed By, Written-By – Guillaume de Machaut |
2:59 |
| 5-16 | –Ensemble Organum | "Honte, Paour, Doubtance", Version InstrumentaleComposed By – Guillaume de Machaut |
3:18 |
| 5-17 | –Ensemble Organum | "Che Pena È Quest' Al Cor"Composed By, Written-By – Francesco Landini |
4:07 |
| 5-18 | –Ensemble Organum | "Imperiale Sendendo Fra Pi Stelle"Composed By, Written-By – Bartolino Da Padova |
3:09 |
| 5-19 | –Ensemble Organum | Rondeau-Canon "Tout Par Compas"Composed By, Written-By – Baude Cordier |
2:17 |
| 5-20 | –Ensemble Organum | Rondeau "Belle, Bonne, Sage"Composed By, Written-By – Baude Cordier |
4:29 |
| 5-21 | –Ensemble Organum | Rondeau "Fumeux Fume Par Fumée"Composed By, Written-By – Solage |
5:08 |
| 5-22 | –Ensemble Organum | Ballade "Or Voit Tout"Composed By, Written-By – Guido |
5:14 |
| 4. Musique Sacrée Dans L'Angleterre Du XIVème Siècle | |||
| 5-23 | –The Hilliard Ensemble | "Campanis Cum Cymbalis" / "Honoremus Dominam" | 0:51 |
| 5-24 | –The Hilliard Ensemble | "Mater Ora Filium" | 1:14 |
| 5-25 | –The Hilliard Ensemble | "Edi Be Thu" | 3:31 |
| 5-26 | –The Hilliard Ensemble | "Gabriel From Heven-King" | 4:27 |
| 5-27 | –The Hilliard Ensemble | "Gaude Virgo Mater Christi" | 1:24 |
| CD 6 - À L'Aube De La Renaissance (XVème Siècle) | |||
| 6-1 | –The Newberry Consort | "Ligiadra Donna" Pour ViellesComposed By – Johannes Ciconia |
3:59 |
| 1. L'Angleterre Du XVème Siècle | |||
| 6-2 | –Anonymous 4 | Alleluya : "A Nywe Werke" | 5:44 |
| 6-3 | –Anonymous 4 | "Ecce Quod Natura" | 4:14 |
| 6-4 | –Anonymous 4 | Nowel : "Owt Of Your Slepe Aryse" | 4:49 |
| 6-5 | –The Hilliard Ensemble | "Anna Mater Matris Christi" | 5:58 |
| 6-6 | –The Hilliard Ensemble | "Tota Pulcra Es, Amica Mea" | 4:06 |
| 6-7 | –Anonymous 4 | Conduit : "O Maria Stella Maris" | 3:24 |
| 6-8 | –Anonymous 4 | Séquence : "Salve Virgo Singularis" | 3:17 |
| 6-9 | –Anonymous 4 | Motet "Veni Mater Gracie" / "Dou Way, Robin" | 2:41 |
| 2. L’Émergence D'Une Musique Spécifiquement Instrumentale | |||
| 6-10 | –The Newberry Consort | "Propiñan De Melyor"Composed By – Anonymous |
1:24 |
| 6-11 | –The Newberry Consort | Sans TitreComposed By – Anonymous |
1:11 |
| 6-12 | –The Newberry Consort | "La Spagna"Composed By – Anonymous |
2:25 |
| 6-13 | –The Newberry Consort | "La Spagna"Composed By – Francisco de la Torre |
2:01 |
| 3. Johannes Ockeghem (c.1420-1497) - Requiem (Extraits) | |||
| 6-14 | –Ensemble Organum | Introït : "Requiem Eternam Dona Eis Domine"Composed By, Written-By – Johannes Ockeghem |
4:36 |
| 6-15 | –Ensemble Organum | KyrieComposed By, Written-By – Johannes Ockeghem |
4:28 |
| 6-16 | –Ensemble Organum | Tractus : "Sicut Servus Desderat Ad Fontes Aquarum"Composed By, Written-By – Johannes Ockeghem |
6:33 |
| 6-17 | –Ensemble Organum | (Antonius Divitis) SanctusComposed By, Written-By – Johannes Ockeghem |
3:11 |
| 4. Marco Da L'Aquila - Musique Pour Luth | |||
| 6-18 | –Paul O'Dette | Ricercar "L'Autre Jour"Composed By, Written-By – Marco Da L'Aquila |
3:35 |
| 6-19 | –Paul O'Dette | "Nous Bergiers" (D'Après Jaquenin)Composed By, Written-By – Marco Da L'Aquila |
1:53 |
| 6-20 | –Paul O'Dette | Ricercar N°33Composed By, Written-By – Marco Da L'Aquila |
2:52 |
| 6-21 | –Paul O'Dette | "Il Est Bel Et Bon" (D'Après Passereau)Composed By, Written-By – Marco Da L'Aquila |
2:09 |
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