Frank Sinatra - Strangers In The Night flac album

Strangers in the Night is a 1966 studio album by Frank Sinatra. It marked Sinatra's return to number one on the pop album charts in the mid-1960s, and consolidated the comeback he started in 1965. Combining pop hits with show tunes and standards, the album creates a balance between big band and pop instrumentation.

Frank Sinatra recorded Strangers in the Night April 11, 1966. According to Sinatra: The Life (Summers, Swan, 2006), Sinatra despised the song and called it a piece of shit and, per Frank Sinatra by Jean-Pierre Hombach, worst fucking song that I have ever heard. Nevertheless, it would become his first No. 1 hit since 1955’s Learning the Blues. The song was based on the song Broken Guitar by Avo Uvezian and rewritten by Bert Kaemphert with English lyrics by Charles Singleton and Eddie Snyder.

Прослушать Скачать 02:37. Strangers in the night. Прослушать Скачать 02:29. Peggy Lee. Прослушать Скачать 02:28. Strangers In The Night Live At Royal Albert Hall, 1984. Прослушать Скачать 02:34. Прослушать Скачать 02:33. Прослушать Скачать 02:39.

Strangers in the Night marked Frank Sinatra's return to the top of the pop charts in the mid-'60s, and it consolidated the comeback he started in 1965. Although he later claimed he disliked the title track, the album was an inventive, rich effort from Sinatra, one that established him as a still-viable star to a wide, mainstream audience without losing the core of his sound

With 1966’s Strangers in the Night, Frank Sinatra completed the comeback that had begun the previous year, centered on celebrations for his 50th birthday. The album hit No. 1, as did its title track arranged by Ernie Freeman. The remaining album features Sinatra’s final collaboration with Nelson Riddle, which can be heard as setting the template for much of Sinatra’s future work.

A1. Arranged By – Ernie FreemanWritten-By – Kaempfert, Singleton, Snyder.

Redirected from Strangers In The Night). Kaempfert originally used it under the title "Beddy Bye" as part of the instrumental score for the movie A Man Could Get Killed. The song was made famous in 1966 by Frank Sinatra, although it was initially given to Melina Mercouri, who thought that a man's vocals would suit more to the melody and therefore declined to sing it.