New Billy Taylor Trio, The - The More I See You flac album

Billy Taylor Trio ‎– The New Billy Taylor Trio. ST 881. New Billy Taylor Trio, The. The More I See You ‎(LP).

The New Billy Taylor Trio is an album by American jazz pianist Billy Taylor released in 1958 on the ABC-Paramount label. all played with the kind of lyricism and warm technique that Taylor has exhibited over the many decades following the making of this album. Even more compelling are the remaining songs, two of which are originals". All compositions by Billy Taylor except as indicated.

For other uses, see Billy Taylor (disambiguation). Taylor returned to New York later that year and cooperated with Bob Wyatt and Sylvia Syms at the Royal Roost jazz club and Billie Holiday in a successful show called Holiday on Broadway. A year later, he became the house pianist at Birdland and performed with Charlie Parker, . Johnson, Stan Getz, Dizzy Gillespie and Miles Davis. Taylor played at. Birdland longer than any other pianist in the history of the club. In 1949, Taylor published his first book, a textbook about bebop piano styles. Nina Simone covered the song in her 1967 album Silk & Soul.

More By Billy Taylor Trio. See All. Music Keeps Us Young. Evergreens & At The London House. Essential Jazz Masters. The Very Best Of. 2011. Original Jazz Sound: Billy Taylor Trio. Zero ads. Try it now. Learn more.

Earl May. Ed Thigpen. Ed Thigpen, Billy Taylor, Earl May - More I See You 04:24. Ed Thigpen, Billy Taylor, Earl May - Will You Still Be Mine? 04:06. Ed Thigpen, Billy Taylor, Earl May - Round Midnight 06:34. Ed Thigpen, Billy Taylor, Earl May - There's a Small Hotel 04:13. Ed Thigpen, Billy Taylor, Earl May - I Never Get Enough of You 04:45. Ed Thigpen, Billy Taylor, Earl May - Titoro 07:07. Ed Thigpen, Billy Taylor, Earl May - You Make Me Feel so Young 02:58. Ed Thigpen, Billy Taylor, Earl May - Earl May 04:48. Ed Thigpen, Billy Taylor, Earl May - Can You Tell by Looking at Me 04:24.

Hackensack, NJ. New Jersey. Nj. Submit Corrections. Having already dedicated half of 1953's Cross Section to numbers with Machito's band, it was no surprise that Bill Taylor's 1954 follow-up, Trio with Candido, would feature more Latin touches - this time with star Cuban conga player Candido. In line with fellow jazz pianists George Shearing and Red Garland, Taylor doesn't incorporate the Cuban clavé beat so much as he includes the percussion for accentuation. Throughout the album, Taylor uses his fleet, Teddy Wilson-informed solo chops to pleasant effect, even stretching out a bit on "Mambo Inn" to complement Candido's own lengthy workout.