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Laurent Garnier - The Cloud Making Machine flac album

Laurent Garnier House Future Jazz Experimental 2004 Europe
Laurent Garnier - The Cloud Making Machine flac album
  • Performer Laurent Garnier
  • Title The Cloud Making Machine
  • Date of release 2004
  • Country Europe
  • Style House, Future Jazz, Experimental
  • Other formats XM APE AA AAC MP1 MIDI MP3
  • Genre Electronic
  • Size MP3 1839 mb
  • Size FLAC 1192 mb
  • Rating: 4.4
  • Votes: 349
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Complete sua coleção de Laurent Garnier. The Cloud Making Machine, certainly, is quieter than his more banging productions, but the tracks still display a good deal of thought and attention. The deep modulation in ". 1-9. 05" fits perfectly with the moody chords overhead. The solitary drift of "Huis Clos" sounds like a lonely, midnight stroll along the Seine.

Get the Tempo of the tracks from The Cloud Making Machine (2005) by Laurent Garnier. BPM Profile The Cloud Making Machine. Album starts at BPM, ends at BPM (+0), with tempos within the -BPM range. Try refreshing the page if dots are missing). Recent albums by Laurent Garnier. Tales of a Kleptomaniac.

Laurent Garnier has played the Antonio Salieri of the French electronic scene, spending years studying and publicizing the genre only to take a backseat to major-label Mozarts like Air, Cassius, and- of course- Daft Punk. But while these newcomers were living it up in the house scene that Garnier built, the veteran DJ pressed on with several commendable, although modestly received, full-lengths. What Garnier can lack in feeling, he makes up for with years of technical know-how, on The Cloud Making Machine as before

Laurent Garnier, however, takes more chances than ever with The Cloud Making Machine, a sprawling, moody album guaranteed to throw longtime fans for a loop (if 2000's Unreasonable Behaviour didn't do it, this one will). The producer is joined by several musicians, including pianist Bugge Wesseltoft, vocalist/oud player Dhafer Youssef, and percussionist Sangoma Everett

Barbiturik Blues (C2 Remix). The Cloud Making Machine Reworks. 05. Waiting For My Plane (Smith & Selway Remix). 06. Controlling The House (DJ OS's Davis). 07. Waiting For My Plane (Return to Monomix by Slam). 08. First Reaction (The Troublemakers Remix).

Tracklist

The Cloud Making Machine Part 1 4:28
9.01-9:06 5:54
Barbiturik Blues 6:24
Huis Clos 4:49
Act 1 Minotaure Ex. 4:56
First Reaction (V2) 6:58
Controlling The House Part 2 6:38
(I Wanna Be) Waiting For My Plane 5:38
Jeux D'Enfants 6:02
The Cloud Making Machine Part 2 2:13

Versions

Category Artist Title (Format) Label Category Country Year
F211CD, 137.0211.020 Laurent Garnier The Cloud Making Machine ‎(CD, Album) F Communications, Play It Again Sam [PIAS] F211CD, 137.0211.020 Europe 2005
F211PROMOCD Laurent Garnier The Cloud Making Machine ‎(CD, Album, Promo) F Communications F211PROMOCD Europe 2004
MUSDJ 163-2 Laurent Garnier The Cloud Making Machine ‎(CD, Album, Promo, Adv) Mute, Mute Corporation MUSDJ 163-2 US 2004
UCD 010-06 Laurent Garnier The Cloud Making Machine ‎(CD, Album) URBR - Underground Records Brasil UCD 010-06 Brazil 2005
9282-2, 724596928226 Laurent Garnier The Cloud Making Machine ‎(CD, Album) Mute, F Communications 9282-2, 724596928226 US 2005
F211CD, 137.0211.020 Laurent Garnier The Cloud Making Machine ‎(CD, Album) F Communications, [PIAS] Recordings F211CD, 137.0211.020 Russia 2005
F 211 CDJ, 137.0211.024 Laurent Garnier The Cloud Making Machine ‎(CD, Album + CD, Enh, Ltd) F Communications, Play It Again Sam [PIAS] F 211 CDJ, 137.0211.024 France 2005
F211CD, 137.0211.020 Laurent Garnier The Cloud Making Machine ‎(CD, Album, M/Print) F Communications, [PIAS] Recordings F211CD, 137.0211.020 Russia 2005
F 211 LP LTD, 137.0211.018 Laurent Garnier The Cloud Making Machine ‎(LP, Album, Hig + 12", S/Sided, EP, Etch + Ltd) F Communications, Play It Again Sam [PIAS] F 211 LP LTD, 137.0211.018 France 2005


Talk about Laurent Garnier - The Cloud Making Machine


Uickabrod
I like it. SO autumn, so damn atmospheric and coherent. I can say for sure it's already a part of me, like, my musical memory, you know. I return to it sometimes in my life, and it evokes the reminiscences from the past related to this music . surely has something in common with Nicolas Jaar's album: these voices of male and children.. and especially that noir-esque mood.. yep.
Adoranin
Not my cup of tea. It's slow, repetitive, experimental, minimalistic, and ultimately, boring. Too spacey for me. Doesn't stick to the standard electronic music template and while that can be a good thing but here its risk taking backfires. It's crude jazz, essentially.
Conjukus
Laurent Garnier continues to make impressive strides in techno, even if his albums don't garner the attention they once did. _The Cloud Making Machine_, certainly, is quieter than his more banging productions, but the tracks still display a good deal of thought and attention. The deep modulation in "9.01-9.05" fits perfectly with the moody chords overhead. The solitary drift of "Huis Clos" sounds like a lonely, midnight stroll along the Seine. And true to the nature of clouds, sometimes the clouds lose their way: "First Reaction" doesn't have a real direction and the meandering lyrics don't help. And if you thought that "Controlling the House" would signal a switch into a 4/4 kick drum, you'd be right. It's nice to hear Garnier in his forte, even if this particular track feels slightly bland. Luckily, the rock of "(I Wanna Be) Waiting For My Plane" is anything but bland, even if it does come out of nowhere. So while _The Cloud Making Machine_ isn't Garnier's best work, it still shows he's still relevant after all these years.
Marelyne
One big step forward! For the moment, I think this is his best album yet. Have waited for several comebacks lately: Prodigy, Chemical Brothers and Daft Punk. All of them where disappointments. This album breaks new ground and it's a masterpiece. I can imagen lots of house people getting upset, because this isn't a house record. Even though, one really good house track called "Controlling The House Pt. 2" is in there. For the rest of the songs, except no. 8 (which is something that would work very well live), you should expect classical or jazz music. Then it starts to get a lot better.
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