The Oscar Peterson Trio With Milt Jackson - Very Tall flac album

Complete your The Oscar Peterson Trio With Milt Jackson collection.

The Trio is a 1961 live album by the Oscar Peterson Trio, recorded at the London House jazz club in Chicago. Three other albums were recorded by Peterson and his trio at the London House, Something Warm, The Sound of the Trio, and Put On a Happy Face. The complete music recorded by the trio at these sessions was released in 1997. I've Never Been in Love Before" (Frank Loesser) – 5:35. In the Wee Small Hours of the Morning" (Bob Hilliard, David Mann) – 8:07. Chicago" (Fred Fisher) – 8:55.

This first matchup on records between pianist Oscar Peterson and vibraphonist Milt Jackson was so logical that it is surprising it did not occur five years earlier. Originally recorded for Verve and three decades later reissued on this audiophile CD by Mobile Fidelity, the quartet set (which also includes bassist Ray Brown and drummer Ed Thigpen) swings as hard as one might expect. Highlights include "On Green Dolphin Street," "The Work Song," "John Brown's Body" (a jam on "Battle Hymn of the Republic") and "Reunion Blues.

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The Oscar Peterson Trio with Milt Jackson. по названию по исполнителю. Oscar Peterson Milt Jackson Ray Brown – Nature Boy (Very Tall Band 1998). Oscar Peterson, Ray Brown, Milt Jackson – 03 I Remember Clifford The Very Tall Ban. :34. Oscar Peterson, Milt Jackson – More Than You Know.

After Very Tall, Peterson and Jackson wouldn t record together again for ten years. Two live versions of the album s first track ( On Green Dolphin Street ) performed by the Oscar Peterson Trio in 1961, as well as Milt Jackson s original version of Heartstrings (made for his 1957 album Plenty, Plenty Soul) have been added here as a bonus. Includes 12-page booklet.

Peak level 10. % Extraction speed . X Range quality 10. % Copy CRC A26012D0 Copy OK. No errors occurred. Deborah Harry & Blondie - The Complete Picture - The Very Best Of (1991) 0. 6.

The Oscar Peterson Trio With Milt Jackson ‎: Very Tall Contents.

Peterson's right hand is fleet, feathery in touch, and bluesy in feel; the left providing just enough punctuation, and at 75, Jackson's bluesy eloquence had not diminished in the least. This is one of the best post-stroke Oscar Peterson sessions in the catalog, thanks in great part to the distinguished company he keeps (Ray Brown and Milt Jackson) and the stimulating atmosphere of the live setting (New York's Blue Note club). Right from the first track, "Ja-Da," you can tell that this is going to be a fun session, as the slippery, swinging, totally interlocked, totally assured way in which these vets react to each other kicks in immediately.