Debussy / Simon Rattle, Berliner Philharmoniker - La Mer, La Boîte à Joujoux, Prélude à L'Après-Mini d'Un Faune, Debussy/Matthews: Three Preludes flac album

Prélude à l'après-midi d'un faune (L. 86), known in English as Prelude to the Afternoon of a Faun, is a symphonic poem for orchestra by Claude Debussy, approximately 10 minutes in duration. It was composed in the year 1894, the same year that the piece was first performed. It was first performed in Paris on 22 December 1894, conducted by Gustave Doret. The flute solo was played by Georges Barrère.

Complete your Debussy, Simon Rattle, Berliner Philharmoniker collection. De L'Aube à Midi Sur Mer. 9:14. Dialogue Du Vent Et de la Mer. 8:17. Prélude: Le Sommeil de la Boîte. 1er Tableau: Le Magasin de Jouets.

Prélude à L'Après-Mini d'Un Faune. Flute – Emmanuel Pahud. La Mer. 2. Orchestrated By – André CapletPiano – Majella uer. 5.

Matthews), Berlin PO/ Rattle. Prélude à l'Apres-Midi, is graced by Emanuel Pahud's elegant flute playing, while the rarely heard ballet La Boite à Joujoux (most of it orchestrated after Debussy's death by André Caplet) glitters and charms most effectively. And three piano Preludes from Colin Matthews's ongoing series of orchestrations are wonderful discoveries: effortlessly clothed in the soundworld of late Debussy (the composer of Jeux rather than La Mer), they are destined to become real repertory pieces.

Prélude à l'après-midi d'un faune, L. 86 Claude Debussy; Sir Simon Rattle; Berliner Philharmoniker; Emmanuel Pahud. La mer, L. 109. I. De l'aube à midi sur la mer Claude Debussy; Sir Simon Rattle; Berliner Philharmoniker. 3. II. Jeux de vagues Claude Debussy; Sir Simon Rattle; Berliner Philharmoniker. La boîte à joujoux, L. 128. Prélude Claude Debussy; Sir Simon Rattle; Berliner Philharmoniker; Majella uer. 6. Tableau I Claude Debussy; Sir Simon Rattle; Berliner Philharmoniker; Majella uer. Tableau III Claude Debussy; Sir Simon Rattle; Berliner Philharmoniker; Majella uer. 6:20 Tableau IV Claude Debussy; Sir Simon Rattle; Berliner Philharmoniker; Majella uer. Preludes, Book 1, L. 117. 10.

Claude Debussy: Prelude à l'après-midi d'un Faune; En blanc et Noir; Marius Constant: Impressions de. Fuga Libera. Claude Debussy: The Complete Orchestral Works. The Sound of Simon Rattle, Berliner Philharmoniker. Träum Süß, Mein Baby!, Vol. ZYX, ZYX Music. Debussy: Images; Prélude à l'après-midi d'un Faune; La boîte à joujoux. Praga, Praga Digitals. Debussy: La Mer; Prelude a l’aprés-midi d’un faune; Ravel: Ma Mere l’Oye; Saint-Saêns: Scherzo.

Artist: Simon Rattle Title Of Album: Debussy: Images; Jeux; La Mer; Ravel: Alborada del Gracioso; Daphnis et Chloe Year Of Release: 2008 Label (Catalog EMI Classics/Warner Classics 509995. Instead of gracefully flowing, Rattle's forms are abruptly contrasting, born out by his disjointed Prélude à l'après-midi d'un faune. de la boîte - Claude Debussy 6. La boîte à joujoux: 1st tableau, Le magasin de jouets - Claude Debussy 7. La boîte à joujoux: 2nd tableau, Le champ de bataille - Claude Debussy 8. La boîte à joujoux: 3rd tableau, La bergerie à vendre - Claude Debussy 9. MEDLEY: La boîte à joujoux~4th tableau, Après fortune faite/La boîte à joujoux~. pilogue - Claude Debussy 10. Préludes, Book 1: no 7, Ce qu'a vu le vent d'ouest - Claude Debussy 11.

Prélude à L’après-midi d’un faune. Three Préludes (arr C Matthews). Berlin Philharmonic Orchestra, Sir Simon Rattle. The Symphony in Three Movements doesn’t so much start as erupt, and Sir Simon Rattle’s second recording of it has impressive immediacy, richer tonally than his rougher-edged 1980s recording with the CBSO but textually warmer and with more refined solos. Interesting points of comparison arise at around 4'00" into the first movement (chamber-like textures involving strings and winds) and the serene passage for strings and harp at 2'08" into the second movement, the relative earnestness of the earlier version replaced here by a true but ‘terrible beauty’.