Kenny Dorham - Matador flac album

Matador is an album by American jazz trumpeter Kenny Dorham featuring performances recorded in 1962 and released on the United Artists label. Helped by a varied set of material and an energized Timmons, they have fashioned an album of surpassing interest.

Kenny Dorham's Matador can safely claim the all too common distinction of being a classic among jazz connoisseurs while virtually unknown to the casual listener. Dorham is joined here by Jackie McLean, Bobby Timmons, Teddy Smith, and . Moses, all of whom deliver outstanding performances. More than anything, this session is perhaps best known for including a stunning version of McLean's composition "Melody for Melonae," used less than a month earlier on his groundbreaking Blue Note LP Let Freedom Ring.

Kenny Dorham - Matador (1969, Liberty-Japan)/Kenny Dorham - Matador. Kenny Dorham - Matador (1969, Liberty-Japan)/Matador. Kenny Dorham - Matador (1969, Liberty-Japan)/02 - Melanie. Kenny Dorham - Matador (1969, Liberty-Japan)/Scan/ - . 0. Kenny Dorham - Matador (1969, Liberty-Japan)/Scan/1. Kenny Dorham - Matador (1969, Liberty-Japan)/Scan/2. Kenny Dorham - Matador (1969, Liberty-Japan)/01 - El Matador. Kenny Dorham - Matador (1969, Liberty-Japan)/06 - There Goes My Heart. Matador & Inta Somethin' '1991. Memorial Album '1975. The Shadow Of Your Smile '1966. Trompeta Toccata '1964.

Matador is an album by American jazz trumpeter Kenny Dorham featuring performances recorded in 1962 and released on the United Artists label. Studio album by. Kenny Dorham Track listing. El Matador" (Kenny Dorham) - 6:32. Melanie Parts 1-3" (Jackie McLean) - 11:34. Smile" (Charlie Chaplin) - 5:00.

Matador ‎(CD, Album, Ltd, RE). United Artists Records. Matador ‎(LP, Album, RE, 180). United Artists Jazz, Heavenly Sweetness. UAJS 15007, HSV056VL.

McKinley Howard "Kenny" Dorham (August 30, 1924 – December 5, 1972) was an American jazz trumpeter, singer, and composer. Dorham's talent is frequently lauded by critics and other musicians, but he never received the kind of attention or public recognition from the jazz establishment that many of his peers did. For this reason, writer Gary Giddins said that Dorham's name has become "virtually synonymous with underrated