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OMD - Live With The Royal Liverpool Philharmonic Orchestra flac album

OMD - Live With The Royal Liverpool Philharmonic Orchestra flac album
  • Performer OMD
  • Title Live With The Royal Liverpool Philharmonic Orchestra
  • Date of release 2018
  • Country UK & Europe
  • Style New Wave, Synth-pop
  • Other formats MIDI AC3 ADX AUD XM ASF MP1
  • Genre Electronic
  • Size MP3 1388 mb
  • Size FLAC 1398 mb
  • Rating: 4.9
  • Votes: 655

Recorded live in Liverpool 06/10/2018 and 07/10/2018. Released in a tri-gatefold sleeve. Comparison with the two individual "On The Night" CDs that were released first allows us to ascertain which tracks here come from which performance. A2, A3, D5, E5, F2 are from Live With The Royal Liverpool Philharmonic Orchestra 06/10/18. All other tracks are from Live With The Royal Liverpool Philharmonic Orchestra 07/10/18.

Live At The Philharmonic Hall 2018. OMD Return to Orchestral Manoeuvres to Celebrate Their 40th Anniversary. We will be retuning to the Liverpool Philharmonic this year for a pair of concerts with the Royal Liverpool Philharmonic Orchestra on 6th & 7th October. These very special concerts will feature performances of large-scale ambient tracks such as Stanlow, Sealand and Ghost Star. Also featuring will be rare B-sides, songs which have never been played live and of course a selection of the classic hit singles.

Electricity: OMD with the Royal Liverpool Philharmonic Orchestra is a concert film by Orchestral Manoeuvres in the Dark (OMD) with the Royal Liverpool Philharmonic Orchestra. The concert was recorded on 20 June 2009 at the Philharmonic Hall in Liverpool. The DVD was released on 14 December 2009. The concert featured the orchestral premiere of "The Energy Suite", followed by a selection of OMD songs with orchestral backing fronted by Andy McCluskey and Paul Humphreys

OMD - electricity DVD1 video ts vts 01 2. OMD) (Orchestral Manoeuvres In The Dark) - Electricity: OMD With The Royal Liverpool Philharmonic Orchestra. Download via torrent Download via magnet.

Liverpool Philharmonic is one of the latest signatories to commit to the UK PRS Foundation’s global and groundbreaking Keychange 50/50. Gramophone today announces the ten ensembles shortlisted for the Orchestra of the Year Award at the 2019 Gramophone Awards, and the Royal Liverpool Philharmonic Orchestra is one of them. Royal Liverpool Philharmonic Orchestra one of ten ensembles competing for Gramophone Awards 2019 ‘Orchestra of the Year. Liverpool Philharmonic is one of the latest signatories to commit to the UK PRS Foundation’s global and groundbreaking Keychange 50/50.

OMD have announced that they will be recording and releasing their shows with the Royal Liverpool Philharmonic Orchestra next month (6 & 7 October). The audio will be taken from the best of both nights, presented as a double CD, 3LP and as a download. The tracklisting of these releases will be confirmed following the show.

Royal Liverpool Philharmonic

Tracklist

Part 1
Stanlow 6:49
Statues 4:17
Ghost Star 6:04
The New Dark Age 4:44
Sealand 7:20
The Avenue 4:24
The Daughter Of The Minotaur 4:54
The View From Here 3:31
Part 2
Messages 4:47
Souvenir 3:50
Joan Of Arc 3:53
Maid Of Orleans 4:28
All That Glitters 3:58
What Have We Done 3:49
La Femme Accident 2:43
Talking Loud And Clear 4:09
Dream Of Me 3:43
Walking On The Milky Way 4:12
Native Daughters Of The Golden West 4:08
Sailing On The Seven Seas 4:26
Enola Gay 7:33
Electricity 4:22
Romance Of The Telescope 4:14

Versions

Category Artist Title (Format) Label Category Country Year
LHN048CD OMD* Live With The Royal Liverpool Philharmonic Orchestra ‎(2xCD, Album, Comp) Live Here Now LHN048CD UK & Europe 2018
none OMD* Best Of... Live With The Royal Liverpool Philharmonic Orchestra 2018 ‎(23xFile, FLAC, Comp) Not On Label none 2018
LHN048LP OMD* Live With The Royal Liverpool Philharmonic Orchestra ‎(3xLP, Album, Comp, Ltd, Cle) Live Here Now LHN048LP UK 2018

Talk about OMD - Live With The Royal Liverpool Philharmonic Orchestra


BlackHaze
What is it with pop musicians and classical music? Are they insecure? Do they feel like they're not 'real' musicians because they use electronic instruments and not strings? That they didn't go to some conservatoire or get some 'classical' tuition? Whatever it is, get over it!I like electronic music. I like OMD. If I wanted to listen to classical music I would. Why on earth Andy and Paul jumped on this ridiculous classical bandwagon (late) is beyond me. Every song is but a pale version of the original (and other) versions. Plus the sound is a little thin, probably because the orchestral 'bass' is almost non-existent. The best thing I can say about this over-priced, poorly packaged set is that it's "interesting" to hear these orchestral arrangements. Nothing more.
Nuadabandis
A really annoying release, this. The concept was really strong and some songs respond really well to the full orchestral treatment. “Stanlow” is predictably gorgeous, as are classics-in-waiting “The View from Here” and “Ghost Star”. Along with other meditative, melancholy tracks – “Statues” and “Sealand” in particular – the orchestral dynamic glows. Noticeably though, less sombre tracks – especially some of the bigger hits – just sound a bit naff and overblown. “Sailing on the Seven Seas” sounds heavy-handed and pantomime-like, and “Enola Gay” and “Electricity” suffer not dissimilarly. The whole time, you get the sense that soft songs, which might have worked better, were overlooked in favour of ‘hits’ so as to please the crowd – who probably didn’t need placating in this way, being as they’d already signed up to a show promoted as an acute re-imagining of the band’s sound, replete with obscure (and even some entirely new) tracks.Noteworthy emissions – to this listener, anyway – were tracks frequently featured in the standard live repertoire (e.g. “Of All the Things We’ve Made”). More broadly, I can think of a good many softer OMD tracks that would’ve worked wonders in this set-list (“The Messerschmitt Twins”, “Dancing”, “Annex”, “Once When I Was Six” etc. etc.)
NI_Rak
Agreed... I also think some of the singles that would have been better with an orchestra ("If You Leave" perhaps) would have done better than Seven Seas, etc. But overall, very nice record.
Chilele
Have to disagree with the previous comment. I love this! The songs chosen mostly work really well with the orchestral treatment (especially the ones that made heavy use of mellotron and Fairlight in their original versions, as Andy audibly comments himself at one point), and it's good to hear some of the really obscure songs getting a live airing, in particular the first disc (tracks 1-8 here) which is entirely made up of more ambient pieces, before they pull out some hits. A fun live album, wish I could have been there.
Risinal
absolutely awful, the orchestra is execrable, the arrangements pompous and pedantic, a very bad idea
Vutaur
Not really synth-pop, the instrumentation seems to all be orchestral, but it works well and I enjoyed this album tremendously except for the loud crowd mixed in on the last side...