- Performer Claudio Monteverdi
- Title Il Ritorno D'Ulisse In Patria
- Date of release 1986
- Style Renaissance, Baroque, Opera
- Other formats AUD MP1 MP2 TTA AC3 AU VOC
- Genre Classical
- Size MP3 1280 mb
- Size FLAC 1770 mb
- Rating: 4.2
- Votes: 650
Subtitle: The Homecoming of Odysseus Le Retour D'Ulisse Dans Sa Patrie Dramma in Musica. Aufnahmeort: Wien, Casino Zögernitz. Aufnahmedatum: April/Mai/Juni 1971. Rights Society: GEMA.
Vocals – Max van Egmond. Vocals – Nigel Rogers (2). Vocals – Margaret Baker-Genovesi. Vocals – Ladislaus Anderko. Vocals – Murray Dickie. Vocals – Sven Olof Eliasson. Vocals – Rotraud Hansmann. Vocals – Walker Wyatt. 36-page booklet with libretto included.
Deutsch English Español Français Italiano 日本語. More Images.
Monteverdi: Il ritorno d'Ulisse in patria. Concentus Musicus Wien, Capella Antiqua München & Junge Kantorei. Nikolaus Harnoncourt. Among the vocalists are Paul Esswood, Kurt Equiluz and Max van Egmond but also popular opera singers, such as Elisabeth Söderström, Helen Donath, and Sven-Olof Eliasson.
Concentus Musicus Wien. Unknown Contributor Role, Vocals.
Play Monteverdi : Il ritorno d'Ulisse in patria by Rotraud Hansmann, Norma Lerer, Paul Esswood, Sven Olof Eliasson, Kurt Equiluz, Walker Wyatt, Nikolaus Harnoncourt & Concentus musicus Wien - which includes "Monteverdi : Il ritorno d'Ulisse in patria : Prologue to Act 1 "Mortal cosa son io" ", "Monteverdi : Il ritorno d'Ulisse in patria : Act 1 "Di misera regina" ", "Monteverdi : Il ritorno d'Ulisse in patria : Act 1 "Duri e penosi" [Melanto, Eurimac.
James Bowman, Paul Esswood, Kurt Equiluz, Max Van Egmond, Karl Ridderbusch, Nikolaus Harnoncourt & Concentus Musicus Wien. Monteverdi : Il ritorno d'Ulisse in patria. Rotraud Hansmann, Norma Lerer, Paul Esswood, Sven Olof Eliasson, Kurt Equiluz, Walker Wyatt, Nikolaus Harnoncourt & Concentus Musicus Wien. Steffani: Duetti Da Camera.
Il ritorno d'Ulisse in patria (SV 325, The Return of Ulysses to his Homeland) is an opera consisting of a prologue and five acts (later revised to three), set by Claudio Monteverdi to a libretto by Giacomo Badoaro. The opera was first performed at the Teatro Santi Giovanni e Paolo in Venice during the 1639–1640 carnival season. The story, taken from the second half of Homer's Odyssey, tells how constancy and virtue are ultimately rewarded, treachery and deception overcome.
Max van Egmond (born 1 February 1936 in Semarang) is a Dutch bass and baritone singer. He has focused on oratorio and Lied and is known for singing works of Johann Sebastian Bach. He recorded the St Matthew Passion under Claudio Abbado in 1969 and Nikolaus Harnoncourt in 1970, singing the bass arias. In 1973, he was the Vox Christi in the first historically informed performance in the Netherlands of Bach's St Matthew Passion. Monteverdi: Il Ritorno D'ulisse In Patria, Harnoncourt Naxos. "Max Reger, Chorstücke (1969)" (in German). Archived from the original on 22 April 2012.
Rotraud Hansmann, Paul Esswood, Kurt Equiluz and Max van Egmont appeared in both. They are all very good in their respective roles, as is Nigel Rogers, later singing the title role in two recordings of the work. CD 3-5 Il ritorno d’Ulisse in patria Sven Olof Eliasson (tenor) – L’humana fragilità/Ulisse; Walker Wyatt (bass) – Tempo/Antinoo; Margaret Baker-Genovesi (soprano) – nto; Rotraud Hansmann (soprano) – Amore/Minerva; Ladislaus Anderko (tenor) – Giove; Nikolaus Simkowsky (bass) – Nettuno; Norma Lerer (mezzo) – Penelope; Kai Hansen (tenor) - Telemaco; Kurt Equiluz (tenor) – Pisandro; Paul Esswood.
| 1-1 | Prologo - Prologue - Prolog: Mortal Cosa Son Io | 9:12 |
| Atto Primo - Act 1- Erster Akt - Acte I | ||
| 1-2 | Scene I: Di Misera Regina | 11:07 |
| 1-3 | Scene II: Duri E Penosi | 10:32 |
| 1-4 | Scene V: Superbo E L'Huom | 7:26 |
| 1-5 | Scene VI: In Questo Basso Mondo | 2:16 |
| 1-6 | Scene VII: Dormo Ancora O Son Desto? | 4:48 |
| 1-7 | Scene VIII: Cara E Lieta Gioventu | 12:55 |
| 1-8 | Scene IX : Tu D'Aretusa A Fonte Intanto Vanne | 2:12 |
| 1-9 | Scene X: Donate Un Giorno, O Dei | 9:00 |
| 2-1 | Scene XI: Come, Oh Come Mal Si Salve Un | 1:45 |
| 2-2 | Scene XII: Pastor D'Armenti | 1:50 |
| 2-3 | Scene XIII: Ulisse Generoso! | 3:33 |
| Atta Secondo - Act II - Zweiter Akt - Acte II | ||
| 2-4 | Scene I: Lieto Cammino | 2:46 |
| 2-6 | Scene II: O Gran Figlio D'Ulisse! | 5:04 |
| 2-6 | Scene III: Che Veggio, Ohime, Che Miro? | 7:26 |
| 2-7 | Scene IV: Eurimaco! | 3:00 |
| 2-8 | Scene V: Sono L'Altre Regine | 10:00 |
| 2-9 | Scene VII: Apportator D'Alte Novelle Vengo! | 1:13 |
| 2-10 | Scene VIII: Compagni, Udiste? | 6:19 |
| 2-11 | Scene IX: Perir No Puo | 3:42 |
| 2-12 | Scene X: Io Vidi, O Pelegrin | 2:02 |
| 2-13 | Scene XI: Del Mio Lungo Viaggio I Torti Errori | 5:16 |
| 3-1 | Scene XII: Sempre Villano Eumete | 24:20 |
| Atto Terzo - Act III - Dritter Akt - Acte III | ||
| 3-2 | Scene I: O Dolor | 6:23 |
| 3-3 | Scene III: E Quai Nuovi Rumori | 3:01 |
| 3-4 | Scene Iv: Forza D'Occulto Affetto | 2:51 |
| 3-5 | Scene V: È Saggio Eumete | 3:08 |
| 3-6 | Scene VI: Fiamma È L'Ira | 3:32 |
| 3-7 | Scene VII: Gran Giove | 7:38 |
| 3-8 | Scene VIII: Ericlea, Che Vuoi Far | 4:28 |
| 3-9 | Scene IX: Ogni Nostra Ragion | 0:53 |
| 3-10 | Scene X: O Delle Mei Fatiche | 11:34 |
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