Vocals, Piano – Scrapper Blackwell. 2. –Frances Blackwell. Blues That Make Me Cry. Vocals, Piano – Scrapper Blackwell. Rights Society: AUSTRO MECHANA. SPARS Code: AAD. Other Versions (1 of 1) View All.
Release group by Scrapper Blackwell. Type: Album + Compilation.
Scrapper Blackwell - Bad Liquor Blues Lyrics. Listen here people, listen to what I have to say (2x) If you drink bad whiskey, it will do you this a-way. Make you lose your money, make you lose your best friend (2x) And when you get sober, swear you'll never get drunk again. Better stop that drinking, before it goes to your head (2x) Wake up some morning, find your own self dead.
The real treat, however, is the first release on CD of the four songs that Blackwell recorded in 1958, at the outset of his comeback. These little-known tracks are dark, moody, and utterly dazzling. Most of the masters are in surprisingly good condition ("Mean Mistreater Mama" and "She's Alright with Me" from 1934, and "Hey Lawdy Mama" from 1935 are notable and unfortunate exceptions), and this is an indispensable release for any serious fan of blues guitar, or guitar-piano duets. Neither gets any better than this.
Scrapper Blackwell rks-Vol. 1 (1928-32) Artwork booklet-cover. Scrapper Blackwell - Complete Recorded Works Vo. & 2 (1928-1958) 2CD - 1994, FLAC (image+. Download via torrent Download via magnet.
Francis Hillman "Scrapper" Blackwell (February 21, 1903 – October 7, 1962) was an American blues guitarist and singer; best known as half of the guitar-piano duo he formed with Leroy Carr in the late 1920s and early 1930s, he was an acoustic single-note picker in the Chicago blues and Piedmont blues style, with some critics noting that he veered towards. Blackwell was born in Syracuse, South Carolina, as one of sixteen children of Payton and Elizabeth Blackwell. Part Cherokee, he grew up and spent most of his life in Indianapolis, Indiana. Blues Before Sunrise released: 1960.
5 in Document's Complete Recorded Works of Leroy Carr focuses upon one of his last great periods of recording activity, from mid-August to mid-December 1934, providing the listener with 19 titles and three alternate takes. In addition to his main man Scrapper Blackwell, Carr is heard with guitarist Josh White on this collection, which is as strong as any other volume in Document's meticulously thorough Leroy Carr retrospective.