Michael Nesmith - Infinite Rider On The Big Dogma flac album

It's 1979 and Michael Nesmith lays 'Infinate Rider On The Big Dogma' on u. is wit and musical dexterity is completely intact but rather then clone the country-rock of his earlier albums Nez lays down a series of tunes that showcase a polished,modern sound embracing styles from pop,disco,funk grooves and just plain ol' rock n' roll. Dance" says it all for this album-a high key fusion of disco-rock married to yet another one of Nez's witty little tales. Magic" finds him singing in his wistfull falsetto to a sweet little tune with a lighhearted. Ten years after leaving the Monkees, Michael Nesmith came full circle with an album that ranks among his best ever.

Infinite Rider on the Big Dogma. Infinite Rider on the Big Dogma (or simply, Infinite Rider) is Michael Nesmith's ninth post-Monkees studio album and the third studio album from his own company, Pacific Arts Records & Tapes. To continue developing Pacific Arts' multimedia projects, Nesmith originally developed the album as a "video album" (however, to date, Infinite Rider has only been released as a music album). It peaked at No. 151 on the Billboard Pop albums charts.

The cryptically titled Infinite Rider on the Big Dogma was "Papa Nez"'s ninth post-Monkees solo studio effort in as many years. The Southwestern motif that practically defined Nesmith's First and Second National Band(s) remained throughout his late-'70s releases, although now the distinct pedal-steel guitars had been morphed into the more traditional rock & roll electric ones

Some copies came with a circular sticker on the shrink wrap saying "Contains the hit single 'Silver Moon. Promotional LP featuring all the tracks from Infinite Rider on the Big Dogma as well as interview snippets. Titles (A-side, B-side). Billboard Hot 100. Cashbox.

Matrix, Runout (Etched Side B): PAC 7130B 121. Rights Society: JASRAC. Price Code (On Spine and Obi): Y2,500. Other Versions (5 of 11) View All. Cat.

As the '70s drew to a close, Michael Nesmith's music had still retained all of the intellect, intrinsic charm, and dry wit that had defined his tenure as a Monkee, as well as his d solo material from earlier in the decade. The cryptically titled Infinite Rider on the Big Dogma was "Papa Nez"'s ninth post-Monkees solo studio effort in as many years.

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