Azucar Moreno - Moliendo Cafe flac album

Azúcar Moreno is a Spanish music duo consisted of sisters Antonia "Toñi" and Encarnación "Encarna" Salazar. The duo has sold more than 3 million albums and singles since 1984 domestically, and became famous in Europe, the United States and Latin America in the 1990s, with approximately 12 million albums sold worldwide. Consisting of sisters Antonia "Toñi" (14 March 1963) and Encarnación "Encarna" Salazar (10 January 1961), the singing duo comes from Badajoz

Moliendo Cafe (1992). Album by Azucar Moreno. is a cover of. Moliendo Café by Conjunto Casino (1959).

Moliendo Café is a 2002 compilation album by Mario Suárez on the Yoyo USA label. The album presents songs of Venezuelan music. Composer(s): Hugo Blanco. 2. Que hay de cuchipe. Composer(s): Ismael Orozco/ C. Ramírez, R. Cesar. Composer(s): Billo Frómeta. 4. Muchachita sabanera. Composer(s): Juan Vicente Torrealba/ . Composer(s): Johnny Quiroz. Composer(s): Amado Lovera. 7. Las ramas del guayabo.

Album · 2014 · 34 Songs. Esencial Azúcar Moreno Azúcar Moreno. Listen on Apple Music. 16. Esclava de Tu Piel.

Ojos Negros is the sixth studio album by Spanish duo Azúcar Moreno, released on Sony-Epic in 1992. The album's title translates as Dark Eyes and is a reference to one of the tracks included, the Chilean folk tune "Yo Vendo Unos Ojos Negros". Ojos Negros, just like preceding album Mambo, was recorded in both London, Madrid and Miami and was a collaboration with acclaimed British producer Nick Patrick. The album spawned five single releases in 1992 and early 1993, all minor hits; a cover of the Venezuelan standard "Moliendo Café", first made famous by Mario Suárez, "Hazme El Amor", co-written by Spanish singer and composer Miguel Gallardo who would go on to write several of the duo's hits later in the 90s and 2000s, "Veneno", a remixed. version of "Azúcarero" and finally "Mirame", a duet with Mexican singer Luis Miguel.

Azúcar Moreno hit it big with their 1991 masterpiece "Mambo", and expectations were high for the follow-up album "Ojos negros" from 1992 but they are not really fulfilled. Despite several good intentions to do something different, Nick Patrick's production makes the album a mitch-match, and I recall being quite disappointed when I heard it for the first time. The first song, a salsa tune "Moliendo café" is nice, but "Hechizo de luna" has a weak melody line which the otherwise great dance treatment doesn't succeed in disguising.