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Various - Female Blues Singers Volume S/T (1921-1930) flac album

Various 1991

Performer Various
Title Female Blues Singers Volume S/T (1921-1930)
Date of release 1991
Other formats ADX MP1 VQF AHX ASF AIFF MPC
Genre Blues
Size MP3 1515 mb
Size FLAC 1732 mb
Rating: 4.4
Votes: 399

Seven long-forgotten classic blues singers are featured on this CD, which has their total output. Alice Leslie Carter is heard on 11 dated but often charming performances from 1921, in which she is backed by a combo led by pianist James P. Johnson, including the debut vocal recording of "Aunt Hagar's Children Blues. Josephine Carter fares OK on four numbers, while Margaret Carter's two numbers in 1926 ("I Want Plenty Grease in My Frying Pan" and "Come Get Me, Papa, Before I Faint") are excellent, making one wish that she had recorded again.

5509 - Female Blues Singers Vol 05 C-D-E (1921-1928). 01 - Ruth Coleman - Original Charleston Strut. 02 - Ruth Coleman - She Walked Right Up And Took My Man Away. Female Blues Singers Vol 14 S-T-U-W-Y (1929-1932). Various - Female Blues Singers Vol 14 S-T-U-W-Y (1929-1932).

PLAY ALL. Female Blues Singers Vo. (1921-1930). Released by Document Records Aug 2005 23 Tracks. Listen to all songs in high quality & download Female Blues Singers Vo. (1921-1930) songs on Gaana. attr("src", $('. de tp. d t img img').

Songs from Female Blues Singers Vol. 4 C (1921-1930) by Alice Clinton, Alice Leslie Carter. Free download and listen Female Blues Singers Vol. 4 C (1921-1930).

Female Blues Singers Vol. 4 C (1921-1930) - Down Home Blues, (Since You've Been Gone) There's Been Some Changes Made, Decatur Street Blues and 3 more tracks from this album here for free. More albums by this artist. 0 1 2 3 4 5 6 7 8 . Female Blues Singers Vol.

Classic female blues was an early form of blues music, popular in the 1920s. An amalgam of traditional folk blues and urban theater music, the style is also known as vaudeville blues. Classic blues were performed by female singers accompanied by pianists or small jazz ensembles and were the first blues to be recorded. Ma Rainey, Bessie Smith, Ethel Waters, and the other singers in this genre were instrumental in spreading the popularity of the blues.

Tracklist Hide Credits

A1	–Ivy Smith	Southern High Waters Blues Accompanied By – Her Buddies*Piano – Cow Cow DavenportVocals – Ivy Smith
A2	–Ivy Smith	Alabammy Mistreated Guitar [Prob.] – Walter FennellPiano – Cow Cow DavenportVocals – Iva Smith*
A3	–Laura Smith	Two-Faced Woman Blues Piano – Clarence WilliamsVocals – Laura Smith
A4	–Laura Smith	I Can Always Tell When My Man Don't Want Me 'Round Accompanied By – Clarence Williams' Harmonizing FourBanjo – Buddy ChristianClarinet – Ernest Elliot*Piano – Clarence WilliamsVocals – Laura Smith
A5	–Laura Smith	Face To Face Guitar – Unknown ArtistViolin – Unknown Artist, Unknown ArtistVocals – Laura Smith
A6	–Laura Smith	Take Me Home, Heavenly Father, With Thee Guitar – Unknown ArtistViolin – Unknown Artist, Unknown ArtistVocals – Laura Smith
A7	–Laura Smith	I'm Goin' To Have Seven Years Bad Luck Accompanied By – Her Wild CatsClarinet [Prob.] – Bob FullerCornet [Prob.] – Tom MorrisPiano [Prob.] – Mike Jackson Vocals – Laura Smith
A8	–Laura Smith	When A 'Gator Holler (Folks Say Sign O' Rain) Accompanied By – Her Wild CatsClarinet [Prob.] – Bob FullerCornet [Prob.] – Tom MorrisPiano [Prob.] – Mike Jackson Vocals – Laura Smith
A9	–Laura Smith	Gonna Put You Right In Jail Alto Saxophone – Unknown ArtistPiano – Unknown ArtistViolin – Unknown ArtistVocals – Laura Smith
A10	–Laura Smith	Don't You Leave Me Here Cornet – Tom Morris*Piano – Lukie JohnsonVocals – Laura Smith
B1	–Edna Taylor	Jelly's Blues Cornet – Tommy LadnierPiano – Clarence WilliamsVocals – Edna Taylor
B2	–Edna Taylor	Good Man Blues Cornet – Tommy LadnierPiano – Clarence WilliamsVocals – Edna Taylor
B3	–Lavinia Turner	How Many Times? Accompanied By – Her Band*Banjo [Poss.] – Spivey Clarinet [Poss.], Alto Saxophone [Poss.] – Garvin BushellCornet [Poss.] – Gus AikenDrums – Joe Banks Piano [Poss.] – Willie GantTrombone [Poss.] – Jake FrazierVocals – Lavinia Turner
B4	–Lavinia Turner	Can't Get Lovin' Blues Accompanied By – Her Band*Banjo [Poss.] – Spivey Clarinet [Poss.], Alto Saxophone [Poss.] – Garvin BushellCornet [Poss.] – Gus AikenDrums – Joe Banks Piano [Poss.] – Willie GantTrombone [Poss.] – Jake FrazierVocals – Lavinia Turner
B5	–Lavinia Turner	A-Wearin' Away The Blues Accompanied By – Her Jazz Band*Banjo [Poss.] – Spivey Clarinet [Poss.], Alto Saxophone [Poss.] – Garvin BushellCornet [Poss.] – Gus AikenDrums – Joe Banks Piano [Poss.] – Willie GantTrombone [Poss.] – Jake FrazierVocals – Lavinia Turner
B6	–Lavinia Turner	Sweet Man O' Mine Accompanied By – Her Jazz Band*Banjo [Poss.] – Spivey Clarinet [Poss.], Alto Saxophone [Poss.] – Garvin BushellCornet [Poss.] – Gus AikenDrums – Joe Banks Piano [Poss.] – Willie GantTrombone [Poss.] – Jake FrazierVocals – Lavinia Turner
B7	–Lavinia Turner	He Took It Away From Me Accompanied By – Jas. P. Johnson's Harmony SevenBanjo – Unknown ArtistClarinet – Unknown ArtistPiano – James P. JohnsonTenor Saxophone – Unknown ArtistTrombone – Unknown ArtistTrumpet – Unknown Artist, Unknown ArtistVocals – Lavinia Turner
B8	–Lavinia Turner	If I Were Your Daddy (And You Were A Mamma To Me) Accompanied By – Jas. P. Johnson's Harmony SevenBanjo – Unknown ArtistClarinet – Unknown ArtistPiano – James P. JohnsonTenor Saxophone – Unknown ArtistTrombone – Unknown ArtistTrumpet – Unknown Artist, Unknown ArtistVocals – Lavinia Turner
B9	–Lavinia Turner	How Can I Be Your "Sweet Mamma" When You Are "Daddy" To Somebody Else? Piano – Hughie WoolfordVocals – Lavinia Turner
B10	–Lavinia Turner	Don't Cut Off Your Nose To Spite Your Face Piano – Hughie WoolfordVocals – Lavinia Turner

Companies, etc.

Remastered At – Studio Klement
Distributed By – Rudolf Staeger

Credits

Compiled By, Producer – Johnny Parth
Remastered By – Hans Klement

Notes

A1: 15499 Richmond, Ind., 27 August 1929
A2: 16738 Richmond, Ind., 7 June 1930
A3: 72896-B New York City, c. 10 October 1924
A4: 72897-B New York City, c. 10 October 1924
A5: 73663-B New York City, 1 October 1925
A6: 73664-B New York City, 1 October 1925
A7: 107313 New York City, c. 15 January 1927
A8: 107314 New York City, c. 15 January 1927
A9: 7074-2 New York City, c. early February 1927
A10: 7130-2 New York City, c. March 1927
B1: 1432-3 Chicago, June 1923
B2: 1433-2 Chicago, June 1923
B3: 69168 New York City, March 1921
B4: 69169 New York City, March 1921
B5: 69232 New York City, May 1921
B6: 69233 New York City, May 1921
B7: 69358 New York City, c. 2 September 1921
B8: 69359 New York City, c. 2 September 1921
B9: 70988-B New York City, c. late October 1922
B10: 70989-A New York City, c. late October 1922

Rematering: Studio Hans Klement, Vienna.
Copyright 1991

Discographical details from Blues And Gospel Records 1902 - 1943 by John Godrich and Robert Dixon (third edition, Storyvielle 1982)

Exclusive Distribution: Rudolf Staeger
Obere Amtshausgasse 27/11, A-1050 Vienna, Austria. Phone 0222-54 28 73

Considering the extreme rarity of the original 78s, condition is generally better than might be hoped, but it must be borne in mind that only one or two copies are known to exist of some titles.

Photos:, Laura Smith, Ivy Smith, Lavinia Turner

Original recordings from the collections of Roger Misiewicz, Johnny Parth, Tom Tsotsi, Ernest Virgo, Pete Whelan.

Important Notes: Ivy Smith's remaining titles are on Document DLP-557, BoB-7 and Magpie PY-1814 (all by Cow Cow Davenport); 2 titles are prob. untraced. Laura Smith's remaining titles are on RST BD-2111, two titles are prob. untraced. 2 titles by Lavinia Turner have also not been found, the remaining two are on IAJRC-52 (James P. Johnson)

Barcode and Other Identifiers

Matrix / Runout: AUSTRO MECHANA
Label Code: LC 8395
Matrix / Runout (Side A): SHN 4032 A HM
Matrix / Runout (Side B): SHN 4032 B HM

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