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Vangelis - Mask flac album

Vangelis - Mask flac album
  • Performer Vangelis
  • Title Mask
  • Date of release 1985
  • Country UK
  • Style Modern Classical, Ambient
  • Other formats MMF DTS AIFF APE MIDI MP2 VOC
  • Genre Electronic
  • Size MP3 1755 mb
  • Size FLAC 1729 mb
  • Rating: 4.7
  • Votes: 626

Mask (sometimes The Mask) is a 1985 album by the Greek electronic music composer Vangelis. It was the last album he produced while living in London, and also the last he produced for the Polydor label. It is dramatic work in six movements, with somewhat dark mood and classical style which branches into ethnic styles. The album reached position in the UK album charts.

Mask (Vangelis album). For the Bauhaus album, see Mask (Bauhaus album). Studio album by Vangelis. Mask (sometimes The Mask) is a 1985 album by the Greek artist Vangelis. It is in a somewhat dark mood and classical in style, although it branches into ethnic styles. It reached in the UK album charts. All songs written by Vangelis.

Artwork – Alwyn Clayden, Vangelis. Composed By, Arranged By, Producer, Performer – Vangelis. Engineer – Jess Sutcliffe. Other – Green Ink, Projection. Technician – John Martin (4). Notes. Recorded at Nemo Studios, London, 1984. 422-825 245-1 Y-1. US. 1985.

This album has an average beat per minute of 97 BPM (slowest/fastest tempos: 78/114 BPM). 1. Mask: Movement 1 - Remastered.

Mask (sometimes The Mask) is a 1985 album by the Greek electronic music composer Vangelis. An album is a collection of audio recordings issued as a collection on compact disc, vinyl, audio tape, or another medium. Albums of recorded music were developed in the early 20th century as individual 78-rpm records collected in a bound book resembling a photograph album; this format evolved.

Vangelis: best 2 tracks. Vangelis - Bon Voyage Oceanic, 1996 02:32. Vangelis - Conquest Of Paradise Reprise 1990-1999, 1999 04:44.

Earth is the first official solo album by the Greek artist Vangelis, released in 1973. The album was promoted by a concert, held in Paris, at the Olympia Theatre in February 1974.

com, this product will be manufactured on demand using CD-R recordable media. com's standard return policy will apply. Disc: 1. Mask: Movement 1. 2. Mask: Movement 2. 3. Mask: Movement 3. 4. Mask: Movement 4. 5. Mask: Movement 5. 6. Mask: Movement 6. Product details. Audio CD (October 17, 1988).


A1 Movement I 10:26
A2 Movement II 3:20
A3 Movement III 6:47
B1 Movement IV 8:36
B2 Movement V 10:08
B3 Movement VI 4:23

Companies, etc.

  • Phonographic Copyright (p) – Spheric B.V.
  • Copyright (c) – Spheric B.V.
  • Manufactured By – PolyGram Records, Inc.
  • Marketed By – PolyGram Records, Inc.
  • Recorded At – Nemo Studios
  • Mastered At – Sterling Sound


  • Composed By, Arranged By, Producer, Performer – Vangelis
  • Design [Creative Assistance] – Green Ink, Projection
  • Engineer – Jess Sutcliffe
  • Mastered By – Greg Calbi
  • Sleeve – Alwyn Clayden, Vangelis
  • Technician [Studio Ambience] – John Martin


Recorded at Nemo Studios, London, 1984
Mastered at Sterling Sound, New York

A Spheric B.V. Production.

Barcode and Other Identifiers

  • Barcode: 0 42282 52451 5

Other versions

Category Artist Title (Format) Label Category Country Year
POLH 19 Vangelis Mask ‎(LP, Album) Polydor POLH 19 UK 1985
422-825 245-1 Y-1 Vangelis Mask ‎(Cass, Album) Polydor 422-825 245-1 Y-1 US 1985
825 245-1 Vangelis Mask ‎(LP, Album) Polydor 825 245-1 France 1985
52-85 Vangelis Mask ‎(Cass, Album) Not On Label 52-85 Unknown
825 245-1 Vangelis Mask ‎(LP, Album) Polydor 825 245-1 Greece 1985

Talk about Vangelis - Mask

As near to a style of electronic opera as one can imagine. While the tonality is firmly rooted in western modes, Vangelis manages a level of timbral and textural depth that is striking, furious and beautiful. After his Beaubourg series, this is likely one of his darkest works (though more accessible).This album might indeed be his analog electronic music swan song, for none of his subsequent works in the years since has employed his trademark analog sound to the same effect; like so many of his contemporaries, he was all too quickly infatuated with the meaningless bric-a-brac and sonic mimicry of the digital sampling age.For aficionados of the analog electronic sound, I can't recommend this highly enough.