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Stuart Dempster - In The Great Abbey Of Clement VI flac album

Stuart Dempster - In The Great Abbey Of Clement VI flac album
  • Performer Stuart Dempster
  • Title In The Great Abbey Of Clement VI
  • Date of release 1987
  • Country US
  • Style Free Improvisation, Experimental
  • Other formats MP2 WAV AA DXD AAC WAV RA
  • Genre Classical
  • Size MP3 1938 mb
  • Size FLAC 1104 mb
  • Rating: 4.5
  • Votes: 766

Complete your Stuart Dempster collection. The basis for this album are two improvisations with the acoustics of the Great Abbey of Clement VI in Avignon, France, taking special advantage of the 14 second reverberation time. His sensitivities to the space generates a work of beauty. The first two pieces were released on vinyl in 1979. New Albion re-issued the record in a new sleeve in 1987, and added a third track for the CD. This was based on Dempster revisiting the abbey in 1978, two years after the first recording.

Stuart Dempster is a bold performer; his collaborations with Pauline Oliveros are legendary. In the Great Abbey of Clement features Dempster performing on trombones, didgeridoos, and plastic sewer pipes. Using the acoustics of the abbey as part of the processing, he creates vast minimalist atmospheres and huge walls of sound. He uses computers and high-tech mics and boards to enhance the process. The sound design is meticulous and the performance is flawless. Dempster's engineering and mixing expertise are important facets of the soundscape. Dempster 's engineering and mixing expertise are important facets of the soundscape.

In The Great Abbey of Clement VI (1987 New Albion, NA013). Robert Suderburg, Chamber Music III ("Night Set"), for trombone and piano (with Robert Suderburg, piano). Also with Suderburg's Chamber Music IV ("Ritual Series"), for percussion ensemble; Chamber music V ("Stevenson"), for voice, string quartet, and tape. Echoes of Syros (2009, Full Bleed Music, FBM 003), Stuart Dempster (trombone, didjeridu, conch, garden hose, toys), Tom Heasley (tuba, electronics), Eric Glick Rieman (prepared Rhodes electric piano). Common Threads (Deep Listening, 1996).

Stuart Dempster, Solo Trombone. Rare! A Stunning Recording Made In The Great Abbey Of Clement VI: Side One "Standing Waves-1976. An Astounding Recording. LP Appears New, Unplayed. Artist: Dempster, Stuart Title: In The Great Abbey Of Clement VI Genre: Classical Type: Used - LP Label: 1750 Arch Catalog ID: S 1775 Country: USA Our ID: 113640. View other items by this Artist View other items on this Label.

Listen to Stuart Dempster Radio featuring songs from In the Great Abbey of Clement VI free online. Слушать бесплатное интернет-радио, спорт, музыку, новости, разговорное и подкасты. События в прямом эфире, трансляции игр NFL, MLB, NBA, NHL, университетских команд и матчи Премьер-лиги. Спорт, музыка, новости и подкасты. Слушайте аудиоконтент, который для вас наиболее важен.

In The Great Abbey Of Clement VI. Stuart Dempster. If there is a more versitile trombone player in the world, I've yet to discover them. Dempster is so -into- his instrument that he has worked diligently to discover everything it might possibly be capable of, up to including musical ventures with its various cousins, conch shells; the didgeridoo; and the garden hose.

The song 'Didjeridervish' by Stuart Dempster has a tempo of 60 beats per minute (BPM) on 'In The Great Abbey Of Clement VI. Get the Tempo of more than 6 Million songs.

Tracklist Hide Credits

1 Standing Waves - 1976
Trombone – Stuart Dempster
21:16
2 Didjeridervish - 1976
Performer [Plastic Sewer Pipe] – Stuart Dempster
17:32
3 Standing Waves - 78/87
Producer – Bob Hodas, Loren RushTrombone, Effects [Lexicon 480l Digital Processor], Tape – Stuart Dempster
18:51

Companies, etc.

  • Recorded At – Mills College Concert Hall
  • Made By – Americ Disc

Credits

  • Design [Album Design] – Marcus Associates
  • Engineer [Recording] – Bob Hodas, John Fulleman
  • Executive-Producer – Foster Reed
  • Photography By [Cover] – Ritty Birchfield
  • Photography By [Portrait, Trombone] – Philip Amdal
  • Producer, Other [Publisher] – Stuart Dempster

Notes

Track 3 recorded May 21, 1978 at Mills College Concert Hall, Oakland.

Tracks 1 and 2 originally released as an LP by 1750 Arch Records.

Catalog# "NA 013 CD" on CD, "NA013CD" on spine, "NA013" on backcover.

Barcode and Other Identifiers

  • Barcode: 0 22551-0013-2 9
  • Matrix / Runout: MADE IN CANADA BY AMERIC DISC 0E5S1<1124>NA013CD
  • Mastering SID Code: IFPI 2S09
  • Rights Society: ASCAP
  • SPARS Code: ADD

Other versions

Category Artist Title (Format) Label Category Country Year
S-1775 Stuart Dempster In The Great Abbey Of Clement VI ‎(LP) 1750 Arch Records S-1775 US 1979
S-1775 Stuart Dempster In The Great Abbey Of Clement VI ‎(LP) 1750 Arch Records S-1775 US 1979
NA 013 Stuart Dempster In The Great Abbey Of Clement VI ‎(Cass) New Albion NA 013 US 1987
NA 013 Stuart Dempster In The Great Abbey Of Clement VI ‎(LP, Album, RE) New Albion NA 013 US 1987


Talk about Stuart Dempster - In The Great Abbey Of Clement VI


Doomwarden
I found this review on line and thought it was important to have it listed here: "escalation746 Oct 16 2012 4.00 starsSince no-one has reviewed any of his releases, I presume that the name of Stuart Dempster is hidden in obscurity. And what a shame, because anyone interested in drone, harmonic tone music, circular breathing, and so on will find much to enjoy here. In fact this album, recorded way back in 1976, could be the archetypal dark ambient release, long before anyone had really thought to coin such a term. Dempster's instrument is the trombone, though he also uses other wind instruments, sometimes as simple as a length of PVC tubing, as on the second track here. The basis for this album are two improvisations with the acoustics of the Great Abbey of Clement VI in Avignon, France, taking special advantage of the 14 second reverberation time. His sensitivities to the space generates a work of beauty.The first two pieces were released on vinyl in 1979. New Albion re-issued the record in a new sleeve in 1987, and added a third track for the CD. This was based on Dempster revisiting the abbey in 1978, two years after the first recording. He utilises a digital delay in order to permit him to overlay tones over a drone, all in real time. Lovely."