Cantate BWV 4 Side A. Cantate BWV 34 Side B. Grand Prix du Disque 1962, Academie Charles Cros (Front Cover Upper Right). Other Versions (5 of 6) View All. Cat.
Bach composed this cantata to complete his second annual cycle of chorale cantatas, begun in 1724. The cantata is based on the hymn in three stanzas "Wachet auf, ruft uns die Stimme" (1599) by Philipp Nicolai, which covers the prescribed reading for the Sunday, the parable of the Ten Virgins. The text and tune of the three stanzas of the hymn appears unchanged in three of seven movements (1, 4 and 7). An unknown author supplied additional poetry for the inner movements as sequences of recitative and duet, based on the love poetry of the Song of Songs. Les Grandes Cantates de J. S. Bach Vol. 4. Fritz Werner. Heinrich-Schütz-Chor Heilbronn. Pforzheim Chamber Orchestra.
Fritz Werner & Heinrich Schütz Choir of Heilbronn & Pforzheim Chamber Orchestra Bach Cantatas & Other Vocal Works Recordings - Part 3. Recordings of Other Vocal Works. Bach: Les Six Motets. Bach: Oratorio de Pâques . Bach: Easter Oratorio, BWV 249 Bach Cantatas: Volume 1. Oster-Oratorium BWV 249. Heinrich Schütz-Chor Heilbronn, Pforzheim Chamber Orchestra. Erato LDE-3321 Erato STE-50221 Erato MUS-19012 Musical Heritage Society MHS-1533 Music Guild MS-144 Erato 2584-61401-2.
Chorale cantata by J. Bach. Michael, the archangel, by Guido Reni, Santa Maria della Concezione, Rome, 1636. Les Grandes Cantates de . 17, Fritz Werner, Heinrich-Schütz-Chor Heilbronn, Pforzheim Chamber Orchestra, Friederike Sailer, Claudia Hellmann, Helmut Krebs, Jakob Stämpfli, Erato 1961. Ansermet conducts Bach Cantatas No. 130, No. 67, excerpts from No. 101, Ernest Ansermet, Chœur Pro Arte de Lausanne, L'Orchestre de la Suisse Romande, Elly Ameling, Helen Watts, Werner Krenn, Tom Krause, Decca 1968.
Bach scored the work festively for four vocal soloists, a four-part choir and a Baroque instrumental ensemble of trumpets and timpani, transverse flutes, different kinds of oboe, strings and basso continuo including bassoon. He derived the first chorus, in the style of a French overture, from the overture to his fourth Orchestral Suite, embedding vocal parts in its fast middle section. J. Bach: Cantata BWV 110. Hans Thamm. Windsbacher Knabenchor. Bach: Cantata BWV 110 & Magnificat BWV 243. Gerhard Schmidt-Gaden.
Friederike Sailer, Ingeborg Reichelt, soprano Claudia Hellmann, Hertha Töpper, alt Helmut Krebs, tenor Erich Wenk, Jakob Stämpfli, Franz Kelch, bass Heinrich Schütz-Chor Heilbronn, Pforzheim Chamber Orchestra, Das Südwestdeutsche Kammerorchester Fritz Werner, conductor. Contents: CD1 1. BWV 61''Nun komm, der Heiden Heiland'' 7. BWV 26 ''Ach wie flüchtig, ach wie nichtig!'' 13. BWV 130 ''Herr Gott, dich loben alle wir'' 19. BWV 8 ''Liebster Gott, wann werd ich sterben''
Cantata BWV 11. A1. Chorus. J-S Bach, Hedy Graf, Barbara Scherler, Kurt Huber, Jakob Stämpfli, Chorale Heinrich Schütz De Heilbronn, Orchestre De Chambre De Pforzheim, Fritz Werner - Les Grandes Cantates De . Bach - Cantate BWV 11 "Lobet Gott In Seinen Reichen!", Cantate BWV 104 "Du Hirte Israel, Höre" (LP).
When I brushed up the history of cantata recordings, I was amazed to see that Werner's versions are among the first recorded ones: they are neither naïve nor specifically old-fashioned. BWV 85 is one of the few cantatas where a choir (other than ensemble of soloists) is unnecessary: try to hear a much later recording with Coin and Andreas Scholl Cantatas 85 183 199 & 175.
Friedericke Sailer, Maria Friesenhausen (sopranos), Claudia Hellmann, Emmy Lisken (altos), Helmut Krebs, Georg Jelden (tenors), Erich Wenk, Jakob Stämpfli, Barry McDaniel, Franz Kelch (basses), Heinrich Schütz Choir (Heilbronn), Pforzheim Chamber Orchestra, conducted by Fritz Werner.
Choir – The Heinrich-Schütz Chorale Of Heilbronn. Conductor – Fritz Werner. Orchestra – Pforzheim Chamber Orchestra. Soprano Vocals – Agnes Giebel. Tenor Vocals – Helmut Krebs. An ERATO OF PARIS recording, released in Australia exclusively by World Record Club. Bach, Agnes Giebel, Claudia Hellmann, Helmut Krebs, Jacob Stämpfli, Erich Wenk, Chorale Heinrich Schütz De Heilbronn, Orchestre De Chambre de Pforzheim. Bach, Agnes Giebel, Claudia Hellmann, Helmut Krebs, Jacob Stämpfli, Erich Wenk, Chorale Heinrich Schütz De Heilbronn, Orchestre De Chambre de Pforzheim - Les Grandes Cantates de J. Bach (Vol. 14) (LP).
| A1 | Symphonie |
| A2 | Verset I |
| A3 | Verset II |
| A4 | Verset III |
| A5 | Verset IV |
| A6 | Verset V |
| A7 | Verset VI |
| A8 | Verset VII |
| B1 | Chaeur |
| B2 | Récit |
| B3 | Aria |
| B4 | a) Récit b) Chaeur |
| Category | Artist | Title (Format) | Label | Category | Country | Year |
|---|---|---|---|---|---|---|
| TE 366 | Johann Sebastian Bach | Two Cantatas (LP, Album, Mono, Club) | World Record Club | TE 366 | Australia | 1965 |
| LDE 3204 | J.-S. Bach* - Claudia Hellmann, Helmut Krebs, Jakob Stämpfli*, Chorale Heinrich Schütz De Heilbronn*, Orchestre De Chambre De Pforzheim* | J.-S. Bach* - Claudia Hellmann, Helmut Krebs, Jakob Stämpfli*, Chorale Heinrich Schütz De Heilbronn*, Orchestre De Chambre De Pforzheim* - Les Grandes Cantates de J.-S. Bach / Cantate BWV 4 "Christ Lag In Todesbanden" Pour La Fête De Pâques / Cantate BWV 34 "O Ewiges Feuer" Pour La Fête De La Pentecôte (LP, Mono) | Erato | LDE 3204 | France | Unknown |
| MHS 568 | Johann Sebastian Bach | Cantata No. 4, "Christ lag in Todesbanden"; Cantata No. 34, "O ewiges Feuer" (LP, Album) | Musical Heritage Society | MHS 568 | US | Unknown |
| LDE 3204 | J. S. Bach* | Cantata No. 4, "Christ lag in Todesbanden"; Cantata No. 34, "O ewiges Feuer" (LP, Mono) | Erato | LDE 3204 | France | Unknown |
| STE-366, TE/366 | Johann Sebastian Bach | Two Cantatas (LP, Album, Club) | World Record Club, World Record Club | STE-366, TE/366 | Australia | 1965 |
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