Johann Sebastian Bach, Edith Selig, Claudia Hellmann, Georg Jelden, Jakob Staempfli, Heinrich Schütz Choir Of Heilbronn, Pforzheim Chamber Orchestra, Fritz Werner - Cantata No. 19 "Es Erhub Sich Ein Streit" / No. 40 "Dazu Ist Erschienen Der Sohn Gottes" / flac album

Cantata BWV 40, Dazu Ist Erschienen Der Sohn Gottes (For The Second Day Of Christmas). B1. Choral: "Dazu Ist Erschienen Der Sohn Gottes". Orchestra – The Pforzheim Chamber Orchestra. Tenor Vocals – Georg Jelden. Trumpet – Maurice Andre. An ERATO OF PARIS recording, released in Australia exclusively by World Record Club. Includes insert with German text and English translation. Australian WRC 1st pressing, sourced from original stampers and featuring unique sleeve art.

Johann Sebastian Bach On 7 July 1720, while Bach was abroad with Prince Leopold, tragedy struck: his wife, Maria Barbara, the mother of his first 7 children, died suddenly. The following year, the widower met Anna Magdalena Wilcke, a young, highly gifted soprano 17 years his junior, who performed at the court in Köthen; they married on 3 December 1721. Together they had 13 more children, six of whom survived into adulthood: Gottfried Heinrich, Johann Christoph Friedrich and Johann Christian, all of whom became significant musicians; Elisabeth Juliane Friederica (1726–81. In return for Commemorative statue of . Bach in Leipzig agreeing to Bach's appointment, the City-Estate faction was granted control of the School, and Bach was required to make a number of compromises with respect to his working conditions

Johann Sebastian Bach composed the church cantata Christ unser Herr zum Jordan kam, BWV 7, in Leipzig for the Feast of St. John the Baptist and led its first performance on 24 June 1724. It is the third cantata Bach composed for his chorale cantata cycle, th. mage: José de Ribera 063. O ewiges Feuer, o Ursprung der Liebe, BWV 34. O ewiges Feuer, o Ursprung der Liebe, BWV 3., is a church cantata by Johann Sebastian Bach. He composed it in Leipzig for Pentecost Sunday, and it was the basis for a later wedding cantata, BWV 3., beginning with the same line.