Luke Haines - Christy Malry's Own Double Entry flac album

Christie Malry's Own Double Entry by Luke Haines is the soundtrack to the film of the same name, based on a novel by . Johnson and directed by Paul Tickell. The album includes a cover of the Nick Lowe song "I Love the Sound of Breaking Glass" from Lowe's Jesus of Cool album. In the Bleak Midwinter" – 3:28. How to Hate the Working Classes" – 3:35. Bernie's Funeral/Auto Asphixiation" – 2:18.

Seven of the 12 tracks here are "proper" songs; with the exception of the superfluous dance mix of "Discomania" ("Essexmania"), they all rate well with the remainder of Haines' output (read: highly).

Artist: Luke Haines Duration: 03:34 File type: mp3. Play Pause Download. other tracks: Luke Haines. play) (pause) (download) (fb) (vk) (tw). Luke Haines Big Daddy Got A Casio VL–Tone. Luke Haines A Badger Called Nick Lowe.

Christie Malry's Own Double Entry. Seven of the 12 tracks here are "proper" songs; with the exception of the superfluous dance mix of "Discomania" ("Essexmania"), they all rate well with the remainder of Haines' output (read: highly).

Christie Malry is the perfect figurehead for our post-No Logo, Jon Ronson-saturated times. Underrated absurdist novelist BS Johnson created him in the earl. A cultural terrorist out to reclaim the debt he sees society owes him, it’s no wonder Luke Haines, a man who’s made a career out of skewering fools on beautifully spiteful lyrical barbs, was approached to write the. film’s soundtrack. Get the masterful book, get this album, that’s all you need. This is one of the best things Haines has done for ages, certainly since the tragically ignored ‘After Murder Park’.

Which one of us killed us? Which one of us am I? Which one of us killed us? Which one of us am I? It's all Discomania It's all Discomania It's all Discomania. I'm anti-everything And it's all Discomania We are the kids from the base We're not the kids in America Kim Wilde is sex I'm Tallula Bankhead Carrot cabbage winters Is gonna die from stamp death.

As with his previous work, The Oliver Twist Manifesto is a caustic little gem that fuses fuzzy 70's style guitar playing with all manner of strange electronic devices and orchestral strings, which are further complemented by Haines's snarling, half-whispered vocals