Brenda & The Big Dudes - Let’s Stick Together flac album

Brenda and the Big Dudes is a South African recording group formed in 1983. The group's classic line up included Brenda Fassie (Vocals), Desmond Malotana (Keyboards), Dumisane Ngubeni (Keyboards), Job "Fats" Mlangeni (Drums), David Mabaso (Bass) and Rufus Klaas (Guitar). The group rose to fame after the release of their debut maxi-single Weekend Special in 1983. The single became the best selling record in South Africa with sales of over 200,000 copies

Brenda and the Big Dudes. Brenda Nokuzola Fassie (3 November 1964 – 9 May 2004) was a South African anti-apartheid Afropop singer. Affectionately called MaBrrr by her fans, she was sometimes described as the "Queen of African Pop", the "Madonna of The Townships" or simply as The Black Madonna  . With The Big Dudes : 1983: Weekend Special (Album). 1984: Cool Spot (EP) (EP). 1984: Let's Stick Together. 1985: Higher and Higher.

Album Greatest Hits 1964-2004. Weekend Special Lyrics. You don't come around, to me see in the week You don't have a chance, to call me on the phone You don't come around, to me see in the week You don't have a chance, to call me on the phone. Another lonely night, on my own again How I long for your love I need your touch, yes I do You don't come around, to me see in the week You don't have a chance, to call me on the phone. But friday night, yes I know I know I must be ready for you, just be waiting for you Friday night, yes I know I know I must be ready for you, just be waiting for you.

Artist Album Song Title. Let’s Stick Together Album Cover Art. Bryan Ferry.

Watch the video for Touch Somebody from Brenda & The Big Dudes's Greatest Hits: The Queen Of African Pop 1964-2004 for free, and see the artwork, lyrics and similar artists. Brenda & The Big Dudes. Call Me Up. Brenda Fassie.

In 1983 Brenda Fassie formed "Brenda and the Big Dudes", and that same year she had a breakthrough hit with "Weekend Special," singing in the disco-flavored "bubblegum" style. Weekend Special" sold over 200,000 copies and had an extended life in cover versions and remixes, including one by New York producer Van Gibbs in 1986 that spent eight weeks on Billboard magazine's Hot Black Singles chart. The song's international success led to a Fassie tour of the United States, Europe, Australia, and Brazil.